Qobuz Store wallpaper
Categorie:
Carrello 0

Il tuo carrello è vuoto

Mark Turner Quartet - Lathe Of Heaven

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Lathe Of Heaven

Mark Turner Quartet

Libretto digitale

Disponibile in
logo Hi-Res
24-Bit 88.2 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Resgistrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, abbonati a Sublime+

Lingua disponibile: inglese

Saxophonist Mark Turner has steadily built a career as one of the lesser ballyhooed if no less talented jazz saxophonists of his generation. Indebted to such icons of musical intellectualism as Wayne Shorter, John Coltrane, and Warne Marsh, Turner has a fluid, egoless style, grounded in motivic, harmony-based improvisation that's always understated yet never fails to grab your attention. Borrowing the title from Ursula K. Le Guin's 1971 dystopian science fiction novel in which a person's dreams may or may not alter our reality, Turner's 2014 ECM release, Lathe of Heaven, is a measured, thoughtfully precise album that blurs the lines between post-bop jazz, classical chamber music, and free improvisation. Working with his pianoless quartet featuring trumpeter Avishai Cohen, bassist Joe Martin, and drummer Marcus Gilmore, Turner has developed an ensemble-based approach to jazz that sidesteps both traditional and avant-garde jazz conventions at every turn. In fact, while the aesthetics of Turner's songs lean toward free jazz (and there are certainly moments of unbridled free improv and group interplay on the album), Lathe of Heaven is noticeably devoid of the instrumental skronk and squelch often associated with freer forms of jazz. Instead, Turner's music is formal, minimalist, lacking in frenetic bebop or blues-based inflection, and primarily focused on long-form melodic statements that Turner and Cohen often play in harmonized counterpoint. This is deeply meditative, intellectual music that defies categorization while at the same time bringing to mind such disparate touchstones as '70s Kenny Wheeler, '60s Ornette Coleman, and the lyrical '50s West Coast cool of the Chet Baker and Gerry Mulligan pianoless quartet. Ultimately, in much the same way that the layers of our dreams are stripped back to reveal a deeper, more profound, and at times unsettling truth in Le Guin's novel, with his Lathe of Heaven Turner strips back layers of jazz style and language to reveal a sound that is both familiar and utterly new.
© Matt Collar /TiVo

Maggiori informazioni

Lathe Of Heaven

Mark Turner Quartet

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 50 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 50 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Lathe Of Heaven
00:06:40

Avishai Cohen, Trumpet, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Joe Martin, Double Bass, AssociatedPerformer - Mark Turner, Composer, Tenor Saxophone, AssociatedPerformer - Marcus Gilmore, Drums, AssociatedPerformer - Manfred Eicher, Producer - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Mark Turner Quartet, MainArtist

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

2
Year Of The Rabbit
00:12:19

Avishai Cohen, Trumpet, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Joe Martin, Double Bass, AssociatedPerformer - Mark Turner, Composer, Tenor Saxophone, AssociatedPerformer - Marcus Gilmore, Drums, AssociatedPerformer - Manfred Eicher, Producer - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Mark Turner Quartet, MainArtist

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

3
Ethan's Line
00:08:01

Avishai Cohen, Trumpet, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Joe Martin, Double Bass, AssociatedPerformer - Mark Turner, Composer, Tenor Saxophone, AssociatedPerformer - Marcus Gilmore, Drums, AssociatedPerformer - Manfred Eicher, Producer - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Mark Turner Quartet, MainArtist

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

4
The Edenist
00:08:11

Avishai Cohen, Trumpet, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Joe Martin, Double Bass, AssociatedPerformer - Mark Turner, Composer, Tenor Saxophone, AssociatedPerformer - Marcus Gilmore, Drums, AssociatedPerformer - Manfred Eicher, Producer - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Mark Turner Quartet, MainArtist

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

5
Sonnet For Stevie
00:12:57

Avishai Cohen, Trumpet, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Joe Martin, Double Bass, AssociatedPerformer - Mark Turner, Composer, Tenor Saxophone, AssociatedPerformer - Marcus Gilmore, Drums, AssociatedPerformer - Manfred Eicher, Producer - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Mark Turner Quartet, MainArtist

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

6
Brother Sister
00:10:09

Avishai Cohen, Trumpet, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Joe Martin, Double Bass, AssociatedPerformer - Mark Turner, Composer, Tenor Saxophone, AssociatedPerformer - Marcus Gilmore, Drums, AssociatedPerformer - Manfred Eicher, Producer - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Mark Turner Quartet, MainArtist

℗ 2014 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Descrizione dell'album

Saxophonist Mark Turner has steadily built a career as one of the lesser ballyhooed if no less talented jazz saxophonists of his generation. Indebted to such icons of musical intellectualism as Wayne Shorter, John Coltrane, and Warne Marsh, Turner has a fluid, egoless style, grounded in motivic, harmony-based improvisation that's always understated yet never fails to grab your attention. Borrowing the title from Ursula K. Le Guin's 1971 dystopian science fiction novel in which a person's dreams may or may not alter our reality, Turner's 2014 ECM release, Lathe of Heaven, is a measured, thoughtfully precise album that blurs the lines between post-bop jazz, classical chamber music, and free improvisation. Working with his pianoless quartet featuring trumpeter Avishai Cohen, bassist Joe Martin, and drummer Marcus Gilmore, Turner has developed an ensemble-based approach to jazz that sidesteps both traditional and avant-garde jazz conventions at every turn. In fact, while the aesthetics of Turner's songs lean toward free jazz (and there are certainly moments of unbridled free improv and group interplay on the album), Lathe of Heaven is noticeably devoid of the instrumental skronk and squelch often associated with freer forms of jazz. Instead, Turner's music is formal, minimalist, lacking in frenetic bebop or blues-based inflection, and primarily focused on long-form melodic statements that Turner and Cohen often play in harmonized counterpoint. This is deeply meditative, intellectual music that defies categorization while at the same time bringing to mind such disparate touchstones as '70s Kenny Wheeler, '60s Ornette Coleman, and the lyrical '50s West Coast cool of the Chet Baker and Gerry Mulligan pianoless quartet. Ultimately, in much the same way that the layers of our dreams are stripped back to reveal a deeper, more profound, and at times unsettling truth in Le Guin's novel, with his Lathe of Heaven Turner strips back layers of jazz style and language to reveal a sound that is both familiar and utterly new.
© Matt Collar /TiVo

A proposito dell'album

Distinzioni:

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
A Love Supreme John Coltrane
80/81 Pat Metheny

Playlist

Ti potrebbe piacere anche...
Just Coolin' Art Blakey & The Jazz Messengers
Trapeze Noel Mcghie
Beautiful Vinyl Hunter Ashley Henry
Nelle Panoramiche...
C'era una volta ECM di Manfred Eicher

ECM è una delle poche etichette con una vera politica editoriale. Fondatore e proprietario della casa discografica nata a Monaco, Manfred Eicher, in una delle sue rare interviste, evoca la sua traiettoria e la sua vita quotidiana avvolta da una un’aura fatta di musica, silenzio e libertà.

Betty Davis, la pantera funk

Senza di lei, nessuna Macy Gray, Erykah Badu, Amy Winehouse né Janelle Monáe! Scomparsa dai riflettori ormai da anni, Betty Davis resta la pioniera delle soul sister feline. La dea funk per eccellenza. E addirittura colei che elettrizzò un certo Miles Davis di cui sarà un’effimera compagna. Ma chi è Betty?

Marc Ribot, l'antieroe della chitarra

Per 35 anni, il nome di Marc Ribot è apparso sulle copertine di album firmati da Tom Waits, Vinicio Capossela, Alain Bashung, Diana Krall, John Zorn, Robert Plant, Caetano Veloso e una miriade di altri musicisti. E quando non presta la sua atipica chitarra ai più grandi, il newyorkese si diverte a smontare rock, jazz, funk, musica cubana e tutto ciò che gli capita a tiro.

Nel magazine...