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Céline Scheen|Parodies spirituelles & spiritualité en parodies

Parodies spirituelles & spiritualité en parodies

Céline Scheen / Les Menus-Plaisirs du Roy / Jean-Luc Impe

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Langue disponible : anglais

The concept of this release, a brainchild of French researcher, conductor, and archlute player Jean-Luc Impe, is a bit outrageous but also undoubtedly inventive, providing an instant corrective for anyone who thought odd mixtures of sacred and secular died with the Renaissance. The album's title, Parodies spirituelles et spiritualité en parodies (Spiritual Parodies and Spirituality in Parodies), suggests repertoires that are mirror images of each other. That's not quite the case, but they are oddly related. The "parodies spirituelles" are reworkings of early 17th century songs, refitted with sacred lyrics, rhythmically altered to a greater or lesser degree, and slowed down in keeping with the religious atmosphere. These have some of the naïve quality of Charpentier's sacred melodies of a half-century later, minus the court splendor. The "parodies" in which Impe finds spirituality might better be described as satires, and they're not spiritual in the conventional sense; in fact, they're pretty raunchy. Though Impe claims that these vaudevilles, as they were called "more irreverent in nature then genuinely polemical or anticlerical," some of them are pretty shocking now and must have been even more so at the time. Typical is the concluding La Soeur Luce, which ostensibly depicted a nun chasing a bug in her bedroom, but in fact seems, as Impe contends, to refer to masturbation. Some of these pieces are anonymous, which may well have been due to their controversial nature. The texts are given only in French, which is a shame for non-Francophones inasmuch as the imagery is allusive, humorous, and presumably filled with contemporary references. The average listener with rusty French will get only partway through. Still, this music, like much of the French repertoire of the period, has been absolutely unknown, and its unearthing in any form is something to be grateful for.
© TiVo

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Parodies spirituelles & spiritualité en parodies

Céline Scheen

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1
Surprise, ô Dieu, de vos lumières
Ricardo Rodríguez Miranda
00:05:43

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - François Richard, Composer

2009 Pavane Records 2009 Centre d'étude asbl

2
Belle Philis, en attendant vos noces
Ricardo Rodríguez Miranda
00:02:42

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

3
Baisant, un soir, une mignarde
Ricardo Rodríguez Miranda
00:01:52

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

4
Les Manches vertes
Ricardo Rodríguez Miranda
00:01:55

Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

5
Au jardin de mon père, un nid d'oiseau y a
Ricardo Rodríguez Miranda
00:01:41

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

6
Les Genoux et l'esprit
Ricardo Rodríguez Miranda
00:04:40

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - François Richard, Composer

2009 Pavane Records 2009 Centre d'étude asbl

7
Une jeune nonnette
Ricardo Rodríguez Miranda
00:02:39

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

8
François, mon séraphique père
Ricardo Rodríguez Miranda
00:07:14

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - François Richard, Composer

2009 Pavane Records 2009 Centre d'étude asbl

9
La Fustemberg
Ricardo Rodríguez Miranda
00:05:04

Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Michel Corrette, Composer

2009 Pavane Records 2009 Centre d'étude asbl

10
Oh! Que j'ai de contentement
Ricardo Rodríguez Miranda
00:04:33

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - François Richard, Composer

2009 Pavane Records 2009 Centre d'étude asbl

11
Messieurs, ayez mémoire
Ricardo Rodríguez Miranda
00:04:47

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

12
Jean des sots
Ricardo Rodríguez Miranda
00:01:14

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

13
Rondeau
Ricardo Rodríguez Miranda
00:02:26

Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

14
Quelle est cette beauté
Ricardo Rodríguez Miranda
00:05:55

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - François Richard, Composer

2009 Pavane Records 2009 Centre d'étude asbl

15
Les Pèlerins de Saint-Jacques
Ricardo Rodríguez Miranda
00:03:52

Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - Anonymous, Composer

2009 Pavane Records 2009 Centre d'étude asbl

16
La Sour Luce
Ricardo Rodríguez Miranda
00:02:09

Céline Scheen, Performer - Catherine Daron, Performer - Gail-An Schroeder, Performer - Eriko Semba, Performer - Ricardo Rodríguez Miranda, Performer - Dimitri Dumon, Performer - Jean-Luc Impe, Performer - André-Joseph Exaudet, Composer

2009 Pavane Records 2009 Centre d'étude asbl

Chronique

The concept of this release, a brainchild of French researcher, conductor, and archlute player Jean-Luc Impe, is a bit outrageous but also undoubtedly inventive, providing an instant corrective for anyone who thought odd mixtures of sacred and secular died with the Renaissance. The album's title, Parodies spirituelles et spiritualité en parodies (Spiritual Parodies and Spirituality in Parodies), suggests repertoires that are mirror images of each other. That's not quite the case, but they are oddly related. The "parodies spirituelles" are reworkings of early 17th century songs, refitted with sacred lyrics, rhythmically altered to a greater or lesser degree, and slowed down in keeping with the religious atmosphere. These have some of the naïve quality of Charpentier's sacred melodies of a half-century later, minus the court splendor. The "parodies" in which Impe finds spirituality might better be described as satires, and they're not spiritual in the conventional sense; in fact, they're pretty raunchy. Though Impe claims that these vaudevilles, as they were called "more irreverent in nature then genuinely polemical or anticlerical," some of them are pretty shocking now and must have been even more so at the time. Typical is the concluding La Soeur Luce, which ostensibly depicted a nun chasing a bug in her bedroom, but in fact seems, as Impe contends, to refer to masturbation. Some of these pieces are anonymous, which may well have been due to their controversial nature. The texts are given only in French, which is a shame for non-Francophones inasmuch as the imagery is allusive, humorous, and presumably filled with contemporary references. The average listener with rusty French will get only partway through. Still, this music, like much of the French repertoire of the period, has been absolutely unknown, and its unearthing in any form is something to be grateful for.
© TiVo

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