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Cappella Romana|A Byzantine Emperor at King Henry's Court

A Byzantine Emperor at King Henry's Court

Cappella Romana

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Facing the ultimate defeat of the Eastern Empire by the Ottoman Turks, and weakened by the rise of the Venetian mercantile empire, the Byzantine emperor Manuel II Palaiologos set out in 1399 on a visit to Western Europe to appeal for aid from Christian kingdoms. By 1400, he reached England, where he celebrated Christmas. The title of this release by Byzantine music specialists Cappella Romana makes it easy to imagine some kind of joint service, but actually, Manuel and King Henry IV celebrated separately. Nevertheless, this was a cross-cultural event of a sort rare in medieval times, and Cappella Romana brings it to life. No records survived of what exactly was sung at these services, but the music of both traditions was notated, and there is enough information to provide a speculative reconstruction. The English music includes monophonic pieces, from the repertory of so-called Sarum chant, simpler and sparer than the Gregorian variety (and not so often recorded), as well as polyphony; the Byzantine pieces are all monophonic, and some of them have named composers. What is most striking here is that Cappella Romana, although deeply immersed in Byzantine ways of singing (sample one of those tracks if one has not heard this style before), also accomplishes a very different and distinctive sound for the English pieces, adding an appealing bit of gravel in the texture. As with other Cappella Romana recordings, this one was splendidly recorded at the Madeleine Parish in Portland, Oregon. With detailed booklet notes exploring the various issues involved, this is a unique and fascinating medieval release.

© James Manheim /TiVo

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A Byzantine Emperor at King Henry's Court

Cappella Romana

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Vespers for the Vigil of the Nativity of the Lord (Traditional)

1
Sarum Responsory "Judea et Hierusalem"
00:04:46

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Catherine van der Salm, Artist, MainArtist - Photini Downie Robinson, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Acclamations Sung at the Prokypsis of the Emperor (Traditional)

2
Acclamations Sung at the Prokypsis of the Emperor
00:05:08

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - John Michael Boyer, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Kalophonic Polychronion (Xenos Korones)

3
Kalophonic Polychronion
00:08:33

Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - John Michael Boyer, Artist, MainArtist - Spyridon Antonopoulos, Artist, MainArtist - Xenos Korones, Composer

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Ovet mundus letabundus (Traditional)

4
Ovet mundus letabundus
00:04:43

Traditional, Composer - David Krueger, Artist, MainArtist - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Catherine van der Salm, Artist, MainArtist - Kristen Buhler, Artist, MainArtist - David Stutz, Artist, MainArtist - Kerry McCarthy, Artist, MainArtist - Leslie Green, Artist, MainArtist - Photini Downie Robinson, Artist, MainArtist - John K. Cox, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Christmas Matins (Excerpts) (Traditional)

5
Pentekostaria
00:03:36

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - John Michael Boyer, Artist, MainArtist - Spyridon Antonopoulos, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Second Nocturn of Matins (Traditional)

6
Sarum Responsory "O magnum mysterium"
00:04:08

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Catherine van der Salm, Artist, MainArtist - Photini Downie Robinson, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Christmas Matins (Excerpts) (Traditional)

7
Kanon No. 1 "Ode 9 with Megalynaria"
00:04:58

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - John Michael Boyer, Artist, MainArtist - Photini Downie Robinson, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Kalophonic Megalynarion - Katavasia of Ode 9 (Saint John Koukouzelis)

8
Kalophonic Megalynarion - Katavasia of Ode 9
00:08:48

Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - John Michael Boyer, Artist, MainArtist - Spyridon Antonopoulos, Artist, MainArtist - Saint John Koukouzelis, Composer

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Sarum Processionale (Traditional)

9
Prosa "Te laudant alme Rex"
00:03:27

Traditional, Composer - John Cox, Artist, MainArtist - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Leslie Green, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Entrance Antiphon "Hodie Christus natus est" (Traditional)

10
Entrance Antiphon "Hodie Christus natus est"
00:01:12

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Prologue of the Kontakion for the Nativity of Christ (Romanos the Melodist)

11
Prologue of the Kontakion for the Nativity of Christ
00:02:45

Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Romanos the Melodist, Composer

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Principal Double Feasts (Traditional)

12
Kyrie "Deus Creator omnium:
00:03:10

Traditional, Composer - John Cox, Artist, MainArtist - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Leslie Green, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Gloria in excelsis (Traditional)

13
Gloria in excelsis
00:03:19

Traditional, Composer - John Cox, Artist, MainArtist - David Krueger, Artist, MainArtist - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Catherine van der Salm, Artist, MainArtist - Kristen Buhler, Artist, MainArtist - David Stutz, Artist, MainArtist - Kerry McCarthy, Artist, MainArtist - Leslie Green, Artist, MainArtist - Photini Downie Robinson, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Communion Verse for Christmas (Agathon Korones)

14
Communion Verse for Christmas
00:03:58

Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Agathon Korones, Composer

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Antiphon before the Magnificat "Hodie Christus natus est" (Traditional)

15
Antiphon before the Magnificat "Hodie Christus natus est"
00:01:11

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Magnificat (Traditional)

16
Magnificat
00:05:33

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist - Catherine van der Salm, Artist, MainArtist - Kerry McCarthy, Artist, MainArtist - Photini Downie Robinson, Artist, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Antiphon after the Magnificat "Hodie Christus natus est" (Traditional)

17
Antiphon after the Magnificat "Hodie Christus natus est"
00:01:17

Traditional, Composer - Cappella Romana, Choir, MainArtist - Alexander Lingas, Conductor, MainArtist

(C) 2023 Cappella Romana (P) 2023 Cappella Romana

Approfondimenti

Facing the ultimate defeat of the Eastern Empire by the Ottoman Turks, and weakened by the rise of the Venetian mercantile empire, the Byzantine emperor Manuel II Palaiologos set out in 1399 on a visit to Western Europe to appeal for aid from Christian kingdoms. By 1400, he reached England, where he celebrated Christmas. The title of this release by Byzantine music specialists Cappella Romana makes it easy to imagine some kind of joint service, but actually, Manuel and King Henry IV celebrated separately. Nevertheless, this was a cross-cultural event of a sort rare in medieval times, and Cappella Romana brings it to life. No records survived of what exactly was sung at these services, but the music of both traditions was notated, and there is enough information to provide a speculative reconstruction. The English music includes monophonic pieces, from the repertory of so-called Sarum chant, simpler and sparer than the Gregorian variety (and not so often recorded), as well as polyphony; the Byzantine pieces are all monophonic, and some of them have named composers. What is most striking here is that Cappella Romana, although deeply immersed in Byzantine ways of singing (sample one of those tracks if one has not heard this style before), also accomplishes a very different and distinctive sound for the English pieces, adding an appealing bit of gravel in the texture. As with other Cappella Romana recordings, this one was splendidly recorded at the Madeleine Parish in Portland, Oregon. With detailed booklet notes exploring the various issues involved, this is a unique and fascinating medieval release.

© James Manheim /TiVo

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