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Constantinople|Que Le Yable Les Emporte - Songs From Quebec

Que Le Yable Les Emporte - Songs From Quebec

Constantinople, Bernard Simard, Normand Miron

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Why perform traditional French-Canadian folk songs with an ensemble that includes Middle Eastern instruments and even a sitar? "Why not?" is certainly an acceptable answer; musical materials from around the world have been arranged for Western ensembles for centuries, and turnabout is fair play. But there's more going on here with Que le yable les emporte, whose title might have merited translation into English (it means something like The Devil take them!). One of the moving forces behind this project is Bernard Simard, whose "foot percussion" will sound familiar to anyone who has heard the great Quebec traditional-music group Les Bottines Souriantes. His knowledge of Québécois music is deep and broad, and the songs included on this disc are compelling in themselves. Hear track 4, "Su'l carillon," with its tale of a priest who walks by a woman abusing her daughter and tries to intervene, or track 9, "Les corps de métiers" (The Trade Guilds), in which the devil delivers a hilarious blanket indictment of the chicanery of various tradespeople -- but finds that he has to postpone taking them to hell, because "if you all wanted to climb on board, you'd all have to be taken straight away for burning, but my wagon wouldn't budge." These songs are surrounded by instrumental reels and other dances.
The idea of "Easternizing" them sounds strange, but it works well. Partly this is because, as with Anglo-American tunes, many of these (there are a few originals) are of great antiquity; in their outlines they at least hint at a time when Western instruments had immediate ancestors in the Arab world. The oud heard here, for instance, is one step away from the lute to which it lent its name as well as its basic shape. The music's success also comes from practice; Simard and the members of Constantinople performed this material for several years before making this recording, and the comfortable quality of their musical conversation shows through. They have several different modalities of combining Eastern and Western materials: the oud, sitar, tombak, and other instruments chime in on the reels on some numbers, whereas in other cases the vocal tunes are adapted to a more Eastern sound. Constantinople, a French-Canadian group with several members of Armenian background, was founded in 1998 with projects like this in mind; the group's stated aim is to "[propose] musical creations born of a compositional reflection on the transformation and integration of ancient music from the Mediterranean regions into contemporary idioms." The enterprise is speculative, but, in this case at least, musically solid and emotionally affecting.

© TiVo

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Que Le Yable Les Emporte - Songs From Quebec

Constantinople

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1
La descente au clair de lune: Descendez à l'ombre
Constantinople
00:04:28

Traditional, Composer - Bernard Simard, Adapter, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

2
La descente au clair de lune: Rossignolet sauvage / Galant tu perds ton temps (Arr. by Guy Ross and Elin Söderström)
Constantinople
00:06:32

Traditional, Composer - Bernard Simard, Adapter, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Guy Ross, Arranger, Work Arranger - Elin Söderström, Arranger, Work Arranger - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

3
Le diable est aux noces: C'est la belle Françoise / Bransle de Bourgoigne / Reel des noces
Normand Miron
00:07:26

Traditional, Composer - Bernard Simard, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Guy Ross, Adapter - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

4
Les plus belles filles qu'il y a dedans ces lieux: Su'l carillon / SimoneCharlotte
Normand Miron
00:04:31

Traditional, Composer - Bernard Simard, Adapter, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

5
Les plus belles filles qu'il y a dedans ces lieux: La Belle Hélène
Bernard Simard
00:05:15

Traditional, Composer - Bernard Simard, Adapter, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

6
Les plus belles filles qu'il y a dedans ces lieux: Reel à Jeannine
Constantinople
00:02:18

Traditional, Composer - Bernard Simard, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

7
Les plus belles filles qu'il y a dedans ces lieux: Marianson
Constantinople
00:01:05

Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Guy Ross, Composer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

8
La brouette de Satan: Le Chevalier (Arr. by Ziya Tabassian)
Constantinople
00:02:42

Traditional, Composer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Ziya Tabassian, Arranger, Work Arranger - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

9
La brouette de Satan: Les Corps de métier / Lucifer aux blancs pieds
Constantinople
00:09:44

Traditional, Composer - Bernard Simard, Adapter, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

10
Medley du grand faucheur: C'est en mai/La fille d'un prince/Pas trop content/Allonsy belle/Je suis un pauvre conscrit/Je l'attends depuis l'aurore (Arr. by Guy Ross)
Bernard Simard
00:07:10

Traditional, Composer - Bernard Simard, Adapter, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Guy Ross, Arranger, Work Arranger - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

11
Le navire échoué: La rengaine des cent lieues
Constantinople
00:03:17

Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Ziya Tabassian, Composer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

12
Le navire échoué: À l'abri d'une olive
Constantinople
00:05:29

Traditional, Composer - Bernard Simard, Singer, MainArtist, AssociatedPerformer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Guy Ross, Adapter - Normand Miron, Singer, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

13
Le set de l'empoisonneur: Libre et facile / Elle m'aimait pas rien qu'un peu / Gigue de l'expulsion / Reel du poison
Constantinople
00:04:33

Traditional, Composer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

14
Le set de l'empoisonneur: La jarretelle verte / Reel de Rivière-du-Loup
Constantinople
00:03:35

Traditional, Composer - Constantinople, Chamber Ensemble, MainArtist, AssociatedPerformer - Alain Chénier, Recording Engineer, StudioPersonnel - Lorraine Chalifoux, Producer

℗ 2005 ATMA Classique

Chronique

Why perform traditional French-Canadian folk songs with an ensemble that includes Middle Eastern instruments and even a sitar? "Why not?" is certainly an acceptable answer; musical materials from around the world have been arranged for Western ensembles for centuries, and turnabout is fair play. But there's more going on here with Que le yable les emporte, whose title might have merited translation into English (it means something like The Devil take them!). One of the moving forces behind this project is Bernard Simard, whose "foot percussion" will sound familiar to anyone who has heard the great Quebec traditional-music group Les Bottines Souriantes. His knowledge of Québécois music is deep and broad, and the songs included on this disc are compelling in themselves. Hear track 4, "Su'l carillon," with its tale of a priest who walks by a woman abusing her daughter and tries to intervene, or track 9, "Les corps de métiers" (The Trade Guilds), in which the devil delivers a hilarious blanket indictment of the chicanery of various tradespeople -- but finds that he has to postpone taking them to hell, because "if you all wanted to climb on board, you'd all have to be taken straight away for burning, but my wagon wouldn't budge." These songs are surrounded by instrumental reels and other dances.
The idea of "Easternizing" them sounds strange, but it works well. Partly this is because, as with Anglo-American tunes, many of these (there are a few originals) are of great antiquity; in their outlines they at least hint at a time when Western instruments had immediate ancestors in the Arab world. The oud heard here, for instance, is one step away from the lute to which it lent its name as well as its basic shape. The music's success also comes from practice; Simard and the members of Constantinople performed this material for several years before making this recording, and the comfortable quality of their musical conversation shows through. They have several different modalities of combining Eastern and Western materials: the oud, sitar, tombak, and other instruments chime in on the reels on some numbers, whereas in other cases the vocal tunes are adapted to a more Eastern sound. Constantinople, a French-Canadian group with several members of Armenian background, was founded in 1998 with projects like this in mind; the group's stated aim is to "[propose] musical creations born of a compositional reflection on the transformation and integration of ancient music from the Mediterranean regions into contemporary idioms." The enterprise is speculative, but, in this case at least, musically solid and emotionally affecting.

© TiVo

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