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Phil Thornton|Solstice

Solstice

Phil Thornton

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Phil Thornton is well known for his work with Sinead O'Connor, as well as his own explorations of Celtic music, electronica, New Age ambience, tribal rhythms, and the musical traditions of non-Western cultures. SOLSTICE draws on Thornton's Celtic interest, merging old and new sounds for what might be a soundtrack to a festival (the album's title and sound evokes images of Pagans dancing around a fire in the woods, celebrating the turning of the seasons). The instrumentation here is particularly notable, as hand drums, recorders and flagolet are played alongside analog synthesizers, electric guitars, and fretless bass, creating a time warp that makes SOLSTICE sound both timeless and contemporary. This compulsively rhythmic Celtic-flavored music should appeal to fans of Thornton's other work, and win some new ones as well.

© TiVo

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Solstice

Phil Thornton

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1
Summer Solstice
00:09:23

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

2
Embrace of the Sun God
00:07:36

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

3
Voice at the End of the Rainbow
00:05:33

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

4
Samhain
00:08:58

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

5
Winter Solstice
00:08:16

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

6
While the Green Man Sleeps
00:04:40

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

7
Awakening
00:06:47

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

8
Beltane
00:11:41

Phil Thornton, MainArtist

(C) 1999 New World Music Ltd. (P) 1999 New World Music Ltd.

Chronique

Phil Thornton is well known for his work with Sinead O'Connor, as well as his own explorations of Celtic music, electronica, New Age ambience, tribal rhythms, and the musical traditions of non-Western cultures. SOLSTICE draws on Thornton's Celtic interest, merging old and new sounds for what might be a soundtrack to a festival (the album's title and sound evokes images of Pagans dancing around a fire in the woods, celebrating the turning of the seasons). The instrumentation here is particularly notable, as hand drums, recorders and flagolet are played alongside analog synthesizers, electric guitars, and fretless bass, creating a time warp that makes SOLSTICE sound both timeless and contemporary. This compulsively rhythmic Celtic-flavored music should appeal to fans of Thornton's other work, and win some new ones as well.

© TiVo

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