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Doyle Justin|Haydn : Missa Cellensis, Hob. XXII:5

Haydn : Missa Cellensis, Hob. XXII:5

RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle

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Joseph Haydn composed around 15 masses between 1748 and 1802. The Missa Cellensis in honorem Beatissimae Virginis Mariae, presented here in this new release from the Akademie für Alte Musik and the excellent RIAS-Kammerchor Berlin conducted by Justin Doyle, is better known by the later name Missa Sanctae Caeciliae ("Mass for Saint Cecilia").
It's the most vast of Haydn's masses and his only mass-cantata in the solemn Neapolitan style, whose numbers alternate between arias, ensembles and choirs. It seems that Haydn had intended the composition of this mass to be a great coup: it is a deft mix of the "modern" writing of his day and the "baroque" writing of his predecessors. In his monumental biography of the composer, Marc Vignal notes correctly that Haydn's masses are first-rate, not only set against the production of his quartets or symphonies, but also when set against the religious music of his times. This recording, taken at a June 2018 concert at the Berlin Konzerthaus, completes a RIAS-Kammerchor discography which is already rich in choral works but which hadn't yet tackled Haydn's masterpieces. © François Hudry/Qobuz

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Haydn : Missa Cellensis, Hob. XXII:5

Doyle Justin

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Mass in C Major, Hob. XXII:5 "St. Cecilia" (Joseph Haydn)

1
I. Kyrie eleison I
Rias Kammerchor
00:03:09

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

2
II. Christe eleison
Rias Kammerchor
00:03:04

Benjamin Bruns, Tenor - RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

3
III. Kyrie eleison II
Rias Kammerchor
00:03:03

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

4
IV. Gloria in excelsis Deo
Rias Kammerchor
00:02:59

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

5
V. Laudamus te
Akademie für Alte Musik Berlin
00:03:43

Johanna Winkel, Soprano - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

6
VI. Gratias agimus tibi
Rias Kammerchor
00:02:54

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

7
VII. Domine Deus
Doyle Justin
00:05:35

Sophie Harmsen, Mezzo-Soprano - Benjamin Bruns, Tenor - RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

8
VIII. Qui tollis peccata mundi
Doyle Justin
00:05:34

Johanna Winkel, Soprano - Sophie Harmsen, Mezzo-Soprano - RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

9
IX. Quoniam tu solus Sanctus
Doyle Justin
00:03:10

Johanna Winkel, Soprano - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

10
X. Cum Sancto Spiritu
Rias Kammerchor
00:03:49

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

11
XI. Credo in unum Deum
Rias Kammerchor
00:03:55

Johanna Winkel, Soprano - RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

12
XII. Et incarnatus est
Doyle Justin
00:08:25

Wolf Matthias Friedrich, Bass - Sophie Harmsen, Mezzo-Soprano - Benjamin Bruns, Tenor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

13
XIII. Et resurrexit
Akademie für Alte Musik Berlin
00:04:48

Johanna Winkel, Soprano - Benjamin Bruns, Tenor - RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

14
XIV. Sanctus
Rias Kammerchor
00:01:26

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

15
XV. Benedictus
Rias Kammerchor
00:05:24

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

16
XVI. Agnus Dei
Akademie für Alte Musik Berlin
00:02:16

Wolf Matthias Friedrich, Bass - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

17
XVII. Dona nobis pacem
Rias Kammerchor
00:02:19

RIAS Kammerchor - Akademie für Alte Musik Berlin - Justin Doyle, Conductor - Joseph Haydn, Composer

2019 harmonia mundi 2019 harmonia mundi

Approfondimenti

Joseph Haydn composed around 15 masses between 1748 and 1802. The Missa Cellensis in honorem Beatissimae Virginis Mariae, presented here in this new release from the Akademie für Alte Musik and the excellent RIAS-Kammerchor Berlin conducted by Justin Doyle, is better known by the later name Missa Sanctae Caeciliae ("Mass for Saint Cecilia").
It's the most vast of Haydn's masses and his only mass-cantata in the solemn Neapolitan style, whose numbers alternate between arias, ensembles and choirs. It seems that Haydn had intended the composition of this mass to be a great coup: it is a deft mix of the "modern" writing of his day and the "baroque" writing of his predecessors. In his monumental biography of the composer, Marc Vignal notes correctly that Haydn's masses are first-rate, not only set against the production of his quartets or symphonies, but also when set against the religious music of his times. This recording, taken at a June 2018 concert at the Berlin Konzerthaus, completes a RIAS-Kammerchor discography which is already rich in choral works but which hadn't yet tackled Haydn's masterpieces. © François Hudry/Qobuz

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