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Cole Swindell|All of It

All of It

Cole Swindell

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As both a songwriter and singer, Cole Swindell played no small part in popularizing the party-hearty sound of bro-country in the early 2000s, but there comes a time when every man must slow his roll. For Swindell, that time is his third album, All of It. Deliberately heavy on ballads, All of It still has the obligatory songs about drinking, but now Swindell slides "show me what that rockin' body looks like in the firelight" into the slow-burning title track: he's no longer wanting to see that girl tear it up in the back of his truck, he's looking for an intimate night at home, maybe even more than one. Swindell's self-conscious maturity is admirable even if it winds up turning All of It into something of a snooze. Never the liveliest singer -- he performs as if he were a writer -- Swindell sinks into the well-manicured arrangements, sounding as assured crooning a bittersweet ballad ("Dad's Old Number") as he does piecing together the wreckage from a night of boozing ("Sounded Good Last Night"). While Michael Carter's production contains elements of the R&B inflections of late-2010s country -- it's evident primarily in the understated electronic rhythms peppered through the record -- Swindell's heart belongs to the sounds of the first half of the decade. This retro bent, combined with the concentration on slow tunes, means All of It winds up agreeably sleepy, the kind of record that dissipates as soon as it's finished playing.

© Stephen Thomas Erlewine /TiVo

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All of It

Cole Swindell

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1
Love You Too Late
00:03:24

Michael Carter, Producer, Electric Guitar, Programmer, Writer - Brandon Kinney, Writer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, Writer, MainArtist - Mike Stankiewicz, AssistantEngineer - Kam Luchterhand, AssistantEngineer - Billy Panda, Acoustic Guitar - Mike Wolofsky, Bass Guitar - Dave Cohen, Keyboards - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

2
All of It
00:03:38

Bobby Pinson, Writer - Michael Carter, Producer, Keyboards, Programmer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Dallas Davidson, Writer - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, MainArtist - Mike Stankiewicz, AssistantEngineer - Kam Luchterhand, AssistantEngineer - Mike Wolofsky, Bass Guitar - Dave Cohen, Keyboards - Joel Key, Banjo, Acoustic Guitar - Kyle Fishman, Writer - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

3
Somebody's Been Drinkin'
00:03:45

Michael Carter, Producer, Electric Guitar, Programmer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, MainArtist - Mike Stankiewicz, AssistantEngineer - Lynn Hutton, Writer - Brent Anderson, Writer - Billy Panda, Acoustic Guitar - Mike Wolofsky, Bass Guitar - Dave Cohen, Organ, Piano, Synthesizer - Hunter Phelps, Writer - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

4
Sounded Good Last Night
00:03:25

Shane Minor, Writer - Michael Carter, Producer, Electric Guitar, Writer - Mike Brignardello, Bass Guitar, Audio Recording Engineer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, MainArtist - Mike Stankiewicz, AssistantEngineer - Kam Luchterhand, AssistantEngineer - Miles McPherson, Drums - Cole Taylor, Writer - Dave Cohen, Keyboards - Chase McGill, Writer - Luke Forehand, AssistantEngineer - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

5
Break Up in the End
00:03:19

Michael Carter, Producer, Piano - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, MainArtist - Jon Nite, Writer - Mike Stankiewicz, AssistantEngineer - Jessie Jo Dillon, Writer - Billy Panda, Acoustic Guitar - Mike Wolofsky, Bass Guitar - Dave Cohen, Synthesizer - Chase McGill, Writer - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

6
I'll Be Your Small Town
00:03:15

Michael Carter, Producer, Electric Guitar, Programmer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, Writer, MainArtist - Mike Stankiewicz, AssistantEngineer - Kam Luchterhand, AssistantEngineer - Billy Panda, Acoustic Guitar - Mike Wolofsky, Bass Guitar - Cole Taylor, Writer - Dave Cohen, Keyboards - Chase McGill, Writer - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

7
The Ones Who Got Me Here
00:03:19

Ashley Gorley, Writer - Michael Carter, Producer, Electric Guitar, Keyboards, Programmer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Jesse Frasure, Writer - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, Writer, MainArtist - Mike Stankiewicz, AssistantEngineer - Billy Panda, Acoustic Guitar - Mike Wolofsky, Bass Guitar - Dave Cohen, Keyboards - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

8
20 in a Chevy
00:03:04

Michael Carter, Producer, Keyboards, Programmer - Ross Copperman, Writer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, Writer, MainArtist - Jon Nite, Writer - Mike Stankiewicz, AssistantEngineer - Kam Luchterhand, AssistantEngineer - Billy Panda, Acoustic Guitar - Mike Wolofsky, Bass Guitar - Dave Cohen, Keyboards - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

9
Reason to Drink
00:03:30

Michael Carter, Producer, Electric Guitar, Programmer, Writer - Brandon Kinney, Writer - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, Writer, MainArtist - Mike Stankiewicz, AssistantEngineer - Billy Panda, Acoustic Guitar - Mike Wolofsky, Bass Guitar - Dave Cohen, Keyboards - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

10
Her
00:03:31

Wade Kirby, Writer - Ashley Gorley, Writer - Michael Carter, Producer, Electric Guitar, Programmer - Phil O'Donnell, Writer - Mike Brignardello, Bass Guitar - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, MainArtist - Mike Stankiewicz, AssistantEngineer - Matt Jenkins, Writer - Kam Luchterhand, AssistantEngineer - Billy Panda, Acoustic Guitar - Dave Cohen, Keyboards - Chase McGill, Writer - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

11
Both Sides of the Mississippi
00:03:19

Michael Carter, Producer, Electric Guitar, Programmer - Ben Hayslip, Writer - J.T. Harding, Writer - Mike Brignardello, Bass Guitar - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, MainArtist - Mike Stankiewicz, AssistantEngineer - Matt Jenkins, Writer - Kam Luchterhand, AssistantEngineer - Billy Panda, Acoustic Guitar - Dave Cohen, Keyboards - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

12
Dad's Old Number
00:03:29

Michael Carter, Producer, Electric Guitar, Programmer - Mike Brignardello, Bass Guitar - Adam Ayan, MasteringEngineer - Scott Johnson, Production - Jessi Alexander, Writer - Greg Morrow, Drums - Russell Terrell, Backing Vocals - Pat Buchanan, Electric Guitar - James Mitchell, Electric Guitar - Patrick Thrasher, MixingEngineer - MILLS LOGAN, Audio Recording Engineer - John Palmieri, Engineer, Digital Editor, Audio Recording Engineer - Cole Swindell, Lead Vocals, MainArtist - Mike Stankiewicz, AssistantEngineer - Kam Luchterhand, AssistantEngineer - Billy Panda, Acoustic Guitar - Dave Cohen, Keyboards - Chase McGill, Writer - Zack Pancoast, AssistantEngineer

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC

Approfondimenti

As both a songwriter and singer, Cole Swindell played no small part in popularizing the party-hearty sound of bro-country in the early 2000s, but there comes a time when every man must slow his roll. For Swindell, that time is his third album, All of It. Deliberately heavy on ballads, All of It still has the obligatory songs about drinking, but now Swindell slides "show me what that rockin' body looks like in the firelight" into the slow-burning title track: he's no longer wanting to see that girl tear it up in the back of his truck, he's looking for an intimate night at home, maybe even more than one. Swindell's self-conscious maturity is admirable even if it winds up turning All of It into something of a snooze. Never the liveliest singer -- he performs as if he were a writer -- Swindell sinks into the well-manicured arrangements, sounding as assured crooning a bittersweet ballad ("Dad's Old Number") as he does piecing together the wreckage from a night of boozing ("Sounded Good Last Night"). While Michael Carter's production contains elements of the R&B inflections of late-2010s country -- it's evident primarily in the understated electronic rhythms peppered through the record -- Swindell's heart belongs to the sounds of the first half of the decade. This retro bent, combined with the concentration on slow tunes, means All of It winds up agreeably sleepy, the kind of record that dissipates as soon as it's finished playing.

© Stephen Thomas Erlewine /TiVo

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