Mozart: Piano Concertos Vol. 2

Chronique

Will listeners raised on virtuoso performances of Mozart's piano concertos be able to make room in the hearts for Christian Zacharias' recordings with the Orchestre de Chambre de Lausanne? It depends on how willing they are to forego the pleasures of virtuosity for the pleasures music-making. This is not to say that Zacharias isn't a virtuoso pianist. As his twenty years of recordings make very clear, he has talents and abilities far beyond those of most mortal pianists. But it is to say that, as those recordings make equally clear, Zacharias is far more interested in music-making than he is in virtuosity. As both pianist and conductor here, Zacharias leads performances which are all about sympathetic interplay, about musicians listening to each other, about the meaning behind the notes and the joy inside the notes. The Lausanne musicians respond joyfully to Zacharias' direction, playing with him and not for him and breathing life into every line and sonority. While listeners raised on virtuoso performances may find something lacking, those listeners who value playing together more than showing off will find much to enjoy. Musikproduktion Dabringhaus und Grimm's sound is ideally balanced between detail and depth and between immediacy and atmosphere, thereby providing an aural image of a real pianist with a real orchestra in a real place in real time.
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