Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Practically every musician of note was in a short-lived band early in their career, one that broke up after a few months of bar gigs that earned them practical experience and little else. Not many decide to put the old crew back together to cut their belated debut EP five decades after the fact, but Elvis Costello is no ordinary guy. In 1972, Costello -- then still known as Declan MacManus -- was in a duo called Rusty with fellow singer, guitarist, and songwriter Allan Mayes, and they made the rounds of folk clubs and pubs for roughly a year and a half before Costello left their native Liverpool to try his luck in London. In 2021, on a lark, Mayes contacted Costello to ask about doing a one-off Rusty reunion show. Costello countered with a proposal that they make a record, and The Resurrection of Rust is a six-song EP in which the duo run through some songs that were in their repertoire back in the day -- four covers and two originals. This doubtless sounds noticeably different than a Rusty gig would in 1972, since both Costello and Mayes have gained a lot of experience since they were scuffling on the edges of the pub rock circuit. Costello is a far more accomplished and nuanced singer in 2022 than he was when he cut My Aim Is True in 1977, and by all logic the same would be true of Mayes, who has remained a working musician and still gigs regularly in his adopted home of Austin, Texas. Instead, this sounds like two old friends taking a musical trip down memory lane and having a ball doing it.
While the production clearly favors Costello's tastes (and several members of his band the Imposters sit in), Allan Mayes turns out to be a great vocal match for Costello -- a bit less graceful but full of gravitas, and his leads sound strong and authoritative (especially on Jim Ford's "I'm Ahead If I Can Quit While I'm Behind"), while their harmonies are rough but spirited. And when they run through the covers that were their bread and butter ages ago, they sound like they're having a blast, loping through a Neil Young medley and a joyous take on the Brinsley Schwarz classic "Surrender to the Rhythm" (with Brisney's keyboard man Bob Andrews re-creating his original organ part). As for the originals, "Warm House" and "Maureen & Sam" sound like they came from guys who were still learning their craft, but for the work of callow youngsters, they show that the talent was always there, if in very raw form. The Resurrection of Rust doesn't suggest the world lost a potential classic when Rusty failed to make a record in 1972, but as a glorious recollection of a youth well misspent, it's hard not to love if you care about Costello at all.
© Mark Deming /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Nick Lowe, ComposerLyricist - Sebastian Krys, Producer, Mixer, StudioPersonnel - Jason Reed, Recording Engineer, StudioPersonnel - Pete Thomas, Drums, AssociatedPerformer - Davey Faragher, Bass, AssociatedPerformer - Bob Andrews, Hammond Organ, Piano, AssociatedPerformer - Steve Nieve, Organ, AssociatedPerformer - ELVIS COSTELLO, Producer, MainArtist - Rusty, MainArtist - Kevin Green, Recording Engineer, StudioPersonnel - Jett Galindo, Mastering Engineer, StudioPersonnel - Daniel Galindo, Recording Engineer, StudioPersonnel - D.P. MacManus, Drums, Guitar, Mandolin, Piano, Vocals, Bass, Fiddle, AssociatedPerformer - Allan Mayes, Guitar, Vocals, AssociatedPerformer
℗ 2022 Elvis Costello
Sebastian Krys, Producer, Mixer, StudioPersonnel - Jason Reed, Recording Engineer, StudioPersonnel - Jim Ford, ComposerLyricist - Pete Thomas, Drums, AssociatedPerformer - Davey Faragher, Bass, AssociatedPerformer - Steve Nieve, Organ, AssociatedPerformer - ELVIS COSTELLO, Producer, MainArtist - Rusty, MainArtist - Kevin Green, Recording Engineer, StudioPersonnel - Jett Galindo, Mastering Engineer, StudioPersonnel - Daniel Galindo, Recording Engineer, StudioPersonnel - D.P. MacManus, Drums, Guitar, Mandolin, Piano, Vocals, Bass, Fiddle, AssociatedPerformer - Allan Mayes, Guitar, Vocals, AssociatedPerformer
℗ 2022 Elvis Costello
Sebastian Krys, Producer, Mixer, StudioPersonnel - Jason Reed, Recording Engineer, StudioPersonnel - Pete Thomas, Drums, AssociatedPerformer - Davey Faragher, Bass, AssociatedPerformer - Steve Nieve, Organ, AssociatedPerformer - ELVIS COSTELLO, Producer, MainArtist - Rusty, MainArtist - Kevin Green, Recording Engineer, StudioPersonnel - Jett Galindo, Mastering Engineer, StudioPersonnel - Daniel Galindo, Recording Engineer, StudioPersonnel - D.P. MacManus, Drums, Guitar, Mandolin, Piano, Vocals, Bass, Fiddle, AssociatedPerformer, ComposerLyricist - Allan Mayes, Guitar, Vocals, AssociatedPerformer
℗ 2022 Elvis Costello
Nick Lowe, ComposerLyricist - Sebastian Krys, Producer, Mixer, StudioPersonnel - Jason Reed, Recording Engineer, StudioPersonnel - Pete Thomas, Drums, AssociatedPerformer - Davey Faragher, Bass, AssociatedPerformer - Steve Nieve, Organ, AssociatedPerformer - ELVIS COSTELLO, Producer, MainArtist - Rusty, MainArtist - Kevin Green, Recording Engineer, StudioPersonnel - Jett Galindo, Mastering Engineer, StudioPersonnel - Daniel Galindo, Recording Engineer, StudioPersonnel - D.P. MacManus, Drums, Guitar, Mandolin, Piano, Vocals, Bass, Fiddle, AssociatedPerformer - Allan Mayes, Guitar, Vocals, AssociatedPerformer
℗ 2022 Elvis Costello
Sebastian Krys, Producer, Mixer, StudioPersonnel - Jason Reed, Recording Engineer, StudioPersonnel - Pete Thomas, Drums, AssociatedPerformer - Davey Faragher, Bass, AssociatedPerformer - Steve Nieve, Organ, AssociatedPerformer - ELVIS COSTELLO, Producer, MainArtist - Rusty, MainArtist - Kevin Green, Recording Engineer, StudioPersonnel - Jett Galindo, Mastering Engineer, StudioPersonnel - Daniel Galindo, Recording Engineer, StudioPersonnel - D.P. MacManus, Drums, Guitar, Mandolin, Piano, Vocals, Bass, Fiddle, AssociatedPerformer, ComposerLyricist - Allan Mayes, Guitar, Vocals, AssociatedPerformer, ComposerLyricist
℗ 2022 Elvis Costello
Sebastian Krys, Producer, Mixer, StudioPersonnel - Jason Reed, Recording Engineer, StudioPersonnel - Neil Young, ComposerLyricist - Pete Thomas, Drums, AssociatedPerformer - Davey Faragher, Bass, AssociatedPerformer - Steve Nieve, Organ, AssociatedPerformer - ELVIS COSTELLO, Producer, MainArtist - Rusty, MainArtist - Kevin Green, Recording Engineer, StudioPersonnel - Jett Galindo, Mastering Engineer, StudioPersonnel - Daniel Galindo, Recording Engineer, StudioPersonnel - D.P. MacManus, Drums, Guitar, Mandolin, Piano, Vocals, Bass, Fiddle, AssociatedPerformer - Allan Mayes, Guitar, Vocals, AssociatedPerformer
℗ 2022 Elvis Costello
Chronique
Practically every musician of note was in a short-lived band early in their career, one that broke up after a few months of bar gigs that earned them practical experience and little else. Not many decide to put the old crew back together to cut their belated debut EP five decades after the fact, but Elvis Costello is no ordinary guy. In 1972, Costello -- then still known as Declan MacManus -- was in a duo called Rusty with fellow singer, guitarist, and songwriter Allan Mayes, and they made the rounds of folk clubs and pubs for roughly a year and a half before Costello left their native Liverpool to try his luck in London. In 2021, on a lark, Mayes contacted Costello to ask about doing a one-off Rusty reunion show. Costello countered with a proposal that they make a record, and The Resurrection of Rust is a six-song EP in which the duo run through some songs that were in their repertoire back in the day -- four covers and two originals. This doubtless sounds noticeably different than a Rusty gig would in 1972, since both Costello and Mayes have gained a lot of experience since they were scuffling on the edges of the pub rock circuit. Costello is a far more accomplished and nuanced singer in 2022 than he was when he cut My Aim Is True in 1977, and by all logic the same would be true of Mayes, who has remained a working musician and still gigs regularly in his adopted home of Austin, Texas. Instead, this sounds like two old friends taking a musical trip down memory lane and having a ball doing it.
While the production clearly favors Costello's tastes (and several members of his band the Imposters sit in), Allan Mayes turns out to be a great vocal match for Costello -- a bit less graceful but full of gravitas, and his leads sound strong and authoritative (especially on Jim Ford's "I'm Ahead If I Can Quit While I'm Behind"), while their harmonies are rough but spirited. And when they run through the covers that were their bread and butter ages ago, they sound like they're having a blast, loping through a Neil Young medley and a joyous take on the Brinsley Schwarz classic "Surrender to the Rhythm" (with Brisney's keyboard man Bob Andrews re-creating his original organ part). As for the originals, "Warm House" and "Maureen & Sam" sound like they came from guys who were still learning their craft, but for the work of callow youngsters, they show that the talent was always there, if in very raw form. The Resurrection of Rust doesn't suggest the world lost a potential classic when Rusty failed to make a record in 1972, but as a glorious recollection of a youth well misspent, it's hard not to love if you care about Costello at all.
© Mark Deming /TiVo
À propos
- 1 disque(s) - 6 piste(s)
- Durée totale : 00:23:18
- Artistes principaux : Elvis Costello Rusty
- Compositeur : Various Composers
- Label : EMI
- Genre : Pop/Rock Rock
© 2022 Elvis Costello ℗ 2022 Elvis Costello
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.