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Pentangle|The Time Has Come (1967-1973)

The Time Has Come (1967-1973)

Pentangle

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Langue disponible : anglais

Like many large CD box sets, The Time Has Come is not quite a best-of or a rarities compilation, but something in between. That warning given, it also has to be added that as such things go, this four-CD, 65-track set -- drawn exclusively from their 1967-1973 recordings, and ignoring any reunion efforts -- is one of the best. For one thing, it does include quite a bit of rare material that serious Pentangle fans will want to have, including an entire disc of previously unreleased live, television, and film recordings from 1970-1973; a few more unreleased soundtrack bits and studio outtakes; and BBC sessions and B-sides that, while previously issued on CD, might not be in every Pentangle admirer's collection. Yet it doesn't lose sight of their strongest and most popular material. Most of their most essential songs are represented in either the familiar studio form or as a live/BBC/TV recording, although the absence of a few standout tunes like "Lyke-Wake Dirge" and "I've Got a Feeling" hurts a bit. The journey's also made more interesting by the inclusion of a few tracks from solo albums that John Renbourn and Bert Jansch issued during the 1967-1973 period. The devotion of the entirety of disc three to all 19 songs officially issued from their Royal Festival Hall concert of June 29, 1968 (12 of which were first released as part of their 1968 Sweet Child album, the remaining seven of which showed up on a 2001 expanded CD reissue of that record) might seem to give that material inappropriate weight. But even those tracks have been re-sequenced with (in the words of the liner notes) "much of the lengthy applause, between-song banter, and tuning up edited out," creating a more compact listening experience for those interested in re-experiencing the cuts in such a fashion.
It's the rare material that the most ardent fans of the group will want to hear most, of course, and while the rarities are a little uneven in both performance and sound quality, they dig up some worthwhile oddities. Foremost among those are a couple extracts from their soundtrack for the obscure early-'70s movie Tam Lin, including a musical adaptation of "Tam Lin" that uses an entirely different melody than the much more celebrated version that Fairport Convention put on the Liege & Lief album. "The Best of You," also from Tam Lin, was Pentangle's deepest venture into pop/rock by far, and quite a nifty one, sounding rather like the theme to a '60s mod TV adventure series with its cinematic orchestration. "Pentangling," whose seven-minute length was bold enough when it appeared on their debut LP, gets stretched out to 20 minutes in the 1970 live version here, and while it's not entirely successful in that form, it's interesting to hear the quintet improvise at such duration. Also in the interesting-but-not-great category is the bluesy "Poison," a previously unreleased August 1967 outtake from their first studio session of a song that Jansch would re-record for his 1969 solo LP, Birthday Blues. Live early-'70s television versions of two songs never included on their official releases of the period in any form, Johann Sebastian Bach's Sarabande and the American shape-note hymn "Wondrous Love" (performed with the early music group the David Munrow Ensemble), are outstanding examples of their ability to take pieces from unlikely sources and make them their own. The main attraction of this sumptuously packaged box, however, is the exhilarating interplay between the group members as they blend folk, jazz, blues, and a little rock, pop, classical, and Indian music over the course of five or so years, whether on classics like "In Time," "Light Flight," "Basket of Light," "Travelling Song," and "Let No Man Steal Your Thyme" or less celebrated songs. Plus, the 56-page liner notes, dominated by Colin Harper's historical essay, contain a more detailed overview of the band's career than anything else that has ever been published.

© Richie Unterberger /TiVo

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The Time Has Come (1967-1973)

Pentangle

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1
Mirage
00:02:00

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

2
Waltz
00:05:03

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

3
Poison (Studio Session, August 1967)
00:02:41

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2007 Sanctuary Records Group Ltd., a BMG Company

4
Travelling Song
00:02:59

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

5
Forty-Eight
00:02:52

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company 1968 ℗ Sanctuary Records Group Ltd., a BMG Company

6
Koan (Alternate Take)
00:01:34

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2007 Sanctuary Records Group Ltd., a BMG Company

7
In Your Mind (BBC Session 1968)
00:02:12

Bernie Andrews, Producer - Pentangle, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG company

8
Sovay (BBC Session 1968)
00:02:37

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bernie Andrews, Producer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2004 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG company

9
In Time
00:05:06

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

10
Sweet Child
00:05:11

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

11
The Trees They Do Grow High (Alternate Take)
00:03:49

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2001 Sanctuary Records Group Ltd., a BMG Company

12
Moondog
00:02:40

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

13
Light Flight
00:03:15

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

14
Once I Had a Sweetheart
00:04:36

Terry Cox, Arranger - Danny Thompson, Arranger - Jacqui McShee, Arranger - Traditional, Composer - Bert Jansch, Arranger - John Renbourn, Arranger - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

15
I Saw an Angel (Single B-Side)
00:02:52

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

16
Springtime Promises
00:04:05

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

17
Cold Mountain (Single B-Side)
00:01:59

Terry Cox, Drums - Danny Thompson, Double Bass - Jacqui McShee, Vocals - Bert Jansch, Guitar, Vocals - John Renbourn, Guitar, Vocals - Pentangle, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

18
Train Song
00:04:44

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1969 Sanctuary Records Group Ltd., a BMG Company

19
Hunting Song (BBC Session 1969)
00:07:06

John Walters, Producer - Pentangle, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1995 BBC. Licensed courtesy of BBC Worldwide to Sanctuary Records Group Ltd., a BMG company

DISQUE 2

1
Lord Franklin
00:03:22

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

2
Jack Orion (Instrumental Edit)
00:05:17

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2007 Sanctuary Records Group Ltd., a BMG Company

3
Cruel Sister
00:07:01

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

4
Helping Hand
00:03:30

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

5
Faro Annie
00:03:24

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

6
Reflection (Alternate Take)
00:13:10

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2007 Sanctuary Records Group Ltd., a BMG Company

7
So Clear (a.k.a. John's Song;Alternate Take)
00:04:54

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2007 Sanctuary Records Group Ltd., a BMG Company

8
The Snows
00:03:46

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Swiggeroux Music Ltd licensed to Sanctuary Records Group Ltd., a BMG company

9
Jump Baby Jump
00:03:14

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1972 Sanctuary Records Group Ltd., a BMG Company

10
Yarrow
00:05:07

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1973 Sanctuary Records Group Ltd., a BMG Company

11
Tam Lin (from the film 'Tam Lin')
00:07:28

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2007 Sanctuary Records Group Ltd., a BMG Company

12
The Best Part of You (from the film 'Tam Lin')
00:02:48

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2007 Sanctuary Records Group Ltd., a BMG Company

13
Green Willow (from the Lost Sessions)
00:04:18

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

DISQUE 3

1
Waltz (Live at the Royal Festival Hall 1968)
00:05:00

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2001 Sanctuary Records Group Ltd., a BMG Company

2
Way Behind the Sun (Live at the Royal Festival Hall 1968)
00:02:49

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2001 Sanctuary Records Group Ltd., a BMG Company

3
The Time Has Come (Live at the Royal Festival Hall 1968)
00:02:58

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

4
Let No Man Steal Your Thyme (Live at the Royal Festival Hall 1968)
00:02:24

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2001 Sanctuary Records Group Ltd., a BMG Company

5
So Early In the Spring (Live at the Royal Festival Hall 1968)
00:02:55

Jacqui McShee, Composer - Trad., Composer, Writer - Gerry Conway, Composer - Rod Clements, Composer - Bert Jansch, Composer - Pentangle, Performance, MainArtist - Nigel Portman Smith, Composer

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

6
Hear My Call (Live at the Royal Festival Hall 1968)
00:03:27

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2001 Sanctuary Records Group Ltd., a BMG Company

7
No More My Lord (Live at the Royal Festival Hall 1968)
00:03:43

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

8
Three Dances Medley: Brezental Gay/La Rotta/The Earle of Salisbury (Live at the Royal Festival Hall 1968)
00:03:02

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

9
Market Song (Live at the Royal Festival Hall 1968)
00:03:28

Terry Cox, Composer - Danny Thompson, Composer - Jacqui McShee, Composer - Bert Jansch, Composer - John Renbourn, Composer - Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

10
Bruton Town (Live at the Royal Festival Hall 1968)
00:05:20

Terry Cox, Composer, Drums - Danny Thompson, Composer, Double Bass - Jacqui McShee, Composer, Vocals - Bill Leader, Producer - Bert Jansch, Composer, Guitar, Vocals - John Renbourn, Composer, Guitar, Vocals - Pentangle, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

11
A Woman Like You (Live at the Royal Festival Hall 1968)
00:04:01

Bert Jansch, Guitar, Vocals - Pentangle, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

12
No Exit (Live at the Royal Festival Hall 1968)
00:02:02

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

13
Haitian Fight Song (Live at the Royal Festival Hall 1968)
00:03:14

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

14
Goodbye Pork Pie Hat (Live at the Royal Festival Hall 1968)
00:03:44

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

15
Bells (Live at the Royal Festival Hall 1968)
00:04:14

Terry Cox, Drums - Danny Thompson, Double Bass - Bert Jansch, Guitar - John Renbourn, Guitar - Pentangle, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2001 Sanctuary Records Group Ltd., a BMG Company

16
John Donne Song (Live at the Royal Festival Hall 1968)
00:02:11

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 2001 Sanctuary Records Group Ltd., a BMG Company

17
Watch the Stars (Live at the Royal Festival Hall 1968)
00:03:03

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

18
Turn Your Money Green (Live at the Royal Festival Hall 1968)
00:02:18

Pentangle, Performance, MainArtist

© 2008 Sanctuary Records Group Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

Chronique

Like many large CD box sets, The Time Has Come is not quite a best-of or a rarities compilation, but something in between. That warning given, it also has to be added that as such things go, this four-CD, 65-track set -- drawn exclusively from their 1967-1973 recordings, and ignoring any reunion efforts -- is one of the best. For one thing, it does include quite a bit of rare material that serious Pentangle fans will want to have, including an entire disc of previously unreleased live, television, and film recordings from 1970-1973; a few more unreleased soundtrack bits and studio outtakes; and BBC sessions and B-sides that, while previously issued on CD, might not be in every Pentangle admirer's collection. Yet it doesn't lose sight of their strongest and most popular material. Most of their most essential songs are represented in either the familiar studio form or as a live/BBC/TV recording, although the absence of a few standout tunes like "Lyke-Wake Dirge" and "I've Got a Feeling" hurts a bit. The journey's also made more interesting by the inclusion of a few tracks from solo albums that John Renbourn and Bert Jansch issued during the 1967-1973 period. The devotion of the entirety of disc three to all 19 songs officially issued from their Royal Festival Hall concert of June 29, 1968 (12 of which were first released as part of their 1968 Sweet Child album, the remaining seven of which showed up on a 2001 expanded CD reissue of that record) might seem to give that material inappropriate weight. But even those tracks have been re-sequenced with (in the words of the liner notes) "much of the lengthy applause, between-song banter, and tuning up edited out," creating a more compact listening experience for those interested in re-experiencing the cuts in such a fashion.
It's the rare material that the most ardent fans of the group will want to hear most, of course, and while the rarities are a little uneven in both performance and sound quality, they dig up some worthwhile oddities. Foremost among those are a couple extracts from their soundtrack for the obscure early-'70s movie Tam Lin, including a musical adaptation of "Tam Lin" that uses an entirely different melody than the much more celebrated version that Fairport Convention put on the Liege & Lief album. "The Best of You," also from Tam Lin, was Pentangle's deepest venture into pop/rock by far, and quite a nifty one, sounding rather like the theme to a '60s mod TV adventure series with its cinematic orchestration. "Pentangling," whose seven-minute length was bold enough when it appeared on their debut LP, gets stretched out to 20 minutes in the 1970 live version here, and while it's not entirely successful in that form, it's interesting to hear the quintet improvise at such duration. Also in the interesting-but-not-great category is the bluesy "Poison," a previously unreleased August 1967 outtake from their first studio session of a song that Jansch would re-record for his 1969 solo LP, Birthday Blues. Live early-'70s television versions of two songs never included on their official releases of the period in any form, Johann Sebastian Bach's Sarabande and the American shape-note hymn "Wondrous Love" (performed with the early music group the David Munrow Ensemble), are outstanding examples of their ability to take pieces from unlikely sources and make them their own. The main attraction of this sumptuously packaged box, however, is the exhilarating interplay between the group members as they blend folk, jazz, blues, and a little rock, pop, classical, and Indian music over the course of five or so years, whether on classics like "In Time," "Light Flight," "Basket of Light," "Travelling Song," and "Let No Man Steal Your Thyme" or less celebrated songs. Plus, the 56-page liner notes, dominated by Colin Harper's historical essay, contain a more detailed overview of the band's career than anything else that has ever been published.

© Richie Unterberger /TiVo

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