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Dana Zemtsov|Silhouettes

Silhouettes

Dana Zemtsov and Anna Fedorova

Livret numérique

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The young violist Dana Zemtsov is a versatile player who has recorded music of her native Mexico as well as from various European traditions. Here, she and pianist Anna Fedorova weave English, Dutch, French, and Romanian pieces into an evocative sequence in which all the music falls generally into the French sphere and is informed by the inimitable way the French have with nostalgia. Debussy is represented in venerable transcriptions, and much of the music derives from the retrospective strands of his personality. The program opens with the Viola Sonata of Rebecca Clarke, influenced by the Violin Sonata in G minor of Debussy but a more tense and exacting work. It receives a precise performance here, but the real fun begins when Zemtsov relaxes into some more purely neoclassic works. There is a fine sonata by the little-known composer Arne Werkman and a lovely rendition of George Enescu's Concert Piece for viola and piano. However, the real highlight is the fairly obscure Viola Sonata No. 1, Op. 240, of Milhaud, written during World War II but redolent of the gentle hillsides of California, to which the composer fled. The work brings out Zemtsov's best quality: her remarkable way with lyrical melodies, which are abundant in this work. The whole thing is highly listenable in music that's generally unfamiliar, except for the Debussy, and it's beautifully recorded.
© TiVo

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Silhouettes

Dana Zemtsov

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Viola Sonata (Rebecca Clarke)

1
I. Impetuoso, ma non troppo allegro
Anna Fedorova
00:08:53

Rebecca Clarke, Composer - Chester Music, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

2
II. Vivace
Anna Fedorova
00:04:44

Rebecca Clarke, Composer - Chester Music, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

3
III. Adagio - Allegro
Anna Fedorova
00:11:10

Rebecca Clarke, Composer - Chester Music, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

4
La plus que lente, CD 128. Lent
Anna Fedorova
00:04:42

Claude Debussy, Composer - Copyright Control, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

Suite for Viola and Piano, Op. 51 (Arne Werkman)

5
I. Allemande
Anna Fedorova
00:02:55

Copyright Control, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist - Arne Werkman, Composer

2020 Channel Classics Records 2020 Channel Classics Records

6
II. Branle
Anna Fedorova
00:02:17

Copyright Control, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist - Arne Werkman, Composer

2020 Channel Classics Records 2020 Channel Classics Records

7
III. Pavane
Anna Fedorova
00:04:54

Copyright Control, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist - Arne Werkman, Composer

2020 Channel Classics Records 2020 Channel Classics Records

8
IV. Tarantella
Anna Fedorova
00:02:39

Copyright Control, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist - Arne Werkman, Composer

2020 Channel Classics Records 2020 Channel Classics Records

9
Suite bergamasque, CD 82: III. Clair de lune. Andante très expressif
Anna Fedorova
00:04:32

Claude Debussy, Composer - Copyright Control, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

Viola Sonata No. 1, Op. 240 (Darius Milhaud)

10
I. Entrée
Anna Fedorova
00:03:10

Darius Milhaud, Composer - Editions Alphonse Leduc, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

11
II. Française
Anna Fedorova
00:02:29

Copyright Control, MusicPublisher - Darius Milhaud, Composer - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

12
III. Air
Anna Fedorova
00:04:27

Darius Milhaud, Composer - Editions Alphonse Leduc, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

13
IV. Final
Anna Fedorova
00:02:52

Copyright Control, MusicPublisher - Darius Milhaud, Composer - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

14
Concertstück. Assez-animé - Animé
Anna Fedorova
00:09:22

George Enescu, Composer - Editions Enoch, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

15
Beau soir, CD 84
Anna Fedorova
00:02:27

Claude Debussy, Composer - Copyright Control, MusicPublisher - Dana Zemtsov, MainArtist - Anna Fedorova, MainArtist

2020 Channel Classics Records 2020 Channel Classics Records

Chronique

The young violist Dana Zemtsov is a versatile player who has recorded music of her native Mexico as well as from various European traditions. Here, she and pianist Anna Fedorova weave English, Dutch, French, and Romanian pieces into an evocative sequence in which all the music falls generally into the French sphere and is informed by the inimitable way the French have with nostalgia. Debussy is represented in venerable transcriptions, and much of the music derives from the retrospective strands of his personality. The program opens with the Viola Sonata of Rebecca Clarke, influenced by the Violin Sonata in G minor of Debussy but a more tense and exacting work. It receives a precise performance here, but the real fun begins when Zemtsov relaxes into some more purely neoclassic works. There is a fine sonata by the little-known composer Arne Werkman and a lovely rendition of George Enescu's Concert Piece for viola and piano. However, the real highlight is the fairly obscure Viola Sonata No. 1, Op. 240, of Milhaud, written during World War II but redolent of the gentle hillsides of California, to which the composer fled. The work brings out Zemtsov's best quality: her remarkable way with lyrical melodies, which are abundant in this work. The whole thing is highly listenable in music that's generally unfamiliar, except for the Debussy, and it's beautifully recorded.
© TiVo

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