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Redbone|The Essential Redbone

The Essential Redbone

Redbone

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Langue disponible : anglais

Redbone may have been the first Native American rock band to score a Top Ten hit with 1974's "Come and Get Your Love," but there is nothing particularly "essential" about that track. It's a pop single like so many others on the radio at the time, with a great hook, a charming melody that got swiped for countless other singles by other bands, and lightweight lyrics. Some of the other material here, such as "The Witch Queen of New Orleans," is just plain dumb and should never have been included, while the various elements that made up Redbone, such as a love of easy funk, Santana, War, the earlier Doobie Brothers sound, and the swampy blues-funk of Tony Joe White, are far more interesting and play themselves out on pop-soul numbers like "One Monkey," "Maggie," "One More Time," "Jerico," and "Fais-Do." But it's the Native American chants, rhythms, and melodies that form the architecture of tunes like "Niji Trace," "Message from a Drum," and "Chant: 13th Hour" and they are far more compelling -- and not just for musicological interest but for how well they hold up over time as examples of cultural miscegenation. There are "songs" here, but there are far better moments, and those moments make for an interesting listen or two.

© Thom Jurek /TiVo

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The Essential Redbone

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1
Light As A Feather (Album Version)
00:01:55

Pete Welding, Producer - Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - Unknown, Performer

Originally released 1970. All rights reserved by Epic Records, a division of Sony Music Entertainment

2
The Witch Queen Of New Orleans (Album Version)
00:02:45

Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - L. Vegas, Composer - L. Vegas, Lyricist - Unknown, Performer - Pat Vegas, Producer

Originally released 1971. All rights reserved by Sony Music Entertainment

3
Come And Get Your Love (Album Version)
00:05:00

Lolly Vegas, Composer - Lolly Vegas, Producer - Lolly Vegas, Lyricist - Redbone, Performer - Pat Vegas, Producer

(P) 1973 Epic Records, a division of Sony Music Entertainment

4
One Monkey (Album Version)
00:04:06

Lolly Vegas, Producer - Redbone, Performer - L. Vegas, Composer - L. Vegas, Lyricist - Unknown, Performer

Originally released 1971. All rights reserved by Sony Music Entertainment

5
Clouds In My Sunshine (Album Version)
00:04:43

Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - Unknown, Performer - Pat Vegas, Producer

(P) 1973 Sony Music Entertainment

6
Maggie (Album Version)
00:05:06

Pete Welding, Producer - Lolly Vegas, Producer - Redbone, Performer - L. Vegas, Composer - L. Vegas, Lyricist - Unknown, Performer

Originally released 1970. All rights reserved by Epic Records, a division of Sony Music Entertainment

7
Niji Trance (Album Version)
00:03:26

Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - R.A. Bellamy, Composer - R.A. Bellamy, Lyricist - L. Vegas, Composer - L. Vegas, Lyricist - Unknown, Performer - Pat Vegas, Producer

Originally released 1971. All rights reserved by Sony Music Entertainment

8
One More Time (Album Version)
00:03:00

Lolly Vegas, Producer - Redbone, Performer - L. Vegas, Composer - L. Vegas, Lyricist - Unknown, Performer - Pat Vegas, Producer

(P) 1974 Epic Records, a division of Sony Music Entertainment

9
Niki Hokey (Album Version)
00:03:17

Pete Welding, Producer - Lolly Vegas, Composer - Lolly Vegas, Producer - Lolly Vegas, Lyricist - Redbone, Performer - J. Ford, Composer - J. Ford, Lyricist - Unknown, Performer - Pat Vegas, Composer - Pat Vegas, Lyricist

Originally Released 1970 SONY BMG MUSIC ENTERTAINMENT

10
Message From A Drum (Album Version)
00:03:59

Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - Unknown, Performer - Pat Vegas, Producer

Originally released 1971. All rights reserved by Sony Music Entertainment

11
Fais-Do (Album Version)
00:02:34

Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - L. Vegas, Composer - L. Vegas, Lyricist - Unknown, Performer - Alex Kazanegras, Producer - Pat Vegas, Producer

(P) 1972 Epic Records, a division of Sony Music Entertainment

12
Jerico (Album Version)
00:03:49

Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - L. Vegas, Composer - L. Vegas, Lyricist - Unknown, Performer - Pat Vegas, Producer

Originally released 1971. All rights reserved by Sony Music Entertainment

13
Wovoka (Album Version)
00:03:00

Lolly Vegas, Producer - Lolly Vegas, Composer - Lolly Vegas, Lyricist - Redbone, Performer - Unknown, Performer - Pat Vegas, Composer - Pat Vegas, Producer - Pat Vegas, Lyricist

(P) 1973 Sony Music Entertainment

14
Chant: 13th Hour (Album Version)
00:05:37

Pete Welding, Producer - Lolly Vegas, Producer - P. Vegas, Composer - P. Vegas, Lyricist - Redbone, Performer - Unknown, Performer

Originally released 1970. All rights reserved by Epic Records, a division of Sony Music Entertainment

Chronique

Redbone may have been the first Native American rock band to score a Top Ten hit with 1974's "Come and Get Your Love," but there is nothing particularly "essential" about that track. It's a pop single like so many others on the radio at the time, with a great hook, a charming melody that got swiped for countless other singles by other bands, and lightweight lyrics. Some of the other material here, such as "The Witch Queen of New Orleans," is just plain dumb and should never have been included, while the various elements that made up Redbone, such as a love of easy funk, Santana, War, the earlier Doobie Brothers sound, and the swampy blues-funk of Tony Joe White, are far more interesting and play themselves out on pop-soul numbers like "One Monkey," "Maggie," "One More Time," "Jerico," and "Fais-Do." But it's the Native American chants, rhythms, and melodies that form the architecture of tunes like "Niji Trace," "Message from a Drum," and "Chant: 13th Hour" and they are far more compelling -- and not just for musicological interest but for how well they hold up over time as examples of cultural miscegenation. There are "songs" here, but there are far better moments, and those moments make for an interesting listen or two.

© Thom Jurek /TiVo

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