Catégories :
Panier 0

Votre panier est vide

Frank Stokes|Creator Of The Memphis Blues

Creator Of The Memphis Blues

Frank Stokes

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

The most prominent musicians in early country-blues tended to emerge from the Mississippi Delta. This region's rich tradition has long overshadowed developments in states like Tennessee and Texas. However, for blues fans in Memphis during the late '20s, Frank Stokes was the king. Having spent time traveling as a minstrel entertainer, Stokes picked up medicine show tunes and popular songs to complement his conventional blues material. His verses read like a catalog of common themes and phrases that roamed the American South. While not a strong singer, Stokes was blessed with one of the music's most distinct voices. He was the antithesis of "hard" Delta singers like Son House and Charlie Patton. In comparison, Stokes seemed perpetually uncertain of himself. When he sings "Don't know what'n the world to do" on "Nehi Mama Blues," he is truly believable. Even on lighter material like "'Tain't Nobody's Business," an underlying worry is evident in his signature quiver. The effect begins to fade only on his most boisterous performances ("Beale Town Bound"). Concluding that Stokes was unstable, however, would be incorrect. "You Shall" and "Mr. Crump" are clearly meant to amuse. The blues itself, which is often construed as being autobiographical, typically served the function of entertainment. Stokes is perhaps best remembered for his guitar duet work with performance partner Dan Sane. Typical of the Memphis blues, their style was lighter than the Delta equivalent. The hard playing and prominent slide was replaced by more intricate and graceful fingerpicking. Sane meshed so well with Stokes that he became an extension of his own guitar. The two incorporated more guitar breaks than were conventional (especially on record) to showcase their interplay. Sane is active on "Take Me Back," animating the song with his sprightly fills and runs. He has a similar effect on "'Tain't Nobody's Business," expanding on Stokes' standard chord work. Yazoo maintains its usual standards of excellent song selection, the best possible sound reproduction, and informative liner notes. Creator of the Memphis Blues is the companion to Frank Stokes Dream. Together they collect all the existing recordings of the Memphis musician.
© Nathan Bush /TiVo

Plus d'informations

Creator Of The Memphis Blues

Frank Stokes

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de CHF 14,99/mois

1
Memphis Rounders Blues
00:02:48

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

2
Unnamed Blues
00:03:03

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

3
Nehi Mamma Blues
00:03:08

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

4
Tain't Nobody's Business If I Do, Pt. 2
00:03:18

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

5
Mr. Crump Don't Like It
00:02:39

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

6
Mistreatin' Blues
00:03:17

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

7
It Won't Be Long Now
00:03:04

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

8
Chicken You Can Roast Behind The Moon
00:03:04

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

9
You Shall
00:02:42

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

10
Sweet To Mama
00:02:54

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

11
Stomp That Thing
00:03:20

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

12
Wasn't That Doggin' Me
00:03:06

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

13
Beale Town Bound
00:02:51

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

14
It's A Good Thing
00:02:59

Frank Stokes, Writer, MainArtist

© 1990 Shanachie Ent. Corp. ℗ 1990 Shanachie Ent. Corp.

Chronique

The most prominent musicians in early country-blues tended to emerge from the Mississippi Delta. This region's rich tradition has long overshadowed developments in states like Tennessee and Texas. However, for blues fans in Memphis during the late '20s, Frank Stokes was the king. Having spent time traveling as a minstrel entertainer, Stokes picked up medicine show tunes and popular songs to complement his conventional blues material. His verses read like a catalog of common themes and phrases that roamed the American South. While not a strong singer, Stokes was blessed with one of the music's most distinct voices. He was the antithesis of "hard" Delta singers like Son House and Charlie Patton. In comparison, Stokes seemed perpetually uncertain of himself. When he sings "Don't know what'n the world to do" on "Nehi Mama Blues," he is truly believable. Even on lighter material like "'Tain't Nobody's Business," an underlying worry is evident in his signature quiver. The effect begins to fade only on his most boisterous performances ("Beale Town Bound"). Concluding that Stokes was unstable, however, would be incorrect. "You Shall" and "Mr. Crump" are clearly meant to amuse. The blues itself, which is often construed as being autobiographical, typically served the function of entertainment. Stokes is perhaps best remembered for his guitar duet work with performance partner Dan Sane. Typical of the Memphis blues, their style was lighter than the Delta equivalent. The hard playing and prominent slide was replaced by more intricate and graceful fingerpicking. Sane meshed so well with Stokes that he became an extension of his own guitar. The two incorporated more guitar breaks than were conventional (especially on record) to showcase their interplay. Sane is active on "Take Me Back," animating the song with his sprightly fills and runs. He has a similar effect on "'Tain't Nobody's Business," expanding on Stokes' standard chord work. Yazoo maintains its usual standards of excellent song selection, the best possible sound reproduction, and informative liner notes. Creator of the Memphis Blues is the companion to Frank Stokes Dream. Together they collect all the existing recordings of the Memphis musician.
© Nathan Bush /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Hier... Encore

Charles Aznavour

Hier... Encore Charles Aznavour

Olympia Février 1976

Charles Aznavour

Olympia Février 1976 Charles Aznavour

Idiote je t'aime...

Charles Aznavour

Idiote je t'aime... Charles Aznavour

La Bohème

Charles Aznavour

La Bohème Charles Aznavour
À découvrir également
Par Frank Stokes

The Victor Recordings (1928 - 1929)

Frank Stokes

Presenting Frank Stokes

Frank Stokes

The Best Of Frank Stokes

Frank Stokes

The Best Of Frank Stokes

Frank Stokes

Creator Of The Memphis Blues

Frank Stokes

Playlists

Dans la même thématique...

At Last!

Etta James

At Last! Etta James

Blues Deluxe Vol. 2

Joe Bonamassa

Blues Deluxe Vol. 2 Joe Bonamassa

Couldn't Stand The Weather

Stevie Ray Vaughan

Couldn't Stand The Weather Stevie Ray Vaughan

The Lady In The Balcony: Lockdown Sessions

Eric Clapton

Orgy of the Damned

Slash