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After some releases with more of a beat-heavy pop feel, Adamson moves back -- sort of -- into the land of noirish soundtrack. Unlike Moss Side Story, it's not really a soundtrack with repeated themes and motifs. A lot of pieces establish soundtrack-like moods, but the flow never builds up momentum of its own. As individual soundscapes, though, the tracks (largely instrumental) are reasonably impressive, whether it's burlesque-type fare, a takeoff on Miles Davis, or lounge jazz. If noir is what you want, "It's Business as Usual" is especially creepy, with its neurotic answering machine messages nearly buried under waves of disquieting sounds; achieving a similar effect; in an entirely different manner, is "Vermillion Kisses," a fairytale narrative with a morbid ending. Nick Cave adds a guest vocal to (and co-writes) "The Sweetest Embrace"; Pulp's Jarvis Cocker can be heard (and co-writes) another cut. Adamson's skill in layering and devising unusual sound textures still qualifies him as one of experimental rock's more imaginative composers and producers. But on the more rock-oriented pieces, he's using too many of those damn beat boxes for his own good.
© Richie Unterberger /TiVo
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Jarvis Cocker, Composer, FeaturedArtist - Atticus Ross, FeaturedArtist - PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
Shapiro, Composer - Marshall, Composer - Blackwell, Composer - Atticus Ross, FeaturedArtist - Barry Adamson, Composer, Producer, MainArtist - Vidalin, Composer - THAWS, Composer - DATIN, Composer - Vowels, Composer - Del-Naja, Composer - Middlesbrooke, Composer - Kevin Petri, MixingEngineer
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
John Napier, Composer - PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist - Carla Bozulich, Composer - Kevin Petri, MixingEngineer
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
Miles Davis, Composer - Barry Adamson, Producer, MainArtist - Kevin Petri, MixingEngineer
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist - Billy MacKenzie, Composer - Ivor Wimborne, Producer
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
Nick Cave, Composer - PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
PK, MixingEngineer - Barry Adamson, Composer, Producer, MainArtist
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
Chronique
After some releases with more of a beat-heavy pop feel, Adamson moves back -- sort of -- into the land of noirish soundtrack. Unlike Moss Side Story, it's not really a soundtrack with repeated themes and motifs. A lot of pieces establish soundtrack-like moods, but the flow never builds up momentum of its own. As individual soundscapes, though, the tracks (largely instrumental) are reasonably impressive, whether it's burlesque-type fare, a takeoff on Miles Davis, or lounge jazz. If noir is what you want, "It's Business as Usual" is especially creepy, with its neurotic answering machine messages nearly buried under waves of disquieting sounds; achieving a similar effect; in an entirely different manner, is "Vermillion Kisses," a fairytale narrative with a morbid ending. Nick Cave adds a guest vocal to (and co-writes) "The Sweetest Embrace"; Pulp's Jarvis Cocker can be heard (and co-writes) another cut. Adamson's skill in layering and devising unusual sound textures still qualifies him as one of experimental rock's more imaginative composers and producers. But on the more rock-oriented pieces, he's using too many of those damn beat boxes for his own good.
© Richie Unterberger /TiVo
À propos
- 1 disque(s) - 13 piste(s)
- Durée totale : 00:55:58
- Artistes principaux : Barry Adamson
- Compositeur : Various Composers
- Label : Mute
- Genre : Pop/Rock Rock Alternatif et Indé
1996 Mute Records Limited This label copy information is the subject of copyright protection. All rights reserved. Mute Records Limited 1996 The copyright in this sound recording is owned by Mute Records Limited
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