Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
The Tunisian oud genius has done it again. Anouar Brahem has issued only five records under his own name over the past decade, each more adventurous than the last, without compromising his original vision: for the music of his region to meet with the other music of Africa and Asia and create a delirious sound that is equal thirds past, present, and future, along the precipice of historical lineage. For Brahem there is no attempt to synthesize the globe, or even the sounds of the East with those of the West. He is content in his knowledge that sound is infinite, and that his tradition, as it evolves and expands into a deeper pan-African/trans-Asian whole, is more than large enough for a master musician to rummage through in one lifetime. Astrakan Café, the follow-up to his brilliant Thimar, is a smaller-sounding recording that reaches farther into the deep crags of the Balkans. With Barbaros Erköse on clarinet and the Indian and Turkish percussion stylings of the professor of somber precision, Lassad Hosni, Brahem's oud enters into a dialogue, musically, that has never before existed (though he has collaborated with both players previously). Erköse is a Turkish clarinetist of gypsy origin. His low, warm, rounded tones are consonant with the oud. Erköse plays equal parts music of the Balkan and Arab worlds with a tinge of the ancient klezmorim whispering their secrets through his horn. Despite the journeying these musicians do here, they never stray far from the takht, a small ensemble capable of improvising to the point of drunken ecstasy. Listening through Astrakan Café, you can hear the gypsy flamenco tied deeply to Indian ragas and even a kind of Eastern jazz. But there is no hyperactivity in it, no need to cram as many traditions as possible into one putridly excessive mix that expresses nothing but the novelty of the moment. Astrakan Café has many highlights: its two title tracks that have their roots in Russian and Azerbaijan music; "Ashkabad," which is an improvisation on a melody from the folk music of Turkmenistan; "Astara," a modal improvisation based on love songs from Azerbaijan; "Halfounie," a segment from a Brahem-composed soundtrack inspired by the medina or marketplace in Tunis; and "Parfum de Gitanie," which takes a fragment from Ethiopian sacred music, slows it to the point of stillness, and waxes lazily and jazzily over the top, with the oud and the clarinet trading syncopated eights. This is deeply personal, profound music. It is also highly iconographic, with timelessness woven through every measure. The only "exotica" on Astrakan Café is its "otherness" out of space and any discernable era. The tempos are languid and full of purpose, the dynamics clean and clearly demarcated, the tones and modes warm, rich, and linear. This would be traditional music if a tradition such as this -- which is original, though adapted from many sources on inspiration -- actually existed. Highly recommended
© Thom Jurek /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Composer, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Arranger, Oud, Work Arranger, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer - Jamil Bey, Composer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Composer, Darbouka, AssociatedPerformer - Barbaros Erköse, Composer, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer - Osman Bey, Composer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Markus Heiland, Mastering Engineer, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Anouar Brahem, Composer, Oud, MainArtist, AssociatedPerformer - Lassad Hosni, Darbouka, AssociatedPerformer - Barbaros Erköse, Clarinet, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Approfondimenti
The Tunisian oud genius has done it again. Anouar Brahem has issued only five records under his own name over the past decade, each more adventurous than the last, without compromising his original vision: for the music of his region to meet with the other music of Africa and Asia and create a delirious sound that is equal thirds past, present, and future, along the precipice of historical lineage. For Brahem there is no attempt to synthesize the globe, or even the sounds of the East with those of the West. He is content in his knowledge that sound is infinite, and that his tradition, as it evolves and expands into a deeper pan-African/trans-Asian whole, is more than large enough for a master musician to rummage through in one lifetime. Astrakan Café, the follow-up to his brilliant Thimar, is a smaller-sounding recording that reaches farther into the deep crags of the Balkans. With Barbaros Erköse on clarinet and the Indian and Turkish percussion stylings of the professor of somber precision, Lassad Hosni, Brahem's oud enters into a dialogue, musically, that has never before existed (though he has collaborated with both players previously). Erköse is a Turkish clarinetist of gypsy origin. His low, warm, rounded tones are consonant with the oud. Erköse plays equal parts music of the Balkan and Arab worlds with a tinge of the ancient klezmorim whispering their secrets through his horn. Despite the journeying these musicians do here, they never stray far from the takht, a small ensemble capable of improvising to the point of drunken ecstasy. Listening through Astrakan Café, you can hear the gypsy flamenco tied deeply to Indian ragas and even a kind of Eastern jazz. But there is no hyperactivity in it, no need to cram as many traditions as possible into one putridly excessive mix that expresses nothing but the novelty of the moment. Astrakan Café has many highlights: its two title tracks that have their roots in Russian and Azerbaijan music; "Ashkabad," which is an improvisation on a melody from the folk music of Turkmenistan; "Astara," a modal improvisation based on love songs from Azerbaijan; "Halfounie," a segment from a Brahem-composed soundtrack inspired by the medina or marketplace in Tunis; and "Parfum de Gitanie," which takes a fragment from Ethiopian sacred music, slows it to the point of stillness, and waxes lazily and jazzily over the top, with the oud and the clarinet trading syncopated eights. This is deeply personal, profound music. It is also highly iconographic, with timelessness woven through every measure. The only "exotica" on Astrakan Café is its "otherness" out of space and any discernable era. The tempos are languid and full of purpose, the dynamics clean and clearly demarcated, the tones and modes warm, rich, and linear. This would be traditional music if a tradition such as this -- which is original, though adapted from many sources on inspiration -- actually existed. Highly recommended
© Thom Jurek /TiVo
A proposito dell'album
- 1 disco(i) - 14 traccia(e)
- Durata totale: 01:17:32
- 1 Libretto digitale
- Artisti principali: Anouar Brahem
- Compositore: Various Composers
- Etichetta: ECM
- Genere: Jazz
© 2000 ECM Records GmbH ℗ 2000 ECM Records GmbH
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.