Catégories :
Panier 0

Votre panier est vide

Francesco De Gregori - Alice Non Lo Sa

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Alice Non Lo Sa

Francesco De Gregori

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Francesco de Gregori's first official release was Theorius Campus, a curious concoction split between early songs by De Gregori and fellow Roman songwriter Antonello Venditti. Yet for all intents and purposes, 1973's Alice Non Lo Sa should be considered De Gregori's debut album. This is the first collection of songs written entirely by De Gregori, and the clear expression of a coherent project conceived by a single creative mind. It also already sounds like any of his great '70s albums. While arguably only the title track has become a classic, at least half the album deserved the same fate: "La Casa di Hilde," "1940," "Suonatori di Flauto," "Il Ragazzo," or "Irene," to mention but a few, are all little-known gems. Musically, the piano and strings arrangements are a bit anonymous, while the acoustic guitar-driven numbers reveal the influence of Leonard Cohen, most tellingly in "Marianna al Bivio," that also includes references to the characters of both "Suzanne" and "So Long, Marianne." This is clearly a songwriter's effort, with lyrics taking center stage. Everything becomes subordinate to De Gregori's shy, soft spoken voice and his enigmatic cast of characters and literate wordplay -- the true stars of the album -- but also the reasons for the relative commercial and critical failure of Alice Non Lo Sa. De Gregori was criticized for the hermetic character of his lyrics, and for his refusal to be openly political or personal, something that was required of Italian songwriters at the time. Instead, De Gregori experimented with multiple characters and narrative perspectives inside a song, intertextuality, and unresolved allegories. It is precisely this complexity and ambiguity that almost 40 years later keeps the album so compelling in its depiction of a strange, poetic society of outsiders, losers, and minor characters of history. A fascinating album.
© Mariano Prunes /TiVo

Plus d'informations

Alice Non Lo Sa

Francesco De Gregori

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 60 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 60 millions de titres avec votre abonnement illimité.

1
Alice
00:03:43

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Composer - Francesco De Gregori, Lyricist - Francesco De Gregori, Vocal - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

2
1940
00:04:16

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Composer - Francesco De Gregori, Lyricist - Francesco De Gregori, Vocal - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

3
Le strade di lei
00:04:14

Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Edoardo De Angelis, Performance Arranger - Luigi Zito, Conductor - Francesco De Gregori, Vocal - Francesco De Gregori, Lyricist - Francesco De Gregori, Composer - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

4
Suonatori di flauto
00:02:08

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Composer - Francesco De Gregori, Lyricist - Francesco De Gregori, Vocal - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

5
Buonanotte Fratello
00:03:53

Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Edoardo De Angelis, Performance Arranger - Luigi Zito, Conductor - Francesco De Gregori, Vocal - Francesco De Gregori, Composer - Francesco De Gregori, Lyricist - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

6
Sono tuo
00:02:39

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Vocal - Francesco De Gregori, Lyricist - Francesco De Gregori, Composer - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

7
I musicanti
00:02:07

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Composer - Francesco De Gregori, Lyricist - Francesco De Gregori, Vocal - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

8
La casa di Hilde
00:04:40

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Lyricist - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Vocal - Francesco De Gregori, Lyricist - Francesco De Gregori, Composer - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

9
Il ragazzo
00:04:24

Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Composer - Francesco De Gregori, Vocal - Francesco De Gregori, Lyricist

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

10
Irene
00:02:11

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Vocal - Francesco De Gregori, Lyricist - Francesco De Gregori, Composer - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

11
Marianna al bivio
00:03:00

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Vocal - Francesco De Gregori, Lyricist - Francesco De Gregori, Composer

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

12
Saigon
00:03:22

Edoardo De Angelis, Performance Arranger - Edoardo De Angelis, Producer - Edoardo De Angelis, Project Coordinator - Luigi Zito, Conductor - Francesco De Gregori, Vocal - Francesco De Gregori, Lyricist - Francesco De Gregori, Composer - Francesco De Gregori, Performance Arranger

(P) 1973 SONY BMG MUSIC ENTERTAINMENT (Italy) S.p.A.

Descriptif de l'album

Francesco de Gregori's first official release was Theorius Campus, a curious concoction split between early songs by De Gregori and fellow Roman songwriter Antonello Venditti. Yet for all intents and purposes, 1973's Alice Non Lo Sa should be considered De Gregori's debut album. This is the first collection of songs written entirely by De Gregori, and the clear expression of a coherent project conceived by a single creative mind. It also already sounds like any of his great '70s albums. While arguably only the title track has become a classic, at least half the album deserved the same fate: "La Casa di Hilde," "1940," "Suonatori di Flauto," "Il Ragazzo," or "Irene," to mention but a few, are all little-known gems. Musically, the piano and strings arrangements are a bit anonymous, while the acoustic guitar-driven numbers reveal the influence of Leonard Cohen, most tellingly in "Marianna al Bivio," that also includes references to the characters of both "Suzanne" and "So Long, Marianne." This is clearly a songwriter's effort, with lyrics taking center stage. Everything becomes subordinate to De Gregori's shy, soft spoken voice and his enigmatic cast of characters and literate wordplay -- the true stars of the album -- but also the reasons for the relative commercial and critical failure of Alice Non Lo Sa. De Gregori was criticized for the hermetic character of his lyrics, and for his refusal to be openly political or personal, something that was required of Italian songwriters at the time. Instead, De Gregori experimented with multiple characters and narrative perspectives inside a song, intertextuality, and unresolved allegories. It is precisely this complexity and ambiguity that almost 40 years later keeps the album so compelling in its depiction of a strange, poetic society of outsiders, losers, and minor characters of history. A fascinating album.
© Mariano Prunes /TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
À découvrir également
Par Francesco De Gregori
Anema e Core Francesco De Gregori
Rimmel Francesco De Gregori
Vivavoce Francesco De Gregori
De Gregori Francesco De Gregori

Playlists

Dans la même thématique...
Les Grands Angles...
40 ans de post-punk en 10 albums

Au crépuscule des 70’s, les éclaboussures punk n’ont pas encore séché que la noirceur du mouvement déteint déjà sur de nouveaux groupes. Dans cette new wave, le courant post-punk offre une approche tourmentée voire radicale. Des précurseurs Joy Division et The Fall aux contemporains Shame et Fontaines D.C., coup de zoom sur les albums phares d’un électrochoc qui n’a jamais cessé de fasciner l’underground rock’n’roll.

Big Star, l’étoile mystérieuse

Trois albums en deux ans auront suffi à Big Star pour entrer au panthéon du rock’n’roll. Négligé en son temps, au début des années 70, le groupe d’Alex Chilton et Chris Bell est considéré depuis comme l’un des plus influents du genre.

Nick Cave, mauvaise graine de star

Nick Cave et ses Bad Seeds restent l’une des aventures les plus prolifiques de l’ère postpunk. Dès la fin des années 80, le magnétisme caverneux du chanteur australien atteignait un certain paroxysme, entre reprises furibardes, ballades au piano et rock’n’roll en sueur. Au fil des ans, le Cave s’est fait de plus en plus crooner, entre un Frank Sinatra punk et un Johnny Cash austère...

Dans l'actualité...