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Massacre|Funny Valentine

Funny Valentine

Massacre

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In 1983, Bill Laswell's Celluloid label released a minor masterpiece by a downtown power trio called Massacre; the group consisted of Fred Frith on guitar, Laswell on bass and Fred Maher on drums. The album was called Killing Time, and it was a brilliant combination of quirky but composed avant-gardisms, experimental noise and post-punk funk. That album remains one of the great monuments of the downtown scene, right up there with A Taste of DNA and No New York. Fifteen years later, Frith and Laswell reunited (replacing Maher with Charles Hayward) for a second shot at the same magic, and didn't quite succeed. But that doesn't mean that Funny Valentine isn't great, just that it isn't quite as great as Killing Time. It opens on a weak note, with the sprawling and noisy but somehow anemic "Leaf Violence," then steadily improves. By the third track, Laswell and Hayward are laying down a propulsively swaying groove and letting Frith do his inimitable voodoo on top of it. "Ladder" flirts with a funk/reggae feel; "Talk Radio" and "Further Conversations with White Arc" show the sense of humor that animated so much of Killing Time. And "Well-Dressed Ripping Up Wood" seems to be, er, rock & roll. Overall, you wish there was a little more discipline and a little less length, but not much more discipline and not too much less length.

© Rick Anderson /TiVo

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Funny Valentine

Massacre

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1
Leaf Violence
00:04:42

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

2
Down To Five A Day
00:04:40

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

3
Lizard-skin Junk-mail
00:05:26

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

4
Ladder
00:11:29

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

5
South Orange Sunset
00:04:11

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

6
Six-cylinder Sinister
00:05:20

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

7
300 Days In The Vacant Lot
00:07:32

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

8
Say Hey Willie
00:02:12

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

9
Talk Radio
00:03:47

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

10
Well-dressed Ripping Up Wood
00:04:21

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

11
Further Conversations With White Arc
00:06:25

Bill Laswell, Composer - Fred Frith, Composer - Massacre, MainArtist - Charles Heyward, Composer

1998 Tzadik 1998 Tzadik

Chronique

In 1983, Bill Laswell's Celluloid label released a minor masterpiece by a downtown power trio called Massacre; the group consisted of Fred Frith on guitar, Laswell on bass and Fred Maher on drums. The album was called Killing Time, and it was a brilliant combination of quirky but composed avant-gardisms, experimental noise and post-punk funk. That album remains one of the great monuments of the downtown scene, right up there with A Taste of DNA and No New York. Fifteen years later, Frith and Laswell reunited (replacing Maher with Charles Hayward) for a second shot at the same magic, and didn't quite succeed. But that doesn't mean that Funny Valentine isn't great, just that it isn't quite as great as Killing Time. It opens on a weak note, with the sprawling and noisy but somehow anemic "Leaf Violence," then steadily improves. By the third track, Laswell and Hayward are laying down a propulsively swaying groove and letting Frith do his inimitable voodoo on top of it. "Ladder" flirts with a funk/reggae feel; "Talk Radio" and "Further Conversations with White Arc" show the sense of humor that animated so much of Killing Time. And "Well-Dressed Ripping Up Wood" seems to be, er, rock & roll. Overall, you wish there was a little more discipline and a little less length, but not much more discipline and not too much less length.

© Rick Anderson /TiVo

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