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Klaus Doldinger|O.S.T. Das Boot

O.S.T. Das Boot

Klaus Doldinger

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Langue disponible : anglais

It was a good thing Klaus Doldinger was offered this opportunity: to write a score for a German film utilizing all the various forms of his musical training. His groundbreaking jazz-rock fusion band Passport had become mired in the muck of schlocky feel-good instrumentals that didn't even register with his most ardent fans anymore, and he had lost his musical direction. Enter director Wolfgang Petersen who was a Doldinger fan and recruited him to write a score for his WWII epoch about the war in the ocean. Doldinger apparently felt it was a gift from the heavens because he put everything he'd forgotten into creating a soundtrack that was every bit as fine a piece of work as the film it accompanied. Doldinger fashioned a score that felt more like a symphony than a soundtrack. In his episodic moments where merely incidental music was called for, Doldinger composed mini-epochs of motion and emotion. His subtle yet profound use of synthesizers as well as a symphony orchestra and the classical guitar created an atmosphere that made the footage under the sea tense and suffocating, full of the kind of adrenaline-pumping wonder Petersen's narrative called for. In the more driven parts of the score where battle is to be engaged, Doldinger offers simultaneous portraits of horror and grandeur as his strings become the pulse of approaching death and his horns and synths become the courageous, fearless, steely eyed gaze into its face. There are no moments of filler on this soundtrack, made longer by the fact that it now accompanies Petersen's director's cut issued in 1998. Make no mistake, Das Boot is high cinematic art, but Doldinger's score, while it is inseparable from the film's narrative, is a stunning and moving work of art on its own.

© Thom Jurek /TiVo

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O.S.T. Das Boot

Klaus Doldinger

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1
Anfang
00:01:07

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

2
Titel
00:03:45

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

3
Appell
00:00:52

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

4
U 96
00:02:30

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

5
Auslaufen
00:01:11

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

6
Erinnerung (Long Version)
00:02:32

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

7
Konvoi
00:04:17

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

8
Angriff
00:02:09

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

9
Inferno
00:00:51

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

10
Heimkehr
00:02:30

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

11
Bedrohung
00:02:34

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

12
Erinnerung
00:01:08

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

13
Gibraltar (First Version)
00:04:21

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

14
Warten
00:01:10

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

15
Absinken
00:01:36

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

16
Auf Grund
00:01:16

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

17
Eingeschlossen
00:02:23

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

18
Rettung
00:02:13

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

19
Rückzug
00:01:37

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

20
Ende
00:03:23

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Engineer, Remixer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

21
Muss i denn
00:01:24

PD, Composer - Klaus Doldinger, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

22
Mon gars
00:02:33

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer - France Briffaut, Lyricist

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

23
Schwarze Augen
00:02:35

PD, Composer - Klaus Doldinger, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

24
Das Boot (- Single-Version)
00:03:17

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer, Engineer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

25
Konvoi (Long Version)
00:04:29

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

26
Angriff (- Long Version)
00:03:42

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

27
Gibraltar
00:04:21

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

28
Absinken / Eingeschlossen
00:02:57

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

29
Rettung (Long Version)
00:03:03

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

30
Rückzug / Heimkehr
00:02:11

Klaus Doldinger, Composer, Producer, Arranger, MainArtist - Tommy Klemt, Mixer

© 1997 WEA Records Germany ℗ 1997 WEA RECORDS / WARNER MUSIC GERMANY

Chronique

It was a good thing Klaus Doldinger was offered this opportunity: to write a score for a German film utilizing all the various forms of his musical training. His groundbreaking jazz-rock fusion band Passport had become mired in the muck of schlocky feel-good instrumentals that didn't even register with his most ardent fans anymore, and he had lost his musical direction. Enter director Wolfgang Petersen who was a Doldinger fan and recruited him to write a score for his WWII epoch about the war in the ocean. Doldinger apparently felt it was a gift from the heavens because he put everything he'd forgotten into creating a soundtrack that was every bit as fine a piece of work as the film it accompanied. Doldinger fashioned a score that felt more like a symphony than a soundtrack. In his episodic moments where merely incidental music was called for, Doldinger composed mini-epochs of motion and emotion. His subtle yet profound use of synthesizers as well as a symphony orchestra and the classical guitar created an atmosphere that made the footage under the sea tense and suffocating, full of the kind of adrenaline-pumping wonder Petersen's narrative called for. In the more driven parts of the score where battle is to be engaged, Doldinger offers simultaneous portraits of horror and grandeur as his strings become the pulse of approaching death and his horns and synths become the courageous, fearless, steely eyed gaze into its face. There are no moments of filler on this soundtrack, made longer by the fact that it now accompanies Petersen's director's cut issued in 1998. Make no mistake, Das Boot is high cinematic art, but Doldinger's score, while it is inseparable from the film's narrative, is a stunning and moving work of art on its own.

© Thom Jurek /TiVo

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