Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
After Good Old Boys, one of the most ambitious and thematically unified albums of his career, Randy Newman seemed to beat a willful retreat for his next project, 1977's Little Criminals. For the most part abandoning the carefully structured orchestral arrangements that dominated Good Old Boys and Sail Away, Newman cut Little Criminals with a handful of pop-friendly session musicians and L.A. Mellow Mafia regulars (including most of the Eagles), and his arch, cutting satire gave way to a lighter but less thoughtful tone, with the humor becoming less mean-spirited (though becoming much more venomous than "Rednecks" might have been difficult). Newman even revisited one of his favorite themes, the pointlessness of racial prejudice, with a metaphor so silly no one could fail to understand it. Or at least that's what he thought when he wrote "Short People"; the song unexpectedly took off as a novelty hit, and the vertically challenged across the country began attacking Newman for what they saw as an affront to their dignity and well-being. As a result, Little Criminals became Newman's first (and only) gold album in the United States, but this set wasn't an especially good way to introduce the average record buyer to his work. Little Criminals lacks the scope of Newman's best work, the music is skillful but bland, and several of the songs sound like padding (especially "You Can't Fool the Fat Man" and "Jolly Coppers on Parade"). While the title tune, "Rider in the Rain," "In Germany Before the War," and "Sigmund Freud's Impersonation of Albert Einstein in America" (which was written for the movie Ragtime but not used) are fine songs, much of Little Criminals sounds like Newman was treading water; it's not his worst album, but it sounds like the work of a man figuring out what his next move should be.
© Mark Deming /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
J. D. SOUTHER, Background Vocals - Timothy B. Schmit, Background Vocals - Waddy Wachtel, Guitar - Randy Newman, Composer, Arranger, Keyboards, Vocals, Writer, Synthesizer, MainArtist - Jim Keltner, Drums - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Congas - Russ Titelman, Producer - Klaus Voorman, Bass - Glenn Frey, Background Vocals - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Andy Newmark, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Congas - Russ Titelman, Producer - Willie Weeks, Bass - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Andy Newmark, Drums - Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Percussion - Russ Titelman, Producer - Willie Weeks, Bass - Glenn Frey, Guitar - Mike Boddicker, Synthesizer - Joe Walsh, Slide Guitar, Solo Guitar - Loyd Clifft, Engineer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Randy Newman, Composer, Lyricist, Keyboards, Vocals, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Ralph Grierson, Piano - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Waddy Wachtel, Guitar - Randy Newman, Composer, Lyricist, Keyboards, Vocals, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Congas - Russ Titelman, Producer - Willie Weeks, Bass - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer - Jim Kelter, Drums
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - Jim Keltner, Drums, Tambourine - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
J. D. SOUTHER, Background Vocals - Andy Newmark, Drums - Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Percussion - Russ Titelman, Producer - Willie Weeks, Bass - Glenn Frey, Guitar, Background Vocals - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Waddy Wachtel, Guitar - Randy Newman, Composer, Lyricist, Arranger, Keyboards, Vocals, Writer, MainArtist - Jim Keltner, Drums - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
J. D. SOUTHER, Background Vocals - Waddy Wachtel, Guitar - Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, Writer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Glenn Frey, Background Vocals - DON HENLEY, Background Vocals - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Joe Walsh, Guitar - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Chronique
After Good Old Boys, one of the most ambitious and thematically unified albums of his career, Randy Newman seemed to beat a willful retreat for his next project, 1977's Little Criminals. For the most part abandoning the carefully structured orchestral arrangements that dominated Good Old Boys and Sail Away, Newman cut Little Criminals with a handful of pop-friendly session musicians and L.A. Mellow Mafia regulars (including most of the Eagles), and his arch, cutting satire gave way to a lighter but less thoughtful tone, with the humor becoming less mean-spirited (though becoming much more venomous than "Rednecks" might have been difficult). Newman even revisited one of his favorite themes, the pointlessness of racial prejudice, with a metaphor so silly no one could fail to understand it. Or at least that's what he thought when he wrote "Short People"; the song unexpectedly took off as a novelty hit, and the vertically challenged across the country began attacking Newman for what they saw as an affront to their dignity and well-being. As a result, Little Criminals became Newman's first (and only) gold album in the United States, but this set wasn't an especially good way to introduce the average record buyer to his work. Little Criminals lacks the scope of Newman's best work, the music is skillful but bland, and several of the songs sound like padding (especially "You Can't Fool the Fat Man" and "Jolly Coppers on Parade"). While the title tune, "Rider in the Rain," "In Germany Before the War," and "Sigmund Freud's Impersonation of Albert Einstein in America" (which was written for the movie Ragtime but not used) are fine songs, much of Little Criminals sounds like Newman was treading water; it's not his worst album, but it sounds like the work of a man figuring out what his next move should be.
© Mark Deming /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:38:29
- Artistes principaux : Randy Newman
- Compositeur : Randy Newman
- Label : Warner Records
- Genre : Pop/Rock Pop
© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.