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Crossover fans have been primed and ready for this disc. With a silky-voiced and charismatic young opera star in mezzo Denyce Graves, sultry Latin American material whose composers never worried too much about what was classical and what was popular, and first-rate jazz-sized backing groups that put the singer front and center while adding subtleties of their own, The Lost Days sounded like the album that was going to blow open a smoldering place for operatic singing on adult alternative radio.
Alas, it doesn't happen. Graves looks great lounging on a divan with bra straps and more hanging out, and her many concert-going fans may be quite happy with The Lost Days as a memento of the Graves aura. She delivers flawless tone and elegant phrasing on Astor Piazzolla's vocalise Milonga sin palabras. Accompanied by Cuban jazz pianist Chucho Valdés on Romanza de Denyce, one of several new songs composed for this project, Graves gets into the sentimental yet artful essence of old-style Cuban pop. But that's about the best of it -- Graves barely adjusts her vocal vocabulary to match the words she's singing or the style she's singing in. She displays her low register on pianist Eliane Elias' Haabiá-Tupi, but on a sensual piece of seduction dreaming that requires a bit of a growl of its own, Piazzolla's Yo soy María, Graves doesn't go for the gusto. When she sings "If the bandoneón excites me, I bite it hard on the mouth," it's not believable -- Graves doesn't step out of her ultra-smooth sound far enough to convince anyone that she means what she's singing. So it goes with Villa-Lobos and Carlos Guastavino and José María Vitier: with a lot of music whose rhythmic excitement ought to generate more magnetism than Graves delivers here.
© TiVo
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Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Astor Piazzolla, Composer - Horacio Ferrer, Lyricist - Pablo Ziegler, Arranger, Piano - Hector Del Curto, Associated Performer - Pablo Aslan, Bass - Susan Palma, Flute - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - José María Vitíer, Composer, Piano - Silvia Rodríguez Rivero, Lyricist - Leo Grinhauz, Cello - Marcos Granados, Flute - Memo Acevedo, Percussion - John Amira, Percussion - Jay Elfenbein, Bass
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Astor Piazzolla, Composer - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Mario Trejo, Lyricist - Pablo Ziegler, Arranger, Piano - Hector Del Curto, Associated Performer - Pablo Aslan, Bass - Susan Palma, Flute
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Eliane Elias, Composer, Lyricist, Main Artist, Piano, Composer, Lyricist, Piano - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Marc Johnson, Bass - Satoshi Takeishi, Drums
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Carlos Guastavino, Composer - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Pablo Ziegler, Arranger, Piano - José Pedroni, Lyricist - Paquito D'Rivera, Clarinet - Nick Danielson, Violin - Leo Grinhauz, Cello
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Ettore Stratta, Producer - José María Vitíer, Composer, Piano - Josiah Gluck, Mixing Engineer, Recording Engineer - Silvia Rodríguez Rivero, Lyricist - Marcos Granados, Flute - Leo Grinhauz, Cello - Pablo Aslan, Bass - Memo Acevedo, Percussion - John Amira, Percussion - Jay Elfenbein, Bass
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Eliane Elias, Arranger, Main Artist, Piano, Arranger, Piano - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Marc Johnson, Bass - Satoshi Takeishi, Drums - Heitor Villa-Lobos, Composer - Alfredo Ferreira, Lyricist
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Carlos Guastavino, Composer - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Pablo Ziegler, Arranger, Piano - Leo Grinhauz, Cello - Pablo Aslan, Bass - Ana María Chouhy Aguirre, Lyricist - Susan Palma, Flute
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Chucho Valdes, Composer, Lyricist, Piano
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Eliane Elias, Arranger, Main Artist, Piano, Arranger, Piano - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Marc Johnson, Bass - Satoshi Takeishi, Drums - Heitor Villa-Lobos, Composer - Traditional, Lyricist
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Carlos Guastavino, Composer - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Pablo Ziegler, Arranger, Piano - Nick Danielson, Violin - José Pedroni, Lyricist - Leo Grinhauz, Cello - Pablo Aslan, Bass - Paquito D'Rivera, Clarinet
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Astor Piazzolla, Composer - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Pablo Ziegler, Arranger, Piano - Unknown, Lyricist - Hector Del Curto, Associated Performer - Pablo Aslan, Bass - Susan Palma, Flute
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Ettore Stratta, Producer - Josiah Gluck, Mixing Engineer, Recording Engineer - Chucho Valdes, Composer, Lyricist, Piano
(P) 2002 BMG Music
Denyce Graves, Main Artist, Mezzo-Soprano, Mezzo-Soprano - Ettore Stratta, Producer - José María Vitíer, Composer, Piano - Josiah Gluck, Mixing Engineer, Recording Engineer - Silvia Rodríguez Rivero, Lyricist - Leo Grinhauz, Cello - Pablo Aslan, Bass - Memo Acevedo, Percussion - John Amira, Percussion - Jay Elfenbein, Bass
(P) 2002 BMG Music
Chronique
Crossover fans have been primed and ready for this disc. With a silky-voiced and charismatic young opera star in mezzo Denyce Graves, sultry Latin American material whose composers never worried too much about what was classical and what was popular, and first-rate jazz-sized backing groups that put the singer front and center while adding subtleties of their own, The Lost Days sounded like the album that was going to blow open a smoldering place for operatic singing on adult alternative radio.
Alas, it doesn't happen. Graves looks great lounging on a divan with bra straps and more hanging out, and her many concert-going fans may be quite happy with The Lost Days as a memento of the Graves aura. She delivers flawless tone and elegant phrasing on Astor Piazzolla's vocalise Milonga sin palabras. Accompanied by Cuban jazz pianist Chucho Valdés on Romanza de Denyce, one of several new songs composed for this project, Graves gets into the sentimental yet artful essence of old-style Cuban pop. But that's about the best of it -- Graves barely adjusts her vocal vocabulary to match the words she's singing or the style she's singing in. She displays her low register on pianist Eliane Elias' Haabiá-Tupi, but on a sensual piece of seduction dreaming that requires a bit of a growl of its own, Piazzolla's Yo soy María, Graves doesn't go for the gusto. When she sings "If the bandoneón excites me, I bite it hard on the mouth," it's not believable -- Graves doesn't step out of her ultra-smooth sound far enough to convince anyone that she means what she's singing. So it goes with Villa-Lobos and Carlos Guastavino and José María Vitier: with a lot of music whose rhythmic excitement ought to generate more magnetism than Graves delivers here.
© TiVo
À propos
- 1 disque(s) - 14 piste(s)
- Durée totale : 00:57:49
- Artistes principaux : Denyce Graves
- Compositeur : Various Composers
- Label : RCA Red Seal
- Genre : Classique
(P) 2002 BMG
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