Rachmaninoff: Reflections

Chronique

The major attraction on this release by pianist Inon Barnatan is the opening work, an arrangement by the pianist of Rachmaninov's Symphonic Dances, Op. 45, for one piano. The composer arranged the work for two pianos and even played it on one himself; the impetus for the new arrangement was that Barnatan, at loose ends during the COVID-19 pandemic, heard a bootleg recording of the composer playing through the work to introduce it to conductor Eugene Ormandy. Barnatan investigated the recording deeply and made an arrangement of his own. It is remarkably detailed, showing the results of the months of work Barnatan put in on it, and it may well inspire other pianists to take it up. That is not the end of the pleasures here, either. The Moments Musicaux, Op. 16, are early works that elaborate upon earlier kinds of short piano pieces with considerable virtuosity, and Barnatan's playing is clear and shows no sign of stress. Two shorter pieces round out the collection. It is a bit odd that so many pianists like to take over the Vocalise, Op. 34, No. 14, a work that derives its appeal from the challenges it poses for a singer. However, the final Prelude in G sharp minor, Op. 32, No. 12, leaves the listener in a dreamy mood. Pianists and lovers of the same should absolutely hear Barnatan's new version of the Symphonic Dances here.

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