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2Pac|The Don Killuminati: The 7 Day Theory

The Don Killuminati: The 7 Day Theory

Makaveli

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Everything about The Don Killuminati: The 7 Day Theory smacks of exploitation. Released only eight weeks after Tupac Shakur died from gunshot wounds, Death Row released this posthumous album under the name of Makaveli, a pseudonym derived from the Italian politician Niccolo Machiavelli, who faked his own death and reappeared seven days later to take revenge on his enemies. Naturally, the appearance of Don Killuminati so shortly after Tupac's death led many conspiracy theorists to surmise the rapper was still alive, but it was all part of a calculated marketing strategy by Death Row -- the label needed something to sustain interest in the album, since the music here is so shoddy. All Eyez on Me proved that Tupac was continuing to grow as a musician and a human being, but Don Killuminati erases that image by concentrating on nothing but tired G-funk beats and back-biting East Coast/West Coast rivalries. Tupac himself sounds uninterested in the music, which makes the conventional, unimaginative music all the more listless. If he had survived to complete Don Killuminati, it is possible that the record could have become something worthwhile, but the overall quality of the material suggests that the album would have been a disappointment no matter what circumstances it appeared under.

© Stephen Thomas Erlewine /TiVo

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The Don Killuminati: The 7 Day Theory

2Pac

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1
Bomb First (My Second Reply) Explicit
00:04:56

Tommy D Daugherty, Engineer, StudioPersonnel - E.D.I, ComposerLyricist - Makaveli, MainArtist, ComposerLyricist - Young Noble, ComposerLyricist - Lance Pierre, Asst. Recording Engineer, StudioPersonnel - Darryl "Big D" Harper, Producer

℗ 1996 Amaru Entertainment, Inc.

2
Hail Mary Explicit
00:05:09

Fatal, ComposerLyricist - Tyrone Wrice, ComposerLyricist - Tommy D Daugherty, Engineer, StudioPersonnel - Makaveli, MainArtist, ComposerLyricist - Kastro, ComposerLyricist - Young Noble, ComposerLyricist - Kadafi, ComposerLyricist - Prince Ital Joe, ComposerLyricist - Lance Pierre, Asst. Recording Engineer, StudioPersonnel - Darryl "Big D" Harper, Producer

℗ 1996 Amaru Entertainment, Inc.

3
Toss It Up Explicit
00:05:06

Aaron Hall, ComposerLyricist - TROY STATON, Mixer, StudioPersonnel - Danny Boy, ComposerLyricist - Makaveli, MainArtist, ComposerLyricist - KC & JoJo Hailey, ComposerLyricist - Reggie Moore, Producer, ComposerLyricist - Dametrius Ship, Producer, Mixer, StudioPersonnel - Steve Anarden, Engineer, StudioPersonnel - Dimitri Shipp, ComposerLyricist

℗ 1996 Amaru Entertainment, Inc.

4
To Live And Die In L.A. Explicit
00:04:33

Val Young, ComposerLyricist - QDIII, Producer, ComposerLyricist - Tommy D Daugherty, Engineer, StudioPersonnel - Makaveli, MainArtist, ComposerLyricist - Lance Pierre, Asst. Recording Engineer, StudioPersonnel

℗ 1996 Amaru Entertainment, Inc.

5
Blasphemy Explicit
00:04:38

Tyrone Wrice, ComposerLyricist - Tommy D Daugherty, Engineer, StudioPersonnel - Makaveli, Producer, MainArtist, ComposerLyricist - Prince Ital Joe, ComposerLyricist - Lance Pierre, Engineer, StudioPersonnel - Darrell Harper, Producer

℗ 1996 Amaru Entertainment, Inc.

6
Life Of An Outlaw Explicit
00:04:55

Napoleon, ComposerLyricist - Tommy D Daugherty, Engineer, StudioPersonnel - Big D, ComposerLyricist - E.D.I, ComposerLyricist - Makaveli, Producer, MainArtist, ComposerLyricist - Kastro, ComposerLyricist - Young Noble, ComposerLyricist - Lance Pierre, Additional Engineer, StudioPersonnel - Darrell Harper, Producer

℗ 1996 Amaru Entertainment, Inc.

7
Just Like Daddy Explicit
00:05:07

Tyrone Wrice, ComposerLyricist - Tommy D Daugherty, Mixer, Engineer, StudioPersonnel - E.D.I, ComposerLyricist - Makaveli, MainArtist, ComposerLyricist - Young Noble, ComposerLyricist - Kadafi, ComposerLyricist - Lance Pierre, Mixer, Engineer, StudioPersonnel - Hurt-M-Badd, Producer

℗ 1996 Amaru Entertainment, Inc.

8
Krazy Explicit
00:05:15

Tommy D Daugherty, Mixer, Engineer, StudioPersonnel - Makaveli, MainArtist, ComposerLyricist - Scott Gutierrez , Asst. Recording Engineer, StudioPersonnel - Bad Ass, ComposerLyricist - Darryl "Big D" Harper, Producer - Darrell Harper, ComposerLyricist

℗ 1996 Amaru Entertainment, Inc.

9
White Man'z World Explicit
00:05:38

Tommy D Daugherty, Mixer, Engineer, StudioPersonnel - Makaveli, MainArtist, ComposerLyricist - Scott Gutierrez , Asst. Recording Engineer, StudioPersonnel - Darryl "Big D" Harper, Producer, ComposerLyricist

℗ 1996 Amaru Entertainment, Inc.

10
Me And My Girlfriend Explicit
00:05:08

Ricardo Rouse, ComposerLyricist - Tyrone Wrice, ComposerLyricist - Tommy D Daugherty, Mixer, Engineer, StudioPersonnel - Makaveli, Producer, MainArtist, ComposerLyricist - Lance Pierre, Asst. Recording Engineer, StudioPersonnel - Darryl "Big D" Harper, Producer - Hurt-M-Badd, Producer - Darrell Harper, ComposerLyricist

℗ 1996 Amaru Entertainment, Inc.

11
Hold Ya Head Explicit
00:03:58

Tyrone Wrice, ComposerLyricist - Tommy D Daugherty, Engineer, StudioPersonnel - Makaveli, MainArtist, ComposerLyricist - Lance Pierre, Asst. Recording Engineer, StudioPersonnel - Hurt-M-Badd, Producer

℗ 1996 Amaru Entertainment, Inc.

12
Against All Odds Explicit
00:04:35

Tyrone Wrice, ComposerLyricist - Tommy D Daugherty, Engineer, StudioPersonnel - Makaveli, Producer, Co-Producer, MainArtist, ComposerLyricist - Lance Pierre, Engineer, StudioPersonnel - Hurt-M-Badd, Producer

℗ 1996 Amaru Entertainment, Inc.

Chronique

Everything about The Don Killuminati: The 7 Day Theory smacks of exploitation. Released only eight weeks after Tupac Shakur died from gunshot wounds, Death Row released this posthumous album under the name of Makaveli, a pseudonym derived from the Italian politician Niccolo Machiavelli, who faked his own death and reappeared seven days later to take revenge on his enemies. Naturally, the appearance of Don Killuminati so shortly after Tupac's death led many conspiracy theorists to surmise the rapper was still alive, but it was all part of a calculated marketing strategy by Death Row -- the label needed something to sustain interest in the album, since the music here is so shoddy. All Eyez on Me proved that Tupac was continuing to grow as a musician and a human being, but Don Killuminati erases that image by concentrating on nothing but tired G-funk beats and back-biting East Coast/West Coast rivalries. Tupac himself sounds uninterested in the music, which makes the conventional, unimaginative music all the more listless. If he had survived to complete Don Killuminati, it is possible that the record could have become something worthwhile, but the overall quality of the material suggests that the album would have been a disappointment no matter what circumstances it appeared under.

© Stephen Thomas Erlewine /TiVo

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