Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
English indie pop act Frankie & the Heartstrings warmed some cold nights with their 2011 debut, Hunger. They got away with some of their blatant Orange Juice worship on that by merit of it being produced by Edwyn Collins, and in the long run, their updated look at classic '80s and '90s indie as more their own sound than overzealous influence-mining. With second album The Days Run Away, Frankie and company are joined by Suede guitarist and producer Bernard Butler for a set of 12 guitar-heavy indie pop janglers that marry '80s hooks with bright-eyed and hopeful melodicism. Butler's influence is heard immediately on tracks like "Nothing Our Way" and "Everybody Looks Better (In the Right Light)," both of which marry the pushing rhythms of glam with the wistful, swaggering pop mastery of Brit-pop bands like Pulp, Blur, and of course Suede. Elsewhere, a heavy Smiths influence can be detected, as with the twinkling guitars of "Right Noises," but moreover we're treated to the influence of all the bands the Smiths so directly influenced. That is to say, the spare rhythms of "I Still Follow You" sounds like the Strokes circa their first album dipping into a bag of Johnny Marr jangle and "She Will Say Goodbye" has the same second-generation dour pop feel of mid-'90s Smiths appreciators like Gene and Menswear. A few missteps keep The Days Run Away from ever completely congealing. The monotonously slow "Losing a Friend" drags the album into a stupor with a two-chord bumble that would make Galaxie 500 feel a little on edge and while "That Girl, That Scene" aims for the oversexed teenage energy of the Undertones, the Only Ones, or the Ramones, its hooks are a little too muted to completely convey the proper summery mindset of those classic bands. While these few songs threaten to derail the album, the rest of the set is more unified, offering an understated but brilliant celebration of both Frankie & the Heartstrings' unique songwriting and their catalog of classic pop influences.
© Fred Thomas /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Bernard Butler, Producer, Mixer - Frankie & The Heartstrings, Composer, Lyricist, Artist, MainArtist
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Chronique
English indie pop act Frankie & the Heartstrings warmed some cold nights with their 2011 debut, Hunger. They got away with some of their blatant Orange Juice worship on that by merit of it being produced by Edwyn Collins, and in the long run, their updated look at classic '80s and '90s indie as more their own sound than overzealous influence-mining. With second album The Days Run Away, Frankie and company are joined by Suede guitarist and producer Bernard Butler for a set of 12 guitar-heavy indie pop janglers that marry '80s hooks with bright-eyed and hopeful melodicism. Butler's influence is heard immediately on tracks like "Nothing Our Way" and "Everybody Looks Better (In the Right Light)," both of which marry the pushing rhythms of glam with the wistful, swaggering pop mastery of Brit-pop bands like Pulp, Blur, and of course Suede. Elsewhere, a heavy Smiths influence can be detected, as with the twinkling guitars of "Right Noises," but moreover we're treated to the influence of all the bands the Smiths so directly influenced. That is to say, the spare rhythms of "I Still Follow You" sounds like the Strokes circa their first album dipping into a bag of Johnny Marr jangle and "She Will Say Goodbye" has the same second-generation dour pop feel of mid-'90s Smiths appreciators like Gene and Menswear. A few missteps keep The Days Run Away from ever completely congealing. The monotonously slow "Losing a Friend" drags the album into a stupor with a two-chord bumble that would make Galaxie 500 feel a little on edge and while "That Girl, That Scene" aims for the oversexed teenage energy of the Undertones, the Only Ones, or the Ramones, its hooks are a little too muted to completely convey the proper summery mindset of those classic bands. While these few songs threaten to derail the album, the rest of the set is more unified, offering an understated but brilliant celebration of both Frankie & the Heartstrings' unique songwriting and their catalog of classic pop influences.
© Fred Thomas /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 00:33:50
- Artistes principaux : Frankie & The Heartstrings
- Compositeur : Frankie & The Heartstrings
- Label : Wichita Recordings
- Genre : Pop/Rock Rock Alternatif et Indé
2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd. 2013 Pop Sex Ltd., a subsidiary of Wichita Recordings Ltd.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.