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Glenn Gould|Bach: Partitas Nos. 3 & 4, BWV 827 & 828; Toccata in E Minor, BWV 914 - Gould Remastered

Bach: Partitas Nos. 3 & 4, BWV 827 & 828; Toccata in E Minor, BWV 914 - Gould Remastered

Glenn Gould

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This 1963 Columbia release, with Glenn Gould's face artfully half lit on the cover, hit its target audience dead center because Gould's fans, and they were legion at the time, knew exactly what to expect from the Canadian pianist: Bach performed with uncommon virtuosity and unique insight. And Gould's fans were not disappointed by this release, the last in his series devoted to the partitas. Gould's exquisite technique, with its trademark dry attack and détaché touch, illuminates Bach's counterpoints with absolute accuracy. Each piece alone is arresting -- the delicate Sarabande or the deliberate Minuet from the D major Partita, the pompous Burlesca or the impetuous Scherzo from the A minor Partita -- but the partitas as a whole become cogent large-scale forms in Gould's capable hands. Captured in Columbia's transparent stereo sound, one can hear every nuance of Gould's performance, but, thankfully, very little of his irrepressible humming.

© TiVo

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Bach: Partitas Nos. 3 & 4, BWV 827 & 828; Toccata in E Minor, BWV 914 - Gould Remastered

Glenn Gould

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Partita No. 4 in D Major, BWV 828 (Johann Sebastian Bach)

1
I. Overture
00:05:36

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

2
II. Allemande
00:06:26

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

3
III. Courante
00:03:40

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

4
IV. Aria
00:01:27

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

5
V. Sarabande
00:04:53

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

6
VI. Menuet
00:01:16

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

7
VII. Gigue
00:01:44

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

Partita No. 3 in A Minor, BWV 827 (Johann Sebastian Bach)

8
I. Fantaisie
00:01:47

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

9
II. Allemande
00:02:06

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

10
III. Courante
00:02:05

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

11
IV. Sarabande
00:02:03

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

12
V. Burlesca
00:01:47

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

13
VI. Scherzo
00:00:54

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

14
VII. Gigue
00:01:27

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

15
Toccata in E Minor, BWV 914 (2015 Remastered Version)
00:08:39

Glenn Gould, Main Artist, Piano - Johann Sebastian Bach, Composer - Paul Myers, Producer

(P) 1963 Sony Music Entertainment

Chronique

This 1963 Columbia release, with Glenn Gould's face artfully half lit on the cover, hit its target audience dead center because Gould's fans, and they were legion at the time, knew exactly what to expect from the Canadian pianist: Bach performed with uncommon virtuosity and unique insight. And Gould's fans were not disappointed by this release, the last in his series devoted to the partitas. Gould's exquisite technique, with its trademark dry attack and détaché touch, illuminates Bach's counterpoints with absolute accuracy. Each piece alone is arresting -- the delicate Sarabande or the deliberate Minuet from the D major Partita, the pompous Burlesca or the impetuous Scherzo from the A minor Partita -- but the partitas as a whole become cogent large-scale forms in Gould's capable hands. Captured in Columbia's transparent stereo sound, one can hear every nuance of Gould's performance, but, thankfully, very little of his irrepressible humming.

© TiVo

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