Francisco Araiza
Araiza's father was a tenor and also the chorus master of the Mexico Opera, so Araiza was exposed to opera at an early age. In 1966, he studied organ at the Escuela de Música in Mexico City, and, to fulfill a curricular requirement, he reluctantly joined the choir, though he was not particularly interested in vocal music. He actually began as a bass, but a teacher found that he had an exceptionally good upper register, with a natural high B flat. Under Irma Gonzalez, he developed his voice into a lyric tenor with a strong ring. He made his operatic debut in 1970 as the first prisoner in a concert version of Beethoven's Fidelio, sang his first major performance as a soloist in Haydn's Creation in 1973, and in the fall of 1974, competed in the ARD Singing Competition in Munich, Germany. While he won only the third prize, the jury recognized his potential as a Mozart singer, and he was given the chance to audition for the Karlsruhe Staatstheater Mozart project, a multi-year full Mozart cycle. He was offered a two-year contract with an option for the third year, but he had not studied Mozart before to any great extent, so Anton Dermota and Richard Holm (two of the three judges) both took him under their wing, training him in Mozart style. He enjoyed great success as Tamino and Ferrando.
In 1979, Herbert von Karajan took a special interest in Araiza's career, and chose him for Tamino in his new recording of Die Zauberflöte. In 1981 he made his U.S. debut, and in 1983, made his Met debut. During the mid-'80s, however, Araiza began to take on slightly heavier roles, but when he started to sing such spinto and dramatic roles as Alvaro in Verdi's La forza del destino, Cavaradossi in Tosca, and even Lohengrin, his voice lost much of its flexibility, becoming rather leathery in timbre as well by the 1990s. In 1996, he was scheduled to sing performances of Gounod's Roméo et Juliette and Verdi's Un ballo in maschera at the Metropolitan, but his contract was bought out by mutual agreement. Araiza still performs those lighter roles in which he is comfortable, and also spends much of his time teaching.
Some of his early recordings, the Mozart Così fan tutte under Neville Marriner (Philips) and the Rossini Barbiere di Siviglia, also under Marriner (Philips), are still considered benchmarks for post-Wunderlich and Gedda tenors.
© TiVo
Discografia
14 album • Ordinato per Bestseller
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Donizetti: Maria Stuarda
Agnes Baltsa, Edita Gruberova, Francisco Araiza, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Giuseppe Patané
Classica - Pubblicato da Decca Music Group Ltd. il 1 gen 1990
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Romeo Et Juliette, Op. 17
Yvonne Minton, Francisco Araiza, Jules Bastin, Daniel Barenboim, Orchestre de Paris, Choeur De Paris
Classica - Pubblicato da Deutsche Grammophon (DG) il 1 gen 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Hector Berlioz : Te Deum
Classica - Pubblicato da Deutsche Grammophon (DG) il 1 gen 1982
16-Bit CD Quality 44.1 kHz - Stereo -
Gounod: Faust
Kiri Te Kanawa, Francisco Araiza, Evgeny Nesterenko, Symphonieorchester Des Bayerischen Rundfunks, Sir Colin Davis
Classica - Pubblicato da Decca Music Group Ltd. il 1 gen 1986
16-Bit CD Quality 44.1 kHz - Stereo -
Mahler: Das Lied von der Erde
Brigitte Fassbaender, Francisco Araiza, Berliner Philharmoniker, Carlo Maria Giulini
Classica - Pubblicato da Deutsche Grammophon (DG) il 1 gen 1984
16-Bit CD Quality 44.1 kHz - Stereo -
No Limits - Legendary recordings
Opera - Pubblicato da Solo Musica il 25 nov 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Idomeneo (Complete Mozart Edition)
Francisco Araiza, Barbara Hendricks, Sir Colin Davis
Classica - Pubblicato da Decca Music Group Ltd. il 1 gen 1991
16-Bit CD Quality 44.1 kHz - Stereo -
Opera Arias
Francisco Araiza, English Chamber Orchestra, Alberto Zedda
Classica - Pubblicato da Decca Music Group Ltd. il 8 mag 1987
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert: Die Schöne Müllerin D795
Classica - Pubblicato da Deutsche Grammophon (DG) il 1 gen 1985
16-Bit CD Quality 44.1 kHz - Stereo -
Si Muero Lejos de Ti... Chucho Monge
Classica - Pubblicato da Tempus Clásico il 14 set 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Live at the Tivoli (Official Bootleg Recordings)
Francisco Araiza, Copenhagen Philharmonic Orchestra, John Frandsen, Tamas Veto
Opera - Pubblicato da Solo Musica il 26 mag 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Opera Duets
Eva Lind, Francisco Araiza, Opera Orchestra Zurich, Ralf Weikert
Classica - Pubblicato da Decca Music Group Ltd. il 30 gen 1990
16-Bit CD Quality 44.1 kHz - Stereo -
Tenor Highlights
Classica - Pubblicato da RCA Red Seal il 1 ott 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Anmut: My Favorite Arias
Marija Vidovic, Philharmonie Baden-Baden, Francisco Araiza
Opera - Pubblicato da Solo Musica il 25 set 2015
16-Bit CD Quality 44.1 kHz - Stereo