Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
After releasing a debut album of noisy pop that was perfectly formed and felt like the work of a band already at the summit of their career, it seemed like the only place Alvvays could have gone was down. Maybe sideways, at the very best. Instead, after taking their time both writing and recording the follow-up, they made a giant leap forward instead. Antisocialites has all the sticky hooks of the debut, all the boisterous noise, and the open-hearted honesty, too. What the band adds this time is confidence and skill, gained from the reception their debut got and also all the time they spent playing bigger and bigger shows. The sound of the album is bigger and the arrangements fuller and more spacious, giving the instruments room to breathe. It's a bit of a change, but it works in their favor, especially since Molly Rankin's vocals are a little more to the front of the mix and she sounds strong and fully in command of her voice, while retaining all the vulnerability she displayed before. The album is heavy with break-up songs and she captures the varying moods of a break-up with surgical precision. The pain seeps out of songs like "In Undertow" and "Not My Baby" like a fresh wound, while resigned anger flows through "Your Type" and a little bit of hope creeps into "Forget About Life." The songs too, aim for and hit their targets dead on, whether its melancholy nostalgia on the lovely new wave ballad "Dreams Tonite," the zippy dance-rock floor filler "Hey," or the bouncing pop-punker "Lollipop (Ode to Jim)." The instantly catchy "Plimsoll Punks" is the equal, hook-wise, of "Archie, Marry Me," and there's not a weak link anywhere. The production (courtesy of John Congleton) is layered and clean, with reverb and noise used as a spice instead of a main course. Unlike the first album, where things tended to blend together into a whirring blur of noise, things are both more restrained and more exciting here. It's down to dynamics and arrangements, both of which they pay close attention to at all times. The guitars aren't just a Wall of Sound, there are great riffs, lines, and sounds that pop in and out of the mix. The backing vocal harmonies are more a part of the sound this time too, and Kerri MacLellan's keyboards are even audible sometimes. Thanks to the care and feeding the band put into their sound, Antisocialites manages the rare feat of a band following their brilliant debut with a sophomore effort that's just as special. Alvvays make it looks easy, and by the time the album is done spinning, it's hard not to start thinking about how great their next record could be.
© Tim Sendra /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Copyright Control, MusicPublisher - Alvvays, Artist, MainArtist
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. /[PIAS]
Chronique
After releasing a debut album of noisy pop that was perfectly formed and felt like the work of a band already at the summit of their career, it seemed like the only place Alvvays could have gone was down. Maybe sideways, at the very best. Instead, after taking their time both writing and recording the follow-up, they made a giant leap forward instead. Antisocialites has all the sticky hooks of the debut, all the boisterous noise, and the open-hearted honesty, too. What the band adds this time is confidence and skill, gained from the reception their debut got and also all the time they spent playing bigger and bigger shows. The sound of the album is bigger and the arrangements fuller and more spacious, giving the instruments room to breathe. It's a bit of a change, but it works in their favor, especially since Molly Rankin's vocals are a little more to the front of the mix and she sounds strong and fully in command of her voice, while retaining all the vulnerability she displayed before. The album is heavy with break-up songs and she captures the varying moods of a break-up with surgical precision. The pain seeps out of songs like "In Undertow" and "Not My Baby" like a fresh wound, while resigned anger flows through "Your Type" and a little bit of hope creeps into "Forget About Life." The songs too, aim for and hit their targets dead on, whether its melancholy nostalgia on the lovely new wave ballad "Dreams Tonite," the zippy dance-rock floor filler "Hey," or the bouncing pop-punker "Lollipop (Ode to Jim)." The instantly catchy "Plimsoll Punks" is the equal, hook-wise, of "Archie, Marry Me," and there's not a weak link anywhere. The production (courtesy of John Congleton) is layered and clean, with reverb and noise used as a spice instead of a main course. Unlike the first album, where things tended to blend together into a whirring blur of noise, things are both more restrained and more exciting here. It's down to dynamics and arrangements, both of which they pay close attention to at all times. The guitars aren't just a Wall of Sound, there are great riffs, lines, and sounds that pop in and out of the mix. The backing vocal harmonies are more a part of the sound this time too, and Kerri MacLellan's keyboards are even audible sometimes. Thanks to the care and feeding the band put into their sound, Antisocialites manages the rare feat of a band following their brilliant debut with a sophomore effort that's just as special. Alvvays make it looks easy, and by the time the album is done spinning, it's hard not to start thinking about how great their next record could be.
© Tim Sendra /TiVo
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 00:32:30
- Artistes principaux : Alvvays
- Label : Transgressive
- Genre : Pop/Rock Rock Alternatif et Indé
2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS] 2017 Polyvinyl Record Co. under exclusive license to Transgressive Records Ltd. / [PIAS]
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.