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Philadelphia Orchestra|Wagner: Preludes and Orchestral Music

Wagner: Preludes and Orchestral Music

Philadelphia Orchestra, Christian Thielemann

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Christian Thielemann is a self-professed admirer of Wilhelm Furtwängler, and the older conductor's influence is perhaps most readily identified in these 1997 performances of the music of Richard Wagner, particularly in the fluid phrasing, elastic tempos, and swelling dynamics. One may well feel transported to Furtwängler's era, when such liberties of interpretation were common, and Wagner's music regularly received unabashedly Romantic and highly personalized treatments from German maestros. Some might consider Thielemann's rubato and drawn-out tempos to be self-indulgent and even manipulative, and he certainly takes advantage of every expressive possibility in these selections from Die Meistersinger von Nürnberg, Lohengrin, Parsifal, and Tristan und Isolde. Then again, Thielemann's ardent fans will overlook the supposed excesses and instead revel in the passionate playing and gorgeous sonorities that the Philadelphia Orchestra produces under his direction, and especially relish the expansive readings of the Prelude to Act I of Lohengrin, the Prelude and the Good Friday Music from Parsifal, and the Prelude and Liebestod from Tristan, which have always provided excellent opportunities for emoting. Deutsche Grammophon's reproduction is spectacular, with full orchestral colors and spacious dimensions.

© TiVo

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Wagner: Preludes and Orchestral Music

Philadelphia Orchestra

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Die Meistersinger von Nürnberg (Richard Wagner)

1
Overture
00:10:26

The Philadelphia Orchestra, Orchestra, MainArtist - Richard Wagner, ComposerLyricist - John Fischer, Producer, Executive Producer - Christian Thielemann, Conductor, MainArtist - Nigel Boon, Producer, Executive Producer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Ulrich Vette, Balance Engineer, StudioPersonnel - Jobst Eberhardt, Editor, StudioPersonnel - Werner Mayer, Producer, Recording Producer

℗ 1998 Deutsche Grammophon GmbH, Berlin

Lohengrin, WWV. 75 (Richard Wagner)

2
Prelude to Act I
00:09:49

The Philadelphia Orchestra, Orchestra, MainArtist - Richard Wagner, ComposerLyricist - John Fischer, Producer, Executive Producer - Christian Thielemann, Conductor, MainArtist - Nigel Boon, Producer, Executive Producer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Ulrich Vette, Balance Engineer, StudioPersonnel - Jobst Eberhardt, Editor, StudioPersonnel - Werner Mayer, Producer, Recording Producer

℗ 1998 Deutsche Grammophon GmbH, Berlin

Lohengrin / Act III, WWV. 75 (Richard Wagner)

3
Prelude to Act III
00:03:11

The Philadelphia Orchestra, Orchestra, MainArtist - Richard Wagner, ComposerLyricist - John Fischer, Producer - Christian Thielemann, Conductor, MainArtist - Nigel Boon, Producer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Ulrich Vette, Balance Engineer, StudioPersonnel - Jobst Eberhardt, Editor, StudioPersonnel - Werner Mayer, Producer, Recording Producer

℗ 1998 Deutsche Grammophon GmbH, Berlin

Parsifal (Richard Wagner)

4
Prelude
00:13:39

The Philadelphia Orchestra, Orchestra, MainArtist - Richard Wagner, ComposerLyricist - John Fischer, Producer, Executive Producer - Christian Thielemann, Conductor, MainArtist - Nigel Boon, Producer, Executive Producer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Ulrich Vette, Balance Engineer, StudioPersonnel - Jobst Eberhardt, Editor, StudioPersonnel - Werner Mayer, Producer, Recording Producer

℗ 1998 Deutsche Grammophon GmbH, Berlin

Parsifal / Act III (Richard Wagner)

5
Karfreitagszauber
00:12:43

The Philadelphia Orchestra, Orchestra, MainArtist - Richard Wagner, ComposerLyricist - John Fischer, Producer, Executive Producer - Christian Thielemann, Conductor, MainArtist - Nigel Boon, Producer, Executive Producer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Ulrich Vette, Balance Engineer, StudioPersonnel - Jobst Eberhardt, Editor, StudioPersonnel - Werner Mayer, Producer, Recording Producer

℗ 1998 Deutsche Grammophon GmbH, Berlin

Tristan und Isolde, WWV. 90 (Richard Wagner)

6
Prelude to Act I. Langsam und schmachtend
00:12:06

The Philadelphia Orchestra, Orchestra, MainArtist - Richard Wagner, Composer, Author - John Fischer, Producer, Executive Producer - Christian Thielemann, Conductor, MainArtist - Nigel Boon, Producer, Executive Producer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Ulrich Vette, Balance Engineer, StudioPersonnel - Jobst Eberhardt, Editor, StudioPersonnel - Werner Mayer, Producer, Recording Producer

℗ 1998 Deutsche Grammophon GmbH, Berlin

Tristan und Isolde, WWV. 90 / Act III (Richard Wagner)

7
"Mild und leise wie er lächelt" (Isoldes Liebestod)
00:08:29

The Philadelphia Orchestra, Orchestra, MainArtist - Richard Wagner, Composer, Author - John Fischer, Producer, Executive Producer - Christian Thielemann, Conductor, MainArtist - Nigel Boon, Producer, Executive Producer - Wolf-Dieter Karwatky, Recording Engineer, StudioPersonnel - Ulrich Vette, Balance Engineer, StudioPersonnel - Jobst Eberhardt, Editor, StudioPersonnel - Werner Mayer, Producer, Recording Producer

℗ 1998 Deutsche Grammophon GmbH, Berlin

Chronique

Christian Thielemann is a self-professed admirer of Wilhelm Furtwängler, and the older conductor's influence is perhaps most readily identified in these 1997 performances of the music of Richard Wagner, particularly in the fluid phrasing, elastic tempos, and swelling dynamics. One may well feel transported to Furtwängler's era, when such liberties of interpretation were common, and Wagner's music regularly received unabashedly Romantic and highly personalized treatments from German maestros. Some might consider Thielemann's rubato and drawn-out tempos to be self-indulgent and even manipulative, and he certainly takes advantage of every expressive possibility in these selections from Die Meistersinger von Nürnberg, Lohengrin, Parsifal, and Tristan und Isolde. Then again, Thielemann's ardent fans will overlook the supposed excesses and instead revel in the passionate playing and gorgeous sonorities that the Philadelphia Orchestra produces under his direction, and especially relish the expansive readings of the Prelude to Act I of Lohengrin, the Prelude and the Good Friday Music from Parsifal, and the Prelude and Liebestod from Tristan, which have always provided excellent opportunities for emoting. Deutsche Grammophon's reproduction is spectacular, with full orchestral colors and spacious dimensions.

© TiVo

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