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Big Audio Dynamite|Super Hits

Super Hits

Big Audio Dynamite

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Like many conceptual bands, Big Audio Dynamite were primarily an album-based group, turning out records that had a consistent sound and theme. The problem was, Mick Jones had too many ideas. Each B.A.D. record was teeming with intriguing sounds that only made sense on a handful of tracks -- in other words, they were an album band most listenable in small doses. That made them easier to anthologize than the average album-rock band, as the enjoyable hits collection Planet BAD proved. Super Hits, a budget-line comp that concentrates on their Columbia recordings, is nearly as entertaining as the full-fledged hits package, since it contains nearly all of their biggest hits, including "The Bottom Line," "C'Mon Every Beatbox," "Rush," "E equals MC2," "Contact," "Medicine Show" and "The Globe" -- everything except "Free," really. Hardcore fans will naturally prefer the full-fledged albums, and some will like the more extensive hits package, but this Super Hits will satisfy the needs of most casual listeners, especially those on a budget.

© Stephen Thomas Erlewine /TiVo

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Super Hits

Big Audio Dynamite

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1
The Bottom Line (Album Version)
00:04:36

Big Audio Dynamite, Performer - Chris Athens, Mastering Engineer - Dan Donovan, Keyboards - Don Letts, Vocal - Greg Roberts, Drums - Greg Roberts, Vocal - Johnny Shinas, 2nd Engineer - Leo Williams, Bass - Leo Williams, Vocal - Michael Jones, Composer - Michael Jones, Lyricist - Mick Jones, Guitar - Mick Jones, Producer - Paul Smykle, Engineer - Renny Hill, 2nd Engineer - Robin Banks, Composer - Robin Banks, Lyricist

(P) 1985 Columbia Records, a division of Sony Music Entertainment

2
C'mon Every Beatbox (Album Version)
00:05:25

Alan Fovlder, 2nd Engineer - Big Audio Dynamite, Performer - Chep Nunez, Edited By - Chris Athens, Mastering Engineer - Dan Donovan, Keyboards - Dennis Mitchell, 2nd Engineer - Don Letts, Composer - Don Letts, Lyricist - Greg Roberts, Drums - Howie Weinberg, Mastering Engineer - J. MCEWEN, A&R Coordinator - Joe Strummer, Producer - Leo Williams, Bass - Mick Jones, Composer - Mick Jones, Guitar - Mick Jones, Lyricist - Mick Jones, Producer - Paul Smykle, Engineer - Sam Sever, Re-Mixer

(P) 1986 Columbia Records, a division of Sony Music Entertainment

3
Rush (Album Version)
00:04:16
4
The Globe (Album Version)
00:06:03

Andre Shapps, Producer - Big Audio Dynamite, Performer - Chris Athens, Mastering Engineer - Gary Stonadge, Composer - Gary Stonadge, Lyricist - Mick Jones, Composer - Mick Jones, Lyricist - Mick Jones, Producer

(P) 1991 Sony Music Entertainment Inc.

5
Just Play Music (Album Version)
00:04:10

Big Audio Dynamite, Performer - Chris Athens, Mastering Engineer - D. Donovan, Composer - D. Donovan, Lyricist - D. Letts, Composer - D. Letts, Lyricist - G. Roberts, Composer - G. Roberts, Lyricist - L. WILLIAMS, Composer - L. WILLIAMS, Lyricist - Michael Jones, Composer - Michael Jones, Lyricist - Mick Jones, Producer

(P) 1988 Sony Music Entertainment Inc.

6
V. Thirteen (Album Version)
00:04:37

Alan Fovlder, 2nd Engineer - Big Audio Dynamite, Performer - Chep Nunez, Edited By - Chris Athens, Mastering Engineer - Dan Donovan, Keyboards - Dennis Mitchell, 2nd Engineer - Greg Roberts, Drums - Howie Weinberg, Mastering Engineer - J. MCEWEN, A&R Coordinator - Joe Strummer, Composer - Joe Strummer, Lyricist - Joe Strummer, Producer - Leo Williams, Bass - Mick Jones, Composer - Mick Jones, Guitar - Mick Jones, Lyricist - Mick Jones, Producer - Paul Smykle, Engineer - Sam Sever, Re-Mixer

(P) 1986 Columbia Records, a division of Sony Music Entertainment

7
Sightsee M.C! (Album Version)
00:04:52

Alan Fovlder, 2nd Engineer - Big Audio Dynamite, Performer - Chep Nunez, Edited By - Chris Athens, Mastering Engineer - Dan Donovan, Keyboards - Dennis Mitchell, 2nd Engineer - Greg Roberts, Drums - Howie Weinberg, Mastering Engineer - J. MCEWEN, A&R Coordinator - Joe Strummer, Composer - Joe Strummer, Lyricist - Joe Strummer, Producer - Leo Williams, Bass - Michael Jones, Composer - Michael Jones, Lyricist - Mick Jones, Guitar - Mick Jones, Producer - Paul Smykle, Engineer - Sam Sever, Re-Mixer

(P) 1986 Columbia Records, a division of Sony Music Entertainment

8
Contact (Album Version)
00:04:38

Big Audio Dynamite, Performer - Bill Price, Producer - Chris Athens, Mastering Engineer - D. Donovan, Composer - D. Donovan, Lyricist - Michael Jones, Composer - Michael Jones, Lyricist - Mick Jones, Producer

(P) 1989 Columbia Records, a division of Sony Music Entertainment

9
E=MC2 (Album Version)
00:05:54

Big Audio Dynamite, Performer - Chris Athens, Mastering Engineer - D. Letts, Composer - Dan Donovan, Keyboards - Don Letts, Vocal - Greg Roberts, Drums - Greg Roberts, Vocal - Johnny Shinas, 2nd Engineer - Leo Williams, Bass - Leo Williams, Vocal - Mick Jones, Composer - Mick Jones, Guitar - Mick Jones, Producer - Paul Smykle, Engineer - Renny Hill, 2nd Engineer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

10
Medicine Show (Album Version)
00:06:32

Big Audio Dynamite, Performer - Chris Athens, Mastering Engineer - D. Letts, Composer - Dan Donovan, Keyboards - Don Letts, Vocal - Greg Roberts, Drums - Greg Roberts, Vocal - Johnny Shinas, 2nd Engineer - Leo Williams, Bass - Leo Williams, Vocal - Mick Jones, Composer - Mick Jones, Guitar - Mick Jones, Producer - Paul Smykle, Engineer - Renny Hill, 2nd Engineer

(P) 1985 Columbia Records, a division of Sony Music Entertainment

Approfondimenti

Like many conceptual bands, Big Audio Dynamite were primarily an album-based group, turning out records that had a consistent sound and theme. The problem was, Mick Jones had too many ideas. Each B.A.D. record was teeming with intriguing sounds that only made sense on a handful of tracks -- in other words, they were an album band most listenable in small doses. That made them easier to anthologize than the average album-rock band, as the enjoyable hits collection Planet BAD proved. Super Hits, a budget-line comp that concentrates on their Columbia recordings, is nearly as entertaining as the full-fledged hits package, since it contains nearly all of their biggest hits, including "The Bottom Line," "C'Mon Every Beatbox," "Rush," "E equals MC2," "Contact," "Medicine Show" and "The Globe" -- everything except "Free," really. Hardcore fans will naturally prefer the full-fledged albums, and some will like the more extensive hits package, but this Super Hits will satisfy the needs of most casual listeners, especially those on a budget.

© Stephen Thomas Erlewine /TiVo

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