Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
It's been many years since she learned the truth "At Seventeen," but the singer/songwriter and multi-instrumentalist -- who tackles guitars, keyboards, upright bass, and even banjo here -- is still a sharp lyricist who makes her points amid a stylistically diverse playground. Thank God her lyrics don't run as ridiculously stream of consciousness as her liner notes, because part of the fun here is imagining her tongue firmly planted in her cheek as she expounds on various themes. She tackles social paranoia on the bluesy title track; gentle spirituality on "On the Other Side," a tribute to Memphis featuring Mark Twain imagery and Willie Nelson's harmony voca; the powerful pain of love on "When You Love Someone"; and even women's lib on "Plays Like a Girl." That last tune sounds like something you'd hear at the Lilith Fair, a proclamation that girls may be denied membership in certain boys' activities, but the musical boundaries are breaking down. There is a wistful sense of hope on many of the tunes ("The Last Comeback" brims with optimism), but she chooses to close the set with the throbbing, percussive "Murdering Stravinsky," which laments the way people disregard the importance of traditions as they forge ahead. A solid commentary on modern times with a lot of musical joys to be found.
© Jonathan Widran /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Ian Janis, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer, Acoustic Guitar - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - David Liker, Drums - Consensus, Tuba
(P) 2000 BMG Music
Ian Janis, Acoustic Guitar, Arranger, Banjo, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Acoustic Guitar, Arranger, Banjo, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Consensus, Tuba
(P) 2000 Sony Music Entertainment
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar, Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Willie Nelson - Chet Atkins, Guitar - Steve Gadd, Drums - Willie Weeks, Bass - MATT ROLLINGS, Piano - Deana Carter, Composer - Consensus, Tuba
(P) 2000 Sony Music Entertainment
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Consensus, Tuba
(P) 2000 BMG Music
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Consensus, Tuba
(P) 2000 BMG Music
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Consensus, Tuba
(P) 2000 BMG Music
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - John Cowan - Consensus, Tuba
(P) 2000 Sony Music Entertainment
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Consensus, Tuba
(P) 2000 BMG Music
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Drums, Electric Guitar - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Kye Fleming, Composer, Lyricist - Consensus, Tuba
(P) 2000 BMG Music
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Composer, Drums, Electric Guitar, Lyricist - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Consensus, Tuba
(P) 2000 BMG Music
Ian Janis, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Main Artist, Producer, Acoustic Guitar, Bass, Composer, Electric Guitar, Keyboards, Lyricist, Producer - Marc Moreau, Acoustic Guitar, Bass, Drum Programmer, Drums, Electric Guitar, Keyboards, Mixing Engineer, Producer - Philip Clark, Acoustic Guitar, Composer, Drums, Electric Guitar, Lyricist - Jim Cregan, Acoustic Guitar, Electric Guitar, Producer - Consensus, Tuba
(P) 2000 BMG Music
Chronique
It's been many years since she learned the truth "At Seventeen," but the singer/songwriter and multi-instrumentalist -- who tackles guitars, keyboards, upright bass, and even banjo here -- is still a sharp lyricist who makes her points amid a stylistically diverse playground. Thank God her lyrics don't run as ridiculously stream of consciousness as her liner notes, because part of the fun here is imagining her tongue firmly planted in her cheek as she expounds on various themes. She tackles social paranoia on the bluesy title track; gentle spirituality on "On the Other Side," a tribute to Memphis featuring Mark Twain imagery and Willie Nelson's harmony voca; the powerful pain of love on "When You Love Someone"; and even women's lib on "Plays Like a Girl." That last tune sounds like something you'd hear at the Lilith Fair, a proclamation that girls may be denied membership in certain boys' activities, but the musical boundaries are breaking down. There is a wistful sense of hope on many of the tunes ("The Last Comeback" brims with optimism), but she chooses to close the set with the throbbing, percussive "Murdering Stravinsky," which laments the way people disregard the importance of traditions as they forge ahead. A solid commentary on modern times with a lot of musical joys to be found.
© Jonathan Widran /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 00:46:01
- Artistes principaux : Janis Ian
- Compositeur : Janis Ian
- Label : Windham Hill Records
- Genre : Blues/Country/Folk Folk
(P) 2000 Sony Music Entertainment
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.