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Jérôme Comte|Simaku: SOLO (Soloists of Ensemble intercontemporain)

Simaku: SOLO (Soloists of Ensemble intercontemporain)

Jérôme Comte, Clément Saunier, Aurélien Gignoux and Dimitri Vassilakis

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Langue disponible : anglais

The durable Ensemble Intercontemporain, founded by Pierre Boulez, continues to draw listeners even after his demise, and this challenging but accessible release landed on classical best-seller charts in the autumn of 2023. Here, the ensemble's soloists take center stage in music by composer Thomas Simaku, often requiring virtuoso talent but beautifully written for the instruments involved. Possibly the most attractive piece is the Soliloquy VIII for percussion, with a featured marimba part that strains at the instrument's limitations. Simaku's music is atonal but offers the listener clear points of reference. Sample the various movements of Catena II for piano, where each movement explores the implications of a specific gesture or sonority; its energetic counterpoint is rooted firmly in classical procedures. All of the works were composed within the last decade, but Catena III appears to be the only one dating from the COVID-19 pandemic, and it has a grim quality that places it apart from the rest of the music. Highly recommended to music students, who may find appealing recital material here.

© James Manheim /TiVo

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Simaku: SOLO (Soloists of Ensemble intercontemporain)

Jérôme Comte

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1
Soliloquy VII for clarinet and resonant piano
Jérôme Comte
00:13:06

Thomas Simaku, Composer - Jérôme Comte, MainArtist - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

2
Catena II: I. Con ampio spazio
Dimitri Vassilakis
00:03:46

Dimitri Vassilakis, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

3
Catena II: II. Giocoso
Dimitri Vassilakis
00:02:06

Dimitri Vassilakis, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

4
Catena II: III. Lento assai
Dimitri Vassilakis
00:03:28

Dimitri Vassilakis, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

5
Catena II: IV. Con grazia
Dimitri Vassilakis
00:02:11

Dimitri Vassilakis, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

6
Catena II: V. Impetuoso
Dimitri Vassilakis
00:01:50

Dimitri Vassilakis, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

7
Catena II: VI. Solenne, scorrevole, spaziale-liberamente, scorrevole, solenne-ben sostenuto
Dimitri Vassilakis
00:06:13

Dimitri Vassilakis, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

8
Soliloquy VIII
Aurélien Gignoux
00:15:26

Thomas Simaku, Composer - UYMP, MusicPublisher - Aurélien Gignoux, MainArtist

2023 NMC Recordings 2023 NMC Recordings

9
Soliloquy IX for trumpet and resonant piano
Clément Saunier
00:12:01

Clément Saunier, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

10
Catena III - Corona
Dimitri Vassilakis
00:15:08

Dimitri Vassilakis, MainArtist - Thomas Simaku, Composer - UYMP, MusicPublisher

2023 NMC Recordings 2023 NMC Recordings

Chronique

The durable Ensemble Intercontemporain, founded by Pierre Boulez, continues to draw listeners even after his demise, and this challenging but accessible release landed on classical best-seller charts in the autumn of 2023. Here, the ensemble's soloists take center stage in music by composer Thomas Simaku, often requiring virtuoso talent but beautifully written for the instruments involved. Possibly the most attractive piece is the Soliloquy VIII for percussion, with a featured marimba part that strains at the instrument's limitations. Simaku's music is atonal but offers the listener clear points of reference. Sample the various movements of Catena II for piano, where each movement explores the implications of a specific gesture or sonority; its energetic counterpoint is rooted firmly in classical procedures. All of the works were composed within the last decade, but Catena III appears to be the only one dating from the COVID-19 pandemic, and it has a grim quality that places it apart from the rest of the music. Highly recommended to music students, who may find appealing recital material here.

© James Manheim /TiVo

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