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Ennio Morricone|Movie Classics

Movie Classics

Hugo Montenegro & Ennio Morricone

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"The Good, The Bad & the Ugly" makes you feel tough. Your eyes squint and you legs bough as an inspired coolness rises out of your belly. There is no need to laugh at the bad guys because you and they both know they are already as good as dead. The opening track carries enough emotion and energy to keep ten John Wayne's on ice for eternity. The rest of these classic soundtracks follow the same path, creating strong enough feeling in the listener that an urge to right wrong's washes over you like whorehouse perfume. The songs pulled from Western soundtracks are of the strongest on the album, but they are not the only song which stir strong emotion. Sadder more contemplative pieces show Morricone and Montenegro's range of expression. "The Ballad of Sacco & Vanzetti" possesses this kind of sadness and acquires an eerie feeling with an unusual use of echoed vocals that is more familiarly used in dub reggae. The intense communication of a distinctive feeling is what draws each song into this coherent collection. As some tracks strike you with sadness others seem to inspire a hatred of cow rustlers. The collection is strong and entertaining while capturing the innovations of these two immensely talented composers.

© Matt Whalley /TiVo

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Movie Classics

Ennio Morricone

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1
The Good, The Bad And The Ugly ((from the film "The Good, The Bad And The Ugly" released through United Artists))
Hugo Montenegro & His Orchestra
00:02:46

Hugo Montenegro, Arranger - Hugo Montenegro, Conductor - Mike Hartry, Re-Mastering Engineer - Paul Williams, Re-Mastering Supervisor - Ennio Morricone, Composer - Hugo Montenegro & His Orchestra, Performer - Dick Bogert, Engineer - Neely Plumb, Producer - Bill Lacey, Re-Mastering Engineer

Originally Recorded 1967. All rights reserved by BMG Music

2
A Fistful Of Dollars - Main Titles
Ennio Morricone
00:02:56
3
Per Un Pugno Di Dollari - Tema
Ennio Morricone
00:01:47
4
Per Qualche Dollaro In Più - Titoli
Ennio Morricone
00:02:49
5
Addio Colonnello
Ennio Morricone
00:01:44
6
La Ballata Di Sacco E Vanzetti (2° Parte)
Joan Baez
00:05:22
7
Il Vizio Di Uccidere
Ennio Morricone
00:02:24
8
La Resa Dei Conti
Ennio Morricone
00:03:04
9
L'Avventuriero - Parte 1
Bruno Nicolai
00:04:48
10
C'Era Una Volta Il West -Titoli Di Testa
Ennio Morricone
00:03:42
11
L'Uomo Dell'Armonica
Ennio Morricone
00:03:26
12
Una Pistola Per Ringo - Titoli
Ennio Morricone
00:02:19
13
Metello (Tema Titoli)
Ennio Morricone
00:02:41
14
(Theme From) The Man From U.N.C.L.E.
Hugo Montenegro & His Orchestra
00:01:59

Hugo Montenegro, Conductor - Hugo Montenegro, Arranger - Hugo Montenegro & His Orchestra, Performer - Al Schmitt, Producer - Jerry Goldsmith, Composer

Originally Recorded 1965. All rights reserved by BMG Music

15
Sixty Seconds To What?
Hugo Montenegro and His Orchestra and Chorus
00:02:19

Hugo Montenegro, Arranger - Hugo Montenegro, Conductor - Hugo Montenegro and His Orchestra and Chorus, Performer - Ennio Morricone, Composer - Neely Plumb, Producer

(P) Recorded prior to 1972. All rights reserved by BMG Music

16
Algeri 1 Novembre 1954
Ennio Morricone
00:02:24
17
Tema Di Alì
Ennio Morricone
00:02:46

Approfondimenti

"The Good, The Bad & the Ugly" makes you feel tough. Your eyes squint and you legs bough as an inspired coolness rises out of your belly. There is no need to laugh at the bad guys because you and they both know they are already as good as dead. The opening track carries enough emotion and energy to keep ten John Wayne's on ice for eternity. The rest of these classic soundtracks follow the same path, creating strong enough feeling in the listener that an urge to right wrong's washes over you like whorehouse perfume. The songs pulled from Western soundtracks are of the strongest on the album, but they are not the only song which stir strong emotion. Sadder more contemplative pieces show Morricone and Montenegro's range of expression. "The Ballad of Sacco & Vanzetti" possesses this kind of sadness and acquires an eerie feeling with an unusual use of echoed vocals that is more familiarly used in dub reggae. The intense communication of a distinctive feeling is what draws each song into this coherent collection. As some tracks strike you with sadness others seem to inspire a hatred of cow rustlers. The collection is strong and entertaining while capturing the innovations of these two immensely talented composers.

© Matt Whalley /TiVo

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