Catégories :
Panier 0

Votre panier est vide

Ronnie Milsap|There's No Gettin' Over Me

There's No Gettin' Over Me

Ronnie Milsap

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

By 1981, Ronnie Milsap had become a superstar and was still riding the crest of the wave that began in the early '70s. But Milsap had taken his version of country music as close as he could get to the pop charts without quite crossing over. In many ways his sound is indicative of the times and the artists making hit records at the same time (Eddie Rabbitt, Ronnie McDowell, Johnny Lee, etc.), but Milsap possessed something that none of the aforementioned did: a direct link to the rock and doo wop sounds of the late '50s and early '60s. His urban country is evidenced in the title track, which was a Top Ten single, has a sweet alto saxophone solo in it, and has a chorus that reflects James Taylor's late-'70s attempts at crooning early rock. And there are Milsap's ballads, such as "It's All I Can Do," "Two Hearts Don't Always Make a Pair," and "Too Big for Words." There's the other single, "I Wouldn't Have Missed It for the World," which is urban cowboy country music in its purest essence and was rewarded with the number one spot for a few weeks in late 1981. The sweeping backing vocals, a harp, a barely present pedal steel added for atmosphere, and enough acoustic guitars to supply an army of big-feathered hat-wearing drugstore cowpokes. It's also an awesome pop song. The chorus alone is so infectious it could be heard being hummed and whistled on street corners and its words being sung in barrooms and dancehalls throughout the rest of 1981. It also, finally, crossed over. There's No Gettin' Over Me is a perfect example of what Milsap was about in his middle period. There's humility in his confidence and a genuine empathy in his croon. Yeah, it's slick, and even schlocky in places ("Jesus Is Your Ticket to Heaven"), but it's also terrific.

© Thom Jurek /TiVo

Plus d'informations

There's No Gettin' Over Me

Ronnie Milsap

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de CHF 14,99/mois

1
Everywhere I Turn (There's Your Memory)
00:03:18

BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Naomi Martin, ComposerLyricist - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Archie Jordan, ComposerLyricist - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - The Shelly Kurland Strings, Ensemble - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

2
(There's) No Gettin' Over Me
00:03:18

Walt Aldridge, ComposerLyricist - Tom Brasfield, ComposerLyricist - BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

3
It's All I Can Do
00:03:38

Richard Leigh, ComposerLyricist - BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Archie Jordan, ComposerLyricist - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - The Shelly Kurland Strings, Ensemble - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

4
Two Hearts Don't Always Make A Pair
00:03:11

Jim Rushing, ComposerLyricist - BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - Byron Walls, ComposerLyricist - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

5
Jesus Is Your Ticket To Heaven
00:03:17

BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Archie Jordan, ComposerLyricist - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

6
I Wouldn't Have Missed It For The World
00:03:36

Dennis Morgan, ComposerLyricist - Charles Quillen, ComposerLyricist - BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Rhonda Kye Fleming, ComposerLyricist - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

7
Too Big For Words
00:03:30

BARBARA WYRICK, Background Vocalist, AssociatedPerformer, ComposerLyricist - Bobby Wood, Organ, AssociatedPerformer - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - The Shelly Kurland Strings, Ensemble - Suzy Storm, ComposerLyricist - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

8
It Happens Every Time (I Think Of You)
00:02:52

BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Archie Jordan, ComposerLyricist - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - The Shelly Kurland Strings, Ensemble - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

9
It's Written All Over Your Face
00:03:50

Tom Brasfield, ComposerLyricist - Robert Byrne, ComposerLyricist - BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - The Shelly Kurland Strings, Ensemble - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

10
I Live My Whole Life At Night
00:03:59

Charles Quillen, ComposerLyricist - BARBARA WYRICK, Background Vocalist, AssociatedPerformer - Bobby Wood, Organ, AssociatedPerformer - John Schweers, ComposerLyricist - Bruce Dees, Electric Guitar, Background Vocalist, AssociatedPerformer - DAVID BRIGGS, Digital Piano, AssociatedPerformer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Sonny Garrish, Steel Guitar, AssociatedPerformer - Ronnie Milsap, Producer, Piano, Vocals, Synthesizer, Background Vocalist, Recording Producer, MainArtist, AssociatedPerformer - Brent Rowan, Electric Guitar, AssociatedPerformer - Tom Collins, Producer, Recording Producer - Shane Keister, Synthesizer, Digital Piano, AssociatedPerformer - John Hughey, Steel Guitar, AssociatedPerformer - Ben Harris, Asst. Recording Engineer, StudioPersonnel - Charlie McCoy, Vibraphone, Harmonica, AssociatedPerformer - Jimmy Capps, Guitar, AssociatedPerformer - Ronald Eades, Saxophone, AssociatedPerformer - Pete Bordonali, Electric Guitar, AssociatedPerformer - Cindy Reynolds, Harp, AssociatedPerformer - Marie Tomlinson, Background Vocalist, AssociatedPerformer - The Lea Jane Singers, Background Vocalist, AssociatedPerformer - Les Ladd, Recording Engineer, StudioPersonnel - Buster Phillips, Drums, AssociatedPerformer - Jack Watkins, Guitar, Electric Guitar, AssociatedPerformer - Warren Gowers, Bass Guitar, AssociatedPerformer - Rich Ripani, Synthesizer, AssociatedPerformer - Bruce Brooks, Steel Guitar, AssociatedPerformer - Susie Storm, Background Vocalist, AssociatedPerformer

℗ 1981 Craft Recordings, a division of Concord Music Group, Inc.

Chronique

By 1981, Ronnie Milsap had become a superstar and was still riding the crest of the wave that began in the early '70s. But Milsap had taken his version of country music as close as he could get to the pop charts without quite crossing over. In many ways his sound is indicative of the times and the artists making hit records at the same time (Eddie Rabbitt, Ronnie McDowell, Johnny Lee, etc.), but Milsap possessed something that none of the aforementioned did: a direct link to the rock and doo wop sounds of the late '50s and early '60s. His urban country is evidenced in the title track, which was a Top Ten single, has a sweet alto saxophone solo in it, and has a chorus that reflects James Taylor's late-'70s attempts at crooning early rock. And there are Milsap's ballads, such as "It's All I Can Do," "Two Hearts Don't Always Make a Pair," and "Too Big for Words." There's the other single, "I Wouldn't Have Missed It for the World," which is urban cowboy country music in its purest essence and was rewarded with the number one spot for a few weeks in late 1981. The sweeping backing vocals, a harp, a barely present pedal steel added for atmosphere, and enough acoustic guitars to supply an army of big-feathered hat-wearing drugstore cowpokes. It's also an awesome pop song. The chorus alone is so infectious it could be heard being hummed and whistled on street corners and its words being sung in barrooms and dancehalls throughout the rest of 1981. It also, finally, crossed over. There's No Gettin' Over Me is a perfect example of what Milsap was about in his middle period. There's humility in his confidence and a genuine empathy in his croon. Yeah, it's slick, and even schlocky in places ("Jesus Is Your Ticket to Heaven"), but it's also terrific.

© Thom Jurek /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Ronnie Milsap

No Getting over Me (feat. Kacey Musgraves)

Ronnie Milsap

A Better Word for Love

Ronnie Milsap

A Better Word for Love Ronnie Milsap

The Best Of Ronnie Milsap

Ronnie Milsap

Wild Honey

Ronnie Milsap

Wild Honey Ronnie Milsap

Christmas With Ronnie Milsap

Ronnie Milsap

Playlists

Dans la même thématique...

From A Room: Volume 1

Chris Stapleton

From A Room: Volume 1 Chris Stapleton

American IV: The Man Comes Around

Johnny Cash

How Does That Grab You?

Nancy Sinatra

Speak Now (Taylor's Version)

Taylor Swift

COWBOY CARTER

Beyoncé

COWBOY CARTER Beyoncé