Qobuz Store wallpaper
Categorie:
Carrello 0

Il tuo carrello è vuoto

Regula Mühlemann|Cleopatra - Baroque Arias

Cleopatra - Baroque Arias

Regula Mühlemann

Libretto digitale

Disponibile in
16-Bit/44.1 kHz Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Abbonati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Acquista e scarica questo album in più formati, secondo le tue esigenze.

Egyptian queen Cleopatra VII is one of the most compelling figures of antiquity, so it's only natural that her tragic story would be explored in many operas, especially in Baroque works that served as showcases for vocal pyrotechnics and emotive performances. Composers have long recognized Cleopatra's erotic appeal and mystery, and the depictions by George Frederick Handel, Johann Adolf Hasse, Alessandro Scarlatti, and Antonio Vivaldi, among others, have resulted in stunning parts that give singers ample opportunities to display their talents. Indeed, the stellar soprano Regula Mühlemann seems ideally suited to portray Cleopatra, both for her dramatic appearance and her powerful yet pure voice, which by itself makes this collection of operatic arias a delightful experience. The opening selection from Carl Heinrich Graun's opera Cesare e Cleopatra may be unfamiliar to most listeners, but Mühlemann's sparkling performance is memorable and thrilling for the brilliance of her roulades and the precision of her ornaments. Handel's Giulio Cesare in Egitto is undoubtedly the best-known opera excerpted here, and the dramatic treatment he gave to Cleopatra's "Se pietà di me non sentí" is deeply affecting, so little in the way of flashy technique is needed to make an impression. Similar in dramatic power and poignant feeling are Hasse's "Quel candido armellino" and Alessandro Scarlatti's "Vò goder senza contrasto," both from operas titled Marc'Antonio e Cleopatra, and Mühlemann's expressive control effectively conveys Cleopatra's emotions with credible pathos. The accompaniment by La Folia Barockorchester under Robin Peter Müller creates a wonderful period sound and mood, though this is plainly Mühlemann's star vehicle, and together they make this an exciting double portrait of an ancient queen and a rising superstar. Highly recommended.

© TiVo

Maggiori informazioni

Cleopatra - Baroque Arias

Regula Mühlemann

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Al momento stai ascoltando degli estratti.

Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.

Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato

A partire da 12,49€/mese

1
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria)
00:07:24

Regula Mühlemann, Main Artist, Soprano - Carl Heinrich Graun, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

2
Giulio Cesare in Egitto, HWV 17: Che sento? Oh Dio! (Recitativo)
00:01:15

Regula Mühlemann, Main Artist, Soprano - Georg Friedrich Händel, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

3
Giulio Cesare in Egitto, HWV 17: Se pietà di me non senti (Aria)
00:11:00

Regula Mühlemann, Main Artist, Soprano - Georg Friedrich Händel, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

4
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria)
00:04:12

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

5
Marc'Antonio e Cleopatra: Lascia, Antonio, deh lascia (Recitativo)
00:01:34

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

6
Marc'Antonio e Cleopatra: Quel candido armellino (Aria)
00:11:01

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

7
Antioco il Grande: Se tu sarai felice (Aria)
00:01:56

Regula Mühlemann, Main Artist, Soprano - Giovanni Legrenzi, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

8
Marc'Antonio e Cleopatra, H. 121: Antonio, e qual destino (Recitativo)
00:00:24

Regula Mühlemann, Main Artist, Soprano - Alessandro Scarlatti, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

9
Marc'Antonio e Cleopatra, H. 121: Vò goder senza contrasto (Aria)
00:04:52

Regula Mühlemann, Main Artist, Soprano - Alessandro Scarlatti, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

10
La virtù trionfante dell'amore e dell'odio, ovvero il Tigrane, RV 740: Squarciami pure il seno (Aria)
00:04:08

Regula Mühlemann, Main Artist, Soprano - Antonio Vivaldi, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

11
Die unglücksselige Cleopatra: Mein Leben ist hin (Aria)
00:03:20

Regula Mühlemann, Main Artist, Soprano - Johann Mattheson, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

12
Die unglücksselige Cleopatra: Ruhe sanft, geliebter Geist (Aria)
00:02:52

Regula Mühlemann, Main Artist, Soprano - Johann Mattheson, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

13
Giulio Cesare in Egitto: Quando voglio (Aria)
00:03:53

Regula Mühlemann, Main Artist, Soprano - Antonio Sartorio, Composer - Katerina Ghannudi, Mezzo-Soprano - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

Approfondimenti

Egyptian queen Cleopatra VII is one of the most compelling figures of antiquity, so it's only natural that her tragic story would be explored in many operas, especially in Baroque works that served as showcases for vocal pyrotechnics and emotive performances. Composers have long recognized Cleopatra's erotic appeal and mystery, and the depictions by George Frederick Handel, Johann Adolf Hasse, Alessandro Scarlatti, and Antonio Vivaldi, among others, have resulted in stunning parts that give singers ample opportunities to display their talents. Indeed, the stellar soprano Regula Mühlemann seems ideally suited to portray Cleopatra, both for her dramatic appearance and her powerful yet pure voice, which by itself makes this collection of operatic arias a delightful experience. The opening selection from Carl Heinrich Graun's opera Cesare e Cleopatra may be unfamiliar to most listeners, but Mühlemann's sparkling performance is memorable and thrilling for the brilliance of her roulades and the precision of her ornaments. Handel's Giulio Cesare in Egitto is undoubtedly the best-known opera excerpted here, and the dramatic treatment he gave to Cleopatra's "Se pietà di me non sentí" is deeply affecting, so little in the way of flashy technique is needed to make an impression. Similar in dramatic power and poignant feeling are Hasse's "Quel candido armellino" and Alessandro Scarlatti's "Vò goder senza contrasto," both from operas titled Marc'Antonio e Cleopatra, and Mühlemann's expressive control effectively conveys Cleopatra's emotions with credible pathos. The accompaniment by La Folia Barockorchester under Robin Peter Müller creates a wonderful period sound and mood, though this is plainly Mühlemann's star vehicle, and together they make this an exciting double portrait of an ancient queen and a rising superstar. Highly recommended.

© TiVo

A proposito dell'album

Migliorare le informazioni sugli album

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Altro su Qobuz
Di Regula Mühlemann

Fairy Tales

Regula Mühlemann

Fairy Tales Regula Mühlemann

Cleopatra - Baroque Arias

Regula Mühlemann

Cleopatra - Baroque Arias Regula Mühlemann

Lieder der Heimat / Songs from Home

Regula Mühlemann

Bach, J.S.: Christmas Oratorio, BWV 248

Regula Mühlemann

Mozart Arias

Regula Mühlemann

Mozart Arias Regula Mühlemann

Playlist

Ti potrebbe piacere anche...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana