Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Diana Ross - Supertonic: Instrumental Mixes

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Supertonic: Instrumental Mixes

Diana Ross

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

Supertonic: Mixes can be disregarded on principle as pointless, as yet another batch of contemporary club makeovers that couldn't possibly surpass the originals. On the contrary, there's at least an eager audience for such a project. When it was released, four of the nine tracks had already topped Billboard's club chart, claiming the kind of record that no one likely thought to look up or even think up beforehand (most are consecutive number one remixes of number one hits, touted by the Motown caretakers at Universal). In addition to providing the edits of those remixes -- "Ain't No Mountain High Enough," "I'm Coming Out/Upside Down," "The Boss," and "Love Hangover" -- there are new versions of five other Ross classics, ranging chronologically from "Remember Me" (1970) to "It's My House" (1979). Each remix, dutiful and concise, is tasteful house that detracts only slightly from the rich musicality of the source material. The original multi-track master recordings are the foundation, modernized with minimal flash and drum programming that doesn't bludgeon. More importantly, Ross' voice is never removed from the spotlight, and Kupper even preserves Ashford & Simpson's background vocals. Issued with identical track lists for download/streaming, CD, and vinyl, this was no doubt put together with the last format in mind, as the duration is only 35 minutes, designed for front-to-back home listening.
© Andy Kellman /TiVo

Plus d'informations

Supertonic: Instrumental Mixes

Diana Ross

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 50 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 50 millions de titres avec votre abonnement illimité.

1
I'm Coming Out / Upside Down Eric Kupper Instrumental Remix
00:07:26

NILE RODGERS, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - BERNARD EDWARDS, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings, Inc.

2
Love Hangover Eric Kupper Instrumental Remix
00:03:48

Marilyn McLeod, ComposerLyricist - Pamela Sawyer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel - Hal Davis, Producer

A Motown Records release; ℗ 2020 UMG Recordings Inc.

3
The Boss Eric Kupper Instrumental Remix
00:03:40

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings, Inc.

4
Surrender Eric Kupper Instrumental Remix
00:03:05

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

5
Ain't No Mountain High Enough Eric Kupper Instrumental Remix
00:04:06

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings, Inc.

6
No One Gets The Prize Eric Kupper Instrumental Remix
00:05:21

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

7
It's My House Eric Kupper Instrumental Remix
00:04:40

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

8
Touch Me In The Morning Eric Kupper Instrumental Remix
00:04:19

Michael Masser, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel - Ron Miller, Producer, ComposerLyricist

A Motown Records release; ℗ 2020 UMG Recordings Inc.

9
Remember Me Eric Kupper Instrumental Remix
00:03:43

NICKOLAS ASHFORD, Producer, ComposerLyricist - Valerie Simpson, Producer, ComposerLyricist - Diana Ross, MainArtist - Eric Kupper, Remixer, StudioPersonnel

A Motown Records release; ℗ 2020 UMG Recordings Inc.

Descriptif de l'album

Supertonic: Mixes can be disregarded on principle as pointless, as yet another batch of contemporary club makeovers that couldn't possibly surpass the originals. On the contrary, there's at least an eager audience for such a project. When it was released, four of the nine tracks had already topped Billboard's club chart, claiming the kind of record that no one likely thought to look up or even think up beforehand (most are consecutive number one remixes of number one hits, touted by the Motown caretakers at Universal). In addition to providing the edits of those remixes -- "Ain't No Mountain High Enough," "I'm Coming Out/Upside Down," "The Boss," and "Love Hangover" -- there are new versions of five other Ross classics, ranging chronologically from "Remember Me" (1970) to "It's My House" (1979). Each remix, dutiful and concise, is tasteful house that detracts only slightly from the rich musicality of the source material. The original multi-track master recordings are the foundation, modernized with minimal flash and drum programming that doesn't bludgeon. More importantly, Ross' voice is never removed from the spotlight, and Kupper even preserves Ashford & Simpson's background vocals. Issued with identical track lists for download/streaming, CD, and vinyl, this was no doubt put together with the last format in mind, as the duration is only 35 minutes, designed for front-to-back home listening.
© Andy Kellman /TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
À découvrir également
Par Diana Ross

Playlists

Dans la même thématique...
Alane Robin Schulz
Ride It Regard
Discovery Daft Punk
Carte Blanche DJ Snake
TIM Avicii
Les Grands Angles...
La nu soul en 10 albums

Au milieu des 90’s, alors que le hip-hop vit son âge d’or, la soul entame aussi sa révolution. Avec Erykah Badu, D’Angelo, Jill Scott et quelques autres, le genre retrouve la classe, la sobriété et le raffinement qui animaient les albums de Marvin Gaye, Curtis Mayfield ou Roberta Flack. Après les années de règne du R&B sirupeux ultra-commercial, la nu soul, nettement plus underground, ravive la flame de la soul originelle, dans ses arrangements comme dans ses textes. Un mouvement bref mais hautement influent.

Les 10 titres qui ont fait la French Touch

Il y a vingt ans, la French Touch envahissait les clubs et les ondes radio du monde entier, installant l’Hexagone en bonne place sur la carte des musiques électroniques. Qobuz vous raconte l’histoire des 10 titres qui ont marqué cette période dorée pour les producteurs français.

Motown, le son de la jeune Amérique

A bientôt 60 ans, le label fondé par Berry Gordy reste la référence ultime en matière de pop soul. Une usine à tubes où les ouvriers avaient pour noms Diana Ross, Marvin Gaye, Smokey Robinson, Stevie Wonder, Michael Jackson, Rick James ou bien encore les Temptations…

Dans l'actualité...