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Orchestral Manoeuvres in the dark (OMD)|Crush

Crush

Orchestral Manoeuvres In The Dark

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Langue disponible : anglais

The lightweight synthesizer pop of Crush represents a nearly complete reinvention of the band's original ideals, trading in the influence of Ultravox and Kraftwerk for the more contemporary fare offered up by The The, Howard Jones, et al. From a commercial standpoint, the move paid off, breaking the band into the U.S. Top 40 on the strength of singles like "So in Love" and "Secret." Anyone looking for signs of OMD's original identity, however, will have to settle for "Joan of Arc" rewritten as a pop song ("La Femme Accident," arguably the album's most pleasant moment), some interesting patterns on "Crush" and "The Lights Are Going Out" that recall Dazzle Ships, the relatively edgy "88 Seconds in Greensboro," and shades of Brian Eno's "Third Uncle" on "The Native Daughters of the Golden West." Switching horses in midstream does allow OMD to cultivate a new audience without losing their U.K. listeners, but it also invites the suggestion that Andy McCluskey and Paul Humphreys were stylemongers rather than electronic visionaries. Producer Stephen Hague keeps the arrangements clean and simple, so much so that it's difficult to hear what (if anything) Martin Cooper and Malcolm Holmes contribute to the final product. Unfortunately, given the lyrics on this album, OMD picked the wrong time to be intelligible (and including a lyric sheet is just begging for trouble). The words to "Crush," "Bloc Bloc Bloc," "Hold On," and "Secret" reveal that melodies really are their strong suit. Crush offers very little of substance; maybe that's always been the case with OMD, and earlier albums simply masked it better by taking the road less traveled.

© Dave Connolly /TiVo

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Crush

Orchestral Manoeuvres in the dark (OMD)

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1
So In Love
00:03:29

Stephen Hague, Producer, ComposerLyricist - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, ComposerLyricist - George Andrew McCluskey, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

2
Secret
00:03:56

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

3
Bloc Bloc Bloc
00:03:28

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, ComposerLyricist - George Andrew McCluskey, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

4
Women III
00:04:26

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - George Andrew McCluskey, Composer

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

5
Crush
00:04:27

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, ComposerLyricist - George Andrew McCluskey, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

6
88 Seconds In Greensboro
00:04:15

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, ComposerLyricist - George Andrew McCluskey, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

7
The Native Daughters Of The Golden West
00:03:58

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, ComposerLyricist - George Andrew McCluskey, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

8
La Femme Accident
00:02:50

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, ComposerLyricist - George Andrew McCluskey, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

9
Hold You
00:04:00

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer, ComposerLyricist - Orchestral Manoeuvres In The Dark, MainArtist - George Andrew McCluskey, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

10
The Lights Are Going Out
00:03:57

Martin Cooper, Performer, AssociatedPerformer - Stephen Hague, Producer - Andy McCluskey, Performer, AssociatedPerformer - Paul Humphreys, Performer, AssociatedPerformer - David Jacobs, Mix Engineer, StudioPersonnel - Richard Moakes, Assistant Mixer, StudioPersonnel - Malcolm Holmes, Performer, AssociatedPerformer - Orchestral Manoeuvres In The Dark, MainArtist - Paul David Humphreys, Composer - George Andrew McCluskey, Composer

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1985 Virgin Records Limited

Chronique

The lightweight synthesizer pop of Crush represents a nearly complete reinvention of the band's original ideals, trading in the influence of Ultravox and Kraftwerk for the more contemporary fare offered up by The The, Howard Jones, et al. From a commercial standpoint, the move paid off, breaking the band into the U.S. Top 40 on the strength of singles like "So in Love" and "Secret." Anyone looking for signs of OMD's original identity, however, will have to settle for "Joan of Arc" rewritten as a pop song ("La Femme Accident," arguably the album's most pleasant moment), some interesting patterns on "Crush" and "The Lights Are Going Out" that recall Dazzle Ships, the relatively edgy "88 Seconds in Greensboro," and shades of Brian Eno's "Third Uncle" on "The Native Daughters of the Golden West." Switching horses in midstream does allow OMD to cultivate a new audience without losing their U.K. listeners, but it also invites the suggestion that Andy McCluskey and Paul Humphreys were stylemongers rather than electronic visionaries. Producer Stephen Hague keeps the arrangements clean and simple, so much so that it's difficult to hear what (if anything) Martin Cooper and Malcolm Holmes contribute to the final product. Unfortunately, given the lyrics on this album, OMD picked the wrong time to be intelligible (and including a lyric sheet is just begging for trouble). The words to "Crush," "Bloc Bloc Bloc," "Hold On," and "Secret" reveal that melodies really are their strong suit. Crush offers very little of substance; maybe that's always been the case with OMD, and earlier albums simply masked it better by taking the road less traveled.

© Dave Connolly /TiVo

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