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George Harrison|Dark Horse

Dark Horse

GEORGE HARRISON

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With his first solo tour looming ahead in November and December of 1974, George Harrison felt impelled to rush out a new album, and even a steadily worsening case of laryngitis wouldn't stop him. Would that it did, for the appallingly weak state of his voice would torpedo this album and the tour, to his great embarrassment. "Hari's on Tour (Express)" -- with Tom Scott's L.A. Express churning out all-pro L.A.-studio jazz/rock -- gets the doomed project off to a spirited start, but it's an instrumental, and Harrison's vocal distress becomes obvious to all in the next track, "Simply Shady." Some of George's tunes -- particularly the title track and the exquisite "Far East Man" -- might have benefited from waiting for a better time to record, while others probably could not have been saved. The recording quality, like the voice, has a raw, coarse-grained sound that belies the impeccable musicianship. Dark Horse is perhaps most notorious for Harrison's bitter, slipshod rewrite of the Everly Brothers' hit "Bye Bye Love" -- referring openly to George's wife Pattie running off with Eric Clapton and, for good measure, having both of them on the session! Dark Horse would also be the name of Harrison's soon-to-be-formed new label, as well as a metaphor for the underestimated Beatle who leaped artistically and commercially ahead of his three colleagues immediately after the Beatles' breakup. Unfortunately, this album -- despite its humorous Sgt. Pepper parody on the cover and outright plea to critics on the margins of the inside jacket to go easy on its contents -- would only undermine Harrison's hard-fought campaign for respect.

© Richard S. Ginell /TiVo

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Dark Horse

George Harrison

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1
Hari's on Tour (Express)
00:04:42

GEORGE HARRISON, Composer, Producer, Guitar, MainArtist - Tom Scott, Horn - JOHN GUERIN, Drums - Phil McDonald, Engineer - Robben Ford, Guitar - Roger Kellaway, Piano

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

2
Simply Shady
00:04:37

GEORGE HARRISON, Composer, Producer, Guitar, MainArtist - Tom Scott, Horn - JOHN GUERIN, Drums - Phil McDonald, Engineer - Robben Ford, Guitar - Roger Kellaway, Piano

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

3
So Sad
00:04:59

Nicky Hopkins, Piano - Jim Keltner, Drums - GEORGE HARRISON, Composer, Producer, Guitar, MainArtist - Phil McDonald, Engineer - Ringo Starr, Drums

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

4
Bye Bye Love
00:04:06

Eric Clapton, Guitar - Felice Bryant, Composer - GEORGE HARRISON, Producer, Engineer, Guitar, MainArtist - Boudleaux Bryant, Composer

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

5
Māya Love
00:04:22

Andy Newmark, Drums - GEORGE HARRISON, Composer, Producer, Guitar, MainArtist - Tom Scott, Horn - Billy Preston, Piano - Kumar Shankar, Engineer - John Henry Smith, Engineer

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

6
Ding Dong, Ding Dong
00:03:40

GEORGE HARRISON, Composer, Producer, MainArtist - Ronnie Wood, Electric Guitar

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

7
Dark Horse
00:03:53

Jim Keltner, Drums - Willie Weeks, Bass Guitar - GEORGE HARRISON, Composer, Producer, Guitar, MainArtist - Chuck Findley, Flute - Tom Scott, Flute - Billy Preston, Piano - Jim Horn, Flute - Robben Ford, Guitar

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

8
Far East Man
00:05:51

Andy Newmark, Drums - GEORGE HARRISON, Composer, Producer, Guitar, Writer, MainArtist - Tom Scott, Horn - Billy Preston, Piano - Ronnie Wood, Composer, Writer - R Wood, Composer

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

9
It Is 'He' (Jai Sri Krishna)
00:04:52

Andy Newmark, Drums - GEORGE HARRISON, Composer, Producer, Guitar, MainArtist - Chuck Findley, Flute - Tom Scott, Flute - Billy Preston, Piano - Jim Horn, Flute

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

10
I Don't Care Anymore
00:02:44

GEORGE HARRISON, Composer, Producer, MainArtist

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

11
Dark Horse (Early Take)
00:04:25

GEORGE HARRISON, Composer, Producer, Guitar, MainArtist

© 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC ℗ 2014 G.H. Estate Limited under exclusive license to BMG Rights Management (US) LLC

Chronique

With his first solo tour looming ahead in November and December of 1974, George Harrison felt impelled to rush out a new album, and even a steadily worsening case of laryngitis wouldn't stop him. Would that it did, for the appallingly weak state of his voice would torpedo this album and the tour, to his great embarrassment. "Hari's on Tour (Express)" -- with Tom Scott's L.A. Express churning out all-pro L.A.-studio jazz/rock -- gets the doomed project off to a spirited start, but it's an instrumental, and Harrison's vocal distress becomes obvious to all in the next track, "Simply Shady." Some of George's tunes -- particularly the title track and the exquisite "Far East Man" -- might have benefited from waiting for a better time to record, while others probably could not have been saved. The recording quality, like the voice, has a raw, coarse-grained sound that belies the impeccable musicianship. Dark Horse is perhaps most notorious for Harrison's bitter, slipshod rewrite of the Everly Brothers' hit "Bye Bye Love" -- referring openly to George's wife Pattie running off with Eric Clapton and, for good measure, having both of them on the session! Dark Horse would also be the name of Harrison's soon-to-be-formed new label, as well as a metaphor for the underestimated Beatle who leaped artistically and commercially ahead of his three colleagues immediately after the Beatles' breakup. Unfortunately, this album -- despite its humorous Sgt. Pepper parody on the cover and outright plea to critics on the margins of the inside jacket to go easy on its contents -- would only undermine Harrison's hard-fought campaign for respect.

© Richard S. Ginell /TiVo

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