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Marcelo Álvarez|The Tenor's Passion

The Tenor's Passion

Marcelo Alvarez

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The Tenor's Passion marks Marcelo Álvarez's move into heavier repertory. By his own account, he has given himself a technical makeover, acknowledging the inevitable darkening of his voice with age by re-gearing his singing for bigger roles. So, in making this recording he has left behind the lighter stuff that first catapulted him into the spotlight and taken up the capital "T" tenor warhorses usually associated with more dramatic voices. The audible change in his sound is striking. He certainly has developed the appropriate heft and carrying power for this music; you don't get the sense that he is a lightweight in over his head. But the tonal evenness, smiling brilliance, and flowing legato that marked his early recordings are diminished. His basic tone color now changes drastically between the middle, upper-middle, and high ranges of his voice, often jarringly so in the middle of phrases. The top range is as extensive and reliable as ever (he makes the high C sharp in "A te, o cara" from I Puritani sound much easier than Pavarotti ever did), but the lean brilliance that used to characterize those high notes has given way to a thicker, slightly unfocused sound.
Álvarez delivers many beautiful moments; Marcello Viotti and the Staatskapelle Dresden are deluxe partners; and the selection of arias, while unsurprising, is great. But in comparison with his own past work, Álvarez's latest effort is less special, less distinctive. Clearly his vocal transformation is no parlor trick. But he doesn't seem comfortable with it yet, and as captured here his singing doesn't have the spontaneous engagement, musical refinement, or sense of polish that it once did.

© TiVo

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The Tenor's Passion

Marcelo Álvarez

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1
Che gelida manina from La bohème
00:04:56

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Giacomo Puccini, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Luigi Illica, Librettist - Giuseppe Giacosa, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

2
Addio, fiorito asil from Madama Butterfly
00:01:45

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Giacomo Puccini, Composer - Andreas Neubronner, Producer - Giuseppe Giacosa, Librettist - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Luigi Illica, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

3
Recondita armonia from Tosca
00:02:59

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Giacomo Puccini, Composer - Jeremy Caulton, Executive Producer - Marcello Viotti, Conductor - Luigi Illica, Librettist - Giuseppe Giacosa, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

4
E lucevan le stelle from Tosca
00:03:21

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Giacomo Puccini, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Luigi Illica, Librettist - Giuseppe Giacosa, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

5
Donna non vidi mai from Manon Lescaut
00:02:38

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Giacomo Puccini, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Luigi Illica, Librettist - Domenico Oliva, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

6
Turandot: Nessun dorma
00:03:19

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Giacomo Puccini, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Giuseppe Adami, Librettist - Renato Simoni, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

7
Lamento di Federico from L?arlesiana
00:04:35

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Francesco Cilèa, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Leopoldo Marenco, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

8
Amor ti vieta from Fedora
00:01:46

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Umberto Giordano, Composer - Andreas Neubronner, Producer - Arturo Colautti, Librettist - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

9
Andrea Chénier: Come un bel dì di maggio
00:02:56

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Umberto Giordano, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Luigi Illica, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

10
La Gioconda:"Cielo e mar from"
00:05:21

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Amilcare Ponchielli, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Tobia Gorrio, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

11
M'appari tutt'amor from Martha
00:03:23

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Friedrich von Flotow, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - W. Friedrich, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

12
Di rigori armato il seno from Der Rosenkavalier
00:02:29

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Richard Strauss, Composer - Hugo von Hofmannsthal, Librettist - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

13
A te, o cara, amor talora from I Puritani
00:03:27

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Vincenzo Bellini, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Carlo Pepoli, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

14
O paradis from L'Africaine
00:03:17

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Giacomo Meyerbeer, Composer - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Eugène Scribe, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

15
Vainement, ma bien-aimée (Aubade) from Le Roi d'Ys
00:03:45

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Edouard Lalo, Composer - Edouard Blau, Librettist - Marcello Viotti, Conductor - Staatskapelle Dresden, Associated Performer - Andreas Neubronner, Producer - Jeremy Caulton, Executive Producer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

16
Flower Song (La fleur que tu m?avais jetée) from Carmen
00:04:27

Marcelo Alvarez, Associated Performer, Main Artist, Tenor, Associated Performer, Tenor - Andreas Neubronner, Producer - Georges Bizet, Composer - Henri Meilhac, Librettist - Marcello Viotti, Conductor - Jeremy Caulton, Executive Producer - Ludovic Halevy, Librettist - Staatskapelle Dresden, Associated Performer

(P) 2004 SONY BMG MUSIC ENTERTAINMENT

Chronique

The Tenor's Passion marks Marcelo Álvarez's move into heavier repertory. By his own account, he has given himself a technical makeover, acknowledging the inevitable darkening of his voice with age by re-gearing his singing for bigger roles. So, in making this recording he has left behind the lighter stuff that first catapulted him into the spotlight and taken up the capital "T" tenor warhorses usually associated with more dramatic voices. The audible change in his sound is striking. He certainly has developed the appropriate heft and carrying power for this music; you don't get the sense that he is a lightweight in over his head. But the tonal evenness, smiling brilliance, and flowing legato that marked his early recordings are diminished. His basic tone color now changes drastically between the middle, upper-middle, and high ranges of his voice, often jarringly so in the middle of phrases. The top range is as extensive and reliable as ever (he makes the high C sharp in "A te, o cara" from I Puritani sound much easier than Pavarotti ever did), but the lean brilliance that used to characterize those high notes has given way to a thicker, slightly unfocused sound.
Álvarez delivers many beautiful moments; Marcello Viotti and the Staatskapelle Dresden are deluxe partners; and the selection of arias, while unsurprising, is great. But in comparison with his own past work, Álvarez's latest effort is less special, less distinctive. Clearly his vocal transformation is no parlor trick. But he doesn't seem comfortable with it yet, and as captured here his singing doesn't have the spontaneous engagement, musical refinement, or sense of polish that it once did.

© TiVo

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