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Laura Pausini|Escucha

Escucha

Laura Pausini

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One linguistic myth is that anyone who speaks Spanish is automatically fluent in Italian; the languages are quite similar, but similar is by no means the same as identical. However, it is true that anyone who is fluent in Italian has a definite advantage if he or she wants to learn Spanish (and vice versa), which is why Italian pop star Laura Pausini mastered Spanish and is able to record the same album in both languages. The Italian-oriented Resta in Ascolto and its Spanish-language counterpart Escucha are the same album in two different languages, but once you get past the linguistic difference, it's clear that Pausini has provided the same 11 songs with the same tracks and the same arrangements in the same order. Stylistically, there is no difference between the two; in Italian or in Spanish, Pausini's forte is slick adult contemporary, and the influences one hears on Escucha (namely, Celine Dion and Phil Collins) are also evident on Resta in Ascolto. Whether one prefers to hear Pausini in Italian or in Spanish -- or perhaps both -- is a matter of personal preference. Resta in Ascolto will no doubt have the commercial advantage in Milan, Rome, and Venice, while residents of Madrid and Mexico City will tend to favor Escucha -- and in Argentina (which has attracted an abundance of Italian immigrants over the years), it isn't hard to imagine some speakers of the lunfardo dialect (which is Spanish with a strong Italian influence) wanting to acquire both versions. The main prerequisite for liking Resta in Ascolto or Escucha is an appreciation of adult contemporary; Pausini was never a daring, cutting-edge type of artist, but from an adult contemporary perspective, her work is pleasing and above average -- and anyone who has spent a lot of time listening to Celine Dion can't go wrong with either Resta in Ascolto or its español counterpart.

© Alex Henderson /TiVo

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Escucha

Laura Pausini

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1
Mi perspectiva
00:03:05

Ignacio Ballesteros Diaz, Adapter - Daniel, Composer - CHEOPE, Lyricist - Laura Pausini, Lyricist, MainArtist - Artistic : Dado Parisini, Producer - Laura Pausini for Gentemusic, ExecutiveProducer - Gabriele Parisi, ExecutiveProducer

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

2
Víveme
00:03:56

Laura Pausini, Adapter, MainArtist - Artistic : Dado Parisini, Producer - Laura Pausini for Gentemusic, ExecutiveProducer - Biagio Antonacci, Composer, Lyricist - Gabriele Parisi, ExecutiveProducer - Badia, Adapter

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

3
Escucha atento
00:03:28

DADO PARISINI, Arranger - CHEOPE, Lyricist - Laura Pausini, Lyricist, MainArtist - Artistic : Dado Parisini, Producer - IGNACIO BALLESTEROS, Adapter - Gabriele Parisi for Gentemanagement, ExecutiveProducer - Laura Pausini for Gentemusic, ExecutiveProducer - Daniel Vuletic, Composer

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

4
Tu nombre en mayúsculas
00:03:19

Daniel, Composer - CHEOPE, Lyricist - Laura Pausini, Lyricist, MainArtist - Artistic : Dado Parisini, Producer - Laura Pausini for Gentemusic, ExecutiveProducer - Gabriele Parisi, ExecutiveProducer - Badia, Adapter

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

5
Bendecida pasión
00:04:11

Saverio Grandi, Composer, Lyricist - Celso Valli, Arranger - Gaetano Curreri, Composer, Lyricist - Laura Pausini, Lyricist, MainArtist - Vasco Rossi, Composer, Lyricist - Gabriele Parisi for Gentemanagement, ExecutiveProducer - Laura Pausini for Gentemusic, ExecutiveProducer - Artistic: Celso Valli, Producer

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

6
Como si no nos hubiéramos amado
00:04:00

CHEOPE, Lyricist - Laura Pausini, Lyricist, Adapter, MainArtist - Gabriele Parisi for Gentemanagement, ExecutiveProducer - Laura Pausini for Gentemusic, ExecutiveProducer - Artistic: Celso Valli, Producer - Daniel Vuletic, Composer - Francisco Rodriguez, Adapter

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

7
Tan importante
00:03:28

Ignacio Ballesteros Diaz, Adapter - DADO PARISINI, Lyricist - Laura Pausini, Lyricist, MainArtist - Artistic : Dado Parisini, Producer - Cesare Chiodo, Composer - Laura Pausini for Gentemusic, ExecutiveProducer - Gabriele Parisi, ExecutiveProducer

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

8
Háblame
00:03:43

Daniel, Composer - CHEOPE, Lyricist - Laura Pausini, Lyricist, Adapter, MainArtist - Laura Pausini for Gentemusic, ExecutiveProducer - Artistic: Celso Valli, Producer - Gabriele Parisi, ExecutiveProducer - Leòn Tristàn, Adapter

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

9
Donde el aire es ceniza
00:03:47

DADO PARISINI, Arranger - CHEOPE, Lyricist - Laura Pausini, Lyricist, Adapter, MainArtist - Antonio Galbiati, Composer - Artistic : Dado Parisini, Producer - IGNACIO BALLESTEROS, Adapter - Gabriele Parisi for Gentemanagement, ExecutiveProducer - Laura Pausini for Gentemusic, ExecutiveProducer

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

10
Amar completamente
00:04:00

Ignacio Ballesteros Diaz, Adapter - DADO PARISINI, Lyricist - Laura Pausini, Lyricist, MainArtist - Artistic : Dado Parisini, Producer - Cesare Chiodo, Composer - Gabriele Parisi for Gentemanagement, ExecutiveProducer - Laura Pausini for Gentemusic, ExecutiveProducer

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

11
Me abandono a ti
00:04:42

Laura Pausini, Lyricist, Adapter, MainArtist - Madonna, Composer - Rick Nowels, Composer - Laura Pausini for Gentemusic, ExecutiveProducer - Artistic: Rick Nowels, Producer - Gabriele Parisi, ExecutiveProducer

© 2004 Warner Music Italia S.r.l. a Warner Music Group Company ℗ 2004 Warner Music Italia Srl

Chronique

One linguistic myth is that anyone who speaks Spanish is automatically fluent in Italian; the languages are quite similar, but similar is by no means the same as identical. However, it is true that anyone who is fluent in Italian has a definite advantage if he or she wants to learn Spanish (and vice versa), which is why Italian pop star Laura Pausini mastered Spanish and is able to record the same album in both languages. The Italian-oriented Resta in Ascolto and its Spanish-language counterpart Escucha are the same album in two different languages, but once you get past the linguistic difference, it's clear that Pausini has provided the same 11 songs with the same tracks and the same arrangements in the same order. Stylistically, there is no difference between the two; in Italian or in Spanish, Pausini's forte is slick adult contemporary, and the influences one hears on Escucha (namely, Celine Dion and Phil Collins) are also evident on Resta in Ascolto. Whether one prefers to hear Pausini in Italian or in Spanish -- or perhaps both -- is a matter of personal preference. Resta in Ascolto will no doubt have the commercial advantage in Milan, Rome, and Venice, while residents of Madrid and Mexico City will tend to favor Escucha -- and in Argentina (which has attracted an abundance of Italian immigrants over the years), it isn't hard to imagine some speakers of the lunfardo dialect (which is Spanish with a strong Italian influence) wanting to acquire both versions. The main prerequisite for liking Resta in Ascolto or Escucha is an appreciation of adult contemporary; Pausini was never a daring, cutting-edge type of artist, but from an adult contemporary perspective, her work is pleasing and above average -- and anyone who has spent a lot of time listening to Celine Dion can't go wrong with either Resta in Ascolto or its español counterpart.

© Alex Henderson /TiVo

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