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Randy Newman|Little Criminals

Little Criminals

Randy Newman

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Langue disponible : anglais

After Good Old Boys, one of the most ambitious and thematically unified albums of his career, Randy Newman seemed to beat a willful retreat for his next project, 1977's Little Criminals. For the most part abandoning the carefully structured orchestral arrangements that dominated Good Old Boys and Sail Away, Newman cut Little Criminals with a handful of pop-friendly session musicians and L.A. Mellow Mafia regulars (including most of the Eagles), and his arch, cutting satire gave way to a lighter but less thoughtful tone, with the humor becoming less mean-spirited (though becoming much more venomous than "Rednecks" might have been difficult). Newman even revisited one of his favorite themes, the pointlessness of racial prejudice, with a metaphor so silly no one could fail to understand it. Or at least that's what he thought when he wrote "Short People"; the song unexpectedly took off as a novelty hit, and the vertically challenged across the country began attacking Newman for what they saw as an affront to their dignity and well-being. As a result, Little Criminals became Newman's first (and only) gold album in the United States, but this set wasn't an especially good way to introduce the average record buyer to his work. Little Criminals lacks the scope of Newman's best work, the music is skillful but bland, and several of the songs sound like padding (especially "You Can't Fool the Fat Man" and "Jolly Coppers on Parade"). While the title tune, "Rider in the Rain," "In Germany Before the War," and "Sigmund Freud's Impersonation of Albert Einstein in America" (which was written for the movie Ragtime but not used) are fine songs, much of Little Criminals sounds like Newman was treading water; it's not his worst album, but it sounds like the work of a man figuring out what his next move should be.

© Mark Deming /TiVo

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Little Criminals

Randy Newman

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1
Short People
00:02:56

J. D. SOUTHER, Background Vocals - Timothy B. Schmit, Background Vocals - Waddy Wachtel, Guitar - Randy Newman, Composer, Arranger, Keyboards, Vocals, Writer, Synthesizer, MainArtist - Jim Keltner, Drums - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Congas - Russ Titelman, Producer - Klaus Voorman, Bass - Glenn Frey, Background Vocals - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

2
You Can't Fool the Fat Man
00:02:46

Andy Newmark, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Congas - Russ Titelman, Producer - Willie Weeks, Bass - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

3
Little Criminals
00:03:03

Andy Newmark, Drums - Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Percussion - Russ Titelman, Producer - Willie Weeks, Bass - Glenn Frey, Guitar - Mike Boddicker, Synthesizer - Joe Walsh, Slide Guitar, Solo Guitar - Loyd Clifft, Engineer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

4
Texas Girl at the Funeral of Her Father
00:02:43

Randy Newman, Composer, Lyricist, Keyboards, Vocals, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Ralph Grierson, Piano - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

5
Jolly Coppers on Parade
00:03:49

Waddy Wachtel, Guitar - Randy Newman, Composer, Lyricist, Keyboards, Vocals, Synthesizer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Congas - Russ Titelman, Producer - Willie Weeks, Bass - Mike Boddicker, Synthesizer - Loyd Clifft, Engineer - Jim Kelter, Drums

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

6
In Germany Before the War
00:03:42

Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

7
Sigmund Freud's Impersonation of Albert Einstein in America
00:02:53

Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - Jim Keltner, Drums, Tambourine - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

8
Baltimore
00:04:05

J. D. SOUTHER, Background Vocals - Andy Newmark, Drums - Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Milt Holland, Percussion - Russ Titelman, Producer - Willie Weeks, Bass - Glenn Frey, Guitar, Background Vocals - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

9
I'll Be Home
00:02:48

Waddy Wachtel, Guitar - Randy Newman, Composer, Lyricist, Arranger, Keyboards, Vocals, Writer, MainArtist - Jim Keltner, Drums - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

10
Rider in the Rain
00:03:54

J. D. SOUTHER, Background Vocals - Waddy Wachtel, Guitar - Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, Writer, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Glenn Frey, Background Vocals - DON HENLEY, Background Vocals - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

11
Kathleen (Catholicism Made Easier)
00:03:37

Rick Marotta, Drums - Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Willie Weeks, Bass - Joe Walsh, Guitar - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

12
Old Man on the Farm
00:02:13

Randy Newman, Composer, Lyricist, Keyboards, Vocals, MainArtist - LEE HERSCHBERG, Mixer, Engineer, Masterer - LENNY WARONKER, Producer - Russ Titelman, Producer - Loyd Clifft, Engineer - Mike Moddicker, Synthesizer

© 1977 Warner Records Inc. ℗ 1977 Warner Records Inc.

Chronique

After Good Old Boys, one of the most ambitious and thematically unified albums of his career, Randy Newman seemed to beat a willful retreat for his next project, 1977's Little Criminals. For the most part abandoning the carefully structured orchestral arrangements that dominated Good Old Boys and Sail Away, Newman cut Little Criminals with a handful of pop-friendly session musicians and L.A. Mellow Mafia regulars (including most of the Eagles), and his arch, cutting satire gave way to a lighter but less thoughtful tone, with the humor becoming less mean-spirited (though becoming much more venomous than "Rednecks" might have been difficult). Newman even revisited one of his favorite themes, the pointlessness of racial prejudice, with a metaphor so silly no one could fail to understand it. Or at least that's what he thought when he wrote "Short People"; the song unexpectedly took off as a novelty hit, and the vertically challenged across the country began attacking Newman for what they saw as an affront to their dignity and well-being. As a result, Little Criminals became Newman's first (and only) gold album in the United States, but this set wasn't an especially good way to introduce the average record buyer to his work. Little Criminals lacks the scope of Newman's best work, the music is skillful but bland, and several of the songs sound like padding (especially "You Can't Fool the Fat Man" and "Jolly Coppers on Parade"). While the title tune, "Rider in the Rain," "In Germany Before the War," and "Sigmund Freud's Impersonation of Albert Einstein in America" (which was written for the movie Ragtime but not used) are fine songs, much of Little Criminals sounds like Newman was treading water; it's not his worst album, but it sounds like the work of a man figuring out what his next move should be.

© Mark Deming /TiVo

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