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Kim Weston|The Motown Anthology

The Motown Anthology

Kim Weston

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Langue disponible : anglais

The two-CD, 48-track size of this anthology might be taken to signify a definitive collection of sorts of Kim Weston's recordings for Motown. But while it's of considerable use to Motown collectors, it has to be approached with some caution by less completist-oriented listeners, and can't be classified as a definitive best-of. For one thing, it doesn't include any of her duets with Marvin Gaye, instead being wholly devoted to solo recordings. In addition, the emphasis is very much on rare material, as no less than 34 of the cuts were previously unreleased. So while it does lead off with some of her more familiar Motown songs that actually did find official release in the '60s (including her hits "Take Me in Your Arms [Rock Me a Little While]" and "Helpless"), it's for the most part a dig through unexposed vaults, and doesn't even include all of the solo Motown tracks she put out during the '60s. With your expectations duly adjusted, this is still a worthwhile compilation of one of the Detroit label's less celebrated artists, though it doesn't reveal Weston as one of Motown's more talented ones. She was more likable than spectacular, with a softer, sometimes jazzier edge to her singing than most of her peers at the company, occasionally slightly reminiscent of Dionne Warwick. The jazzy inclination really comes out on "Love Trouble Heartache and Misery," one of the highlights among the unreleased numbers, and the similarity to Warwick is strong on "I Don't Know If I'm Coming or Going," though at other times Motown seemed to be trying to put her into a Mary Wells bag she really didn't fit. Greatest Hits & Rare Classics remains a preferable compilation for the general listener due to its greater and more thorough concentration on her official Motown discography (including her "It Takes Two" hit duet with Gaye). For the Motown fanatic, though, this does offer a lot of unreleased (if somewhat second-division) material penned by major writers at the label like Smokey Robinson and Mickey Stevenson, the most interesting of those tracks being the earlier ones, when the Motown sound wasn't as formulaic as it would become later in the 1960s.

© Richie Unterberger /TiVo

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The Motown Anthology

Kim Weston

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1
Love Me All The Way
00:02:49

Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist - Barney Ales, ComposerLyricist

℗ 1963 Motown Records, a Division of UMG Recordings, Inc.

2
Just Loving You ("16 Big Hits" Version)
00:03:15

William Stevenson, Producer - Kim Weston, MainArtist - William Mickey Stevenson, ComposerLyricist - John "Sir Raphael" Allen, ComposerLyricist

℗ 1966 UMG Recordings, Inc.

3
Looking For The Right Guy
00:02:36

William Robinson, Jr., Producer - Ronald White, ComposerLyricist - SMOKEY ROBINSON, ComposerLyricist - Kim Weston, MainArtist

℗ 1964 UMG Recordings, Inc.

4
A Little More Love (2003 Stereo Mix)
00:03:18

William Stevenson, Producer - Sylvia Rose Moy, ComposerLyricist - Ivy Jo Hunter, Producer - Kim Weston, MainArtist - William Mickey Stevenson, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

5
I'm Still Loving You
00:02:52

William Stevenson, Producer - Ivy Hunter, Producer - Sylvia Rose Moy, ComposerLyricist - Kim Weston, Vocals, MainArtist, AssociatedPerformer - Ivy Joe Hunter, ComposerLyricist - William Mickey Stevenson, ComposerLyricist

℗ 1965 UMG Recordings, Inc.

6
A Thrill A Moment (Single Version)
00:03:05

William Stevenson, Producer - Ivy Hunter, Producer - Kim Weston, MainArtist, ComposerLyricist - Ivy Joe Hunter, ComposerLyricist - William Mickey Stevenson, ComposerLyricist - Barney Ales, ComposerLyricist

℗ 1965 UMG Recordings, Inc.

7
Take Me In Your Arms (Rock Me A Little While) (Single Version)
00:02:50

Edward Holland Jr., ComposerLyricist - Lamont Dozier, Producer, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 1965 UMG Recordings, Inc.

8
Helpless (Mono Version)
00:02:50

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, Vocals, MainArtist, AssociatedPerformer - Four Tops, Background Vocalist, AssociatedPerformer

℗ 1966 UMG Recordings, Inc.

9
You Hit Me Where It Hurt Me (Stereo Version)
00:02:56

Henry Cosby, Producer - Sylvia Moy, ComposerLyricist - Kim Weston, Vocals, MainArtist, AssociatedPerformer - George Kerr, Producer, ComposerLyricist - Mike Valvano, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

10
Hurt A Little Everyday (Stereo Version)
00:03:19

Henry Cosby, Producer, ComposerLyricist - Sylvia Rose Moy, ComposerLyricist - Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

11
Love (Makes Me Do Foolish Things)
00:02:28

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 2004 UMG Recordings, Inc.

12
I Don't Know If I'm Coming Or Going
00:02:42

Sylvia Moy, ComposerLyricist - Ivy Jo Hunter, Producer, ComposerLyricist - Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

13
I'm Gonna Make It Up To You
00:02:48

Henry Cosby, Producer, ComposerLyricist - Vernon Bullock, ComposerLyricist - Kim Weston, Vocals, MainArtist, AssociatedPerformer - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

14
Come And Get These Memories
00:02:22

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 1998 UMG Recordings, Inc.

15
Will I Find My Love
00:02:25

Kim Weston, Vocals, MainArtist, AssociatedPerformer - Unknown Writer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

16
You Can Do It
00:03:03

William Robinson, Jr., ComposerLyricist - Warren Moore, ComposerLyricist - AL CLEVELAND, ComposerLyricist - Ivy Jo Hunter, Producer - Kim Weston, Vocals, MainArtist, AssociatedPerformer

℗ 2005 UMG Recordings, Inc.

17
I Got A Weak Heart (Mono Version)
00:02:35

Edward Holland Jr., ComposerLyricist - Lamont Dozier, Producer, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

18
Marionette
00:03:15

SMOKEY ROBINSON, ComposerLyricist - Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

19
Fancy Meeting You Here (Mono Version)
00:03:11

SMOKEY ROBINSON, Producer, ComposerLyricist - Kim Weston, MainArtist - William Mickey Stevenson, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

20
Your Wonderful Sweet, Sweet Love
00:02:39

William Robinson, Jr., Producer, ComposerLyricist - SMOKEY ROBINSON, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

21
Where Am I Going
00:02:56

William Stevenson, Producer - Kim Weston, MainArtist - Unknown Writer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

22
When I Lost You
00:02:46

Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

23
Helpless (Stereo Version)
00:02:35

Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 1966 UMG Recordings, Inc.

24
Take Me In Your Arms (Rock Me A Little While) (Alternate Mix / Mono)
00:02:59

Edward Holland Jr., ComposerLyricist - Lamont Dozier, Producer, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

DISQUE 2

1
I Know His Name (Only His Name)
00:02:50

Freddie Gorman, ComposerLyricist - Lamont Dozier, Producer, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

2
Meet Me Half Way
00:02:33

Lamont Dozier, Producer, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

3
Perfect Love
00:02:42

Kim Weston, MainArtist - Norman Whitfield, Producer, ComposerLyricist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

4
Loving Touch
00:02:25

Kim Weston, MainArtist - Jimmy Sherman, ComposerLyricist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

5
Love, Trouble, Heartache & Misery
00:02:36

Ivy Jo Hunter, Producer, ComposerLyricist - Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

6
Look My Way
00:02:28

Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist - Spencer Sterling, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

7
Another Train Coming
00:02:42

Ronald White, ComposerLyricist - Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist - Ronnie White, Producer

℗ 1963 UMG Recordings, Inc.

8
I Need Him
00:02:38

Ronald White, Producer, ComposerLyricist - Kim Weston, MainArtist - William Mickey Stevenson, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

9
Your Mother Called On Me Today
00:02:30

William Robinson, Jr., ComposerLyricist - SMOKEY ROBINSON, Producer, Balance Engineer, StudioPersonnel - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

10
I'm The Exception To The Rule
00:02:38

Barrett Strong, ComposerLyricist - Kim Weston, MainArtist - Norman Whitfield, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

11
Build Him Up
00:02:16

Edward Holland Jr., ComposerLyricist - Lamont Dozier, Producer, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

12
Go On Without Me
00:02:30

Kim Weston, MainArtist - Robert Gordy, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

13
When We Get Together
00:02:17

Kim Weston, MainArtist - Bob Hamilton, Producer - Vicky Basemore, ComposerLyricist - Mike Valvano, Composer - Robert Hamilton, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

14
One And One Makes Two
00:02:48

Kim Weston, MainArtist - Ron Miller, ComposerLyricist - William Mickey Stevenson, Producer - Avery Vandenberg, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

15
Joey Joey
00:02:33

Kim Weston, MainArtist - Diane Steinberg, ComposerLyricist - William Mickey Stevenson, Producer - Kendall Lewis, ComposerLyricist - Laura Lucero, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

16
Just Call Me
00:02:38

William Stevenson, ComposerLyricist - Ivy Jo Hunter, Producer - Kim Weston, MainArtist - Ivy Joe Hunter, ComposerLyricist - William Mickey Stevenson, Producer

℗ 2005 UMG Recordings, Inc.

17
He's My Baby (aka Sugar Baby)
00:02:37

Kim Weston, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

18
Any Girl In Love (Knows What I'm Going Through)
00:02:56

Edward Holland Jr., ComposerLyricist - Lamont Dozier, Producer, ComposerLyricist - Eddie Holland, ComposerLyricist - Brian Holland, Producer, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

19
I Love You Yes I Do
00:02:22

Kim Weston, MainArtist - Guy Wood, ComposerLyricist - William Mickey Stevenson, Producer - Henry B. Glover, ComposerLyricist - Edward Seiler, ComposerLyricist - Sally Nix, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

20
Drop In The Bucket
00:02:18

William Robinson, Jr., Producer - SMOKEY ROBINSON, ComposerLyricist - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

21
Absent Minded Lover
00:02:23

William Robinson, Jr., ComposerLyricist - SMOKEY ROBINSON, Producer - Kim Weston, MainArtist

℗ 2005 UMG Recordings, Inc.

22
I Got Good News
00:02:25

Kim Weston, MainArtist - Robert Simon Staunton, ComposerLyricist - Robert Walker, Producer, ComposerLyricist - Robert Staunton, Producer

℗ 2005 UMG Recordings, Inc.

23
What Have I Done To Myself
00:03:09

Sylvia Moy, ComposerLyricist - Ivy Jo Hunter, Producer - Kim Weston, MainArtist - Ivy Joe Hunter, ComposerLyricist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

24
This Dream
00:02:39

Kim Weston, MainArtist - William Mickey Stevenson, Producer - Unknown Writer, ComposerLyricist

℗ 2005 UMG Recordings, Inc.

Chronique

The two-CD, 48-track size of this anthology might be taken to signify a definitive collection of sorts of Kim Weston's recordings for Motown. But while it's of considerable use to Motown collectors, it has to be approached with some caution by less completist-oriented listeners, and can't be classified as a definitive best-of. For one thing, it doesn't include any of her duets with Marvin Gaye, instead being wholly devoted to solo recordings. In addition, the emphasis is very much on rare material, as no less than 34 of the cuts were previously unreleased. So while it does lead off with some of her more familiar Motown songs that actually did find official release in the '60s (including her hits "Take Me in Your Arms [Rock Me a Little While]" and "Helpless"), it's for the most part a dig through unexposed vaults, and doesn't even include all of the solo Motown tracks she put out during the '60s. With your expectations duly adjusted, this is still a worthwhile compilation of one of the Detroit label's less celebrated artists, though it doesn't reveal Weston as one of Motown's more talented ones. She was more likable than spectacular, with a softer, sometimes jazzier edge to her singing than most of her peers at the company, occasionally slightly reminiscent of Dionne Warwick. The jazzy inclination really comes out on "Love Trouble Heartache and Misery," one of the highlights among the unreleased numbers, and the similarity to Warwick is strong on "I Don't Know If I'm Coming or Going," though at other times Motown seemed to be trying to put her into a Mary Wells bag she really didn't fit. Greatest Hits & Rare Classics remains a preferable compilation for the general listener due to its greater and more thorough concentration on her official Motown discography (including her "It Takes Two" hit duet with Gaye). For the Motown fanatic, though, this does offer a lot of unreleased (if somewhat second-division) material penned by major writers at the label like Smokey Robinson and Mickey Stevenson, the most interesting of those tracks being the earlier ones, when the Motown sound wasn't as formulaic as it would become later in the 1960s.

© Richie Unterberger /TiVo

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