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Langue disponible : anglais
"Oh, do it Clara darling!" said Robert Schumann to his bride Clara, strongly encouraging her to pursue composing. Although the pianist had always composed, when she married in 1840 - without being asked to - she was immediately willing to dispense with this part of her musical output: "A woman does not have to desire to compose - so far not one has been able to do so; should that be what I am destined to do?" Clara is caught up in a crisis and feels resigned: "But I cannot compose ... I lack all talent for it".
Only after the wedding did Clara return to composing. As long as her father or husband encouraged her to do so, in her consummate adaptability she did so with joy. But after Robert's death in 1856, Clara stopped composing entirely.
It does not appear that the Mendelssohns were able to enjoy Heine's kinder side. Although Heine was sometimes a visitor at their home in Berlin, somehow friendly relations did not develop. However, the poet Heine held Fanny in high regard. She had already set his poems Was will die einsame Trane and Am I euchtenden Sommermorgen to music in 1827/28. Her song setting of Heine's Schwanenlied - was her first published work, but this only happened in 1846. At first Fanny chose to set poems by her bridegroom WiIhelm to music, of which she had already composed Lebewohl the same year they met and before the wedded couple were separated for a long period. Upon getting married she, too, began a busy and fruitful artistic colIaboration that involved the daily morning ritual of Wilhelm leaving poems on the piano for her to set to music. © Haenssler Classic
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Ave Maria, H-U 20 (Fanny Mendelssohn)
Walter Scott, Lyricist - Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
6 Lieder, Op. 13 (Excerpts) (Clara Schumann)
Clara Schumann, Composer - Emanuel Geibel, Lyricist - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Was will die einsame Träne, H-U 207 (Fanny Mendelssohn)
Heinrich Heine, Lyricist - Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Zauberkreis, H-U 399 (Fanny Mendelssohn)
Friedrich Rückert, Lyricist - Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
6 Lieder, Op. 13 (Excerpts) (Clara Schumann)
Clara Schumann, Composer - Emanuel Geibel, Lyricist - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Zwischen Capua und Gaeta (Fanny Mendelssohn)
Franz Grillparzer, Lyricist - Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Lorelei, KochS WoO 19 (Clara Schumann)
Heinrich Heine, Lyricist - Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
4 Songs for Piano, Op. 2 (Excerpts) (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
O weh des Scheidens, das er tat, KochS WoO 20 (Clara Schumann)
Friedrich Rückert, Lyricist - Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
6 Lieder, op. 1 (Fanny Mendelssohn)
Heinrich Heine, Lyricist - Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Wanderlied (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist - Friedericke Robert, Lyricist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Lebewohl, H-U 48 (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Wilhelm Hensel, Lyricist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Am Strande, KochS WoO 15 (Clara Schumann)
Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist - Robert Burn, Lyricist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
4 Songs for Piano, Op. 2 (Excerpts) (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Frühlingslied, H-U 255 (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Wilhelm Hensel, Lyricist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Lieder, Op. 12 (Excerpts) (Clara Schumann)
Friedrich Rückert, Lyricist - Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Die furchtsame Träne, H-U 66 (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist - Herrmann Reinhard Schick, Lyricist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
O, wie beseligend (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Nacht (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Friederike Robert, Lyricist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Soirees Musicales, Op. 6 (Clara Schumann)
Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Lieder, Op. 12 (Excerpts) (Clara Schumann)
Friedrich Rückert, Lyricist - Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
6 Lieder, Op. 13 (Excerpts) (Clara Schumann)
Friedrich Rückert, Lyricist - Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Am leuchtenden Sommermorgen, H-U 212 (Fanny Mendelssohn)
Heinrich Heine, Lyricist - Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Lied der Fee, H-U 73 (Fanny Mendelssohn)
Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist - Fanny Casper, Lyricist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Gebet in der Christnacht, H-U 63 (Fanny Mendelssohn)
Wilhelm Müller, Lyricist - Christine Schornsheim, Artist, MainArtist - Fanny Mendelssohn, Composer - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Die gute Nacht, KochS WoO 17 (Clara Schumann)
Friedrich Rückert, Lyricist - Clara Schumann, Composer - Christine Schornsheim, Artist, MainArtist - Bettina Pahn, Artist, MainArtist
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
Chronique
"Oh, do it Clara darling!" said Robert Schumann to his bride Clara, strongly encouraging her to pursue composing. Although the pianist had always composed, when she married in 1840 - without being asked to - she was immediately willing to dispense with this part of her musical output: "A woman does not have to desire to compose - so far not one has been able to do so; should that be what I am destined to do?" Clara is caught up in a crisis and feels resigned: "But I cannot compose ... I lack all talent for it".
Only after the wedding did Clara return to composing. As long as her father or husband encouraged her to do so, in her consummate adaptability she did so with joy. But after Robert's death in 1856, Clara stopped composing entirely.
It does not appear that the Mendelssohns were able to enjoy Heine's kinder side. Although Heine was sometimes a visitor at their home in Berlin, somehow friendly relations did not develop. However, the poet Heine held Fanny in high regard. She had already set his poems Was will die einsame Trane and Am I euchtenden Sommermorgen to music in 1827/28. Her song setting of Heine's Schwanenlied - was her first published work, but this only happened in 1846. At first Fanny chose to set poems by her bridegroom WiIhelm to music, of which she had already composed Lebewohl the same year they met and before the wedded couple were separated for a long period. Upon getting married she, too, began a busy and fruitful artistic colIaboration that involved the daily morning ritual of Wilhelm leaving poems on the piano for her to set to music. © Haenssler Classic
À propos
- 1 disque(s) - 26 piste(s)
- Durée totale : 01:00:54
- 1 Livret Numérique
- Artistes principaux : Bettina Pahn Christine Schornsheim
- Compositeur : Various Composers
- Label : haenssler CLASSIC
- Genre : Classique
(C) 2022 haenssler CLASSIC (P) 2022 haenssler CLASSIC
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