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Brenda Holloway|The Artistry Of Brenda Holloway

The Artistry Of Brenda Holloway

Brenda Holloway

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Langue disponible : anglais

Assembled for the British market in 1968, just a matter of months after Brenda Holloway left Motown, The Artistry of Brenda Holloway contained all of the A-sides she released on Motown/Tamla, five of her B-sides for the label, plus two cuts from Every Little Bit Hurts, the LP released in the U.S. in 1964. Effectively, it was a greatest-hits set and Ace's 2013 expansion adds eight unreleased tracks recorded between 1965 and 1967. There are several unreleased sessions left in the vaults, some having already appeared on various anthologies, including the double-disc 2005 set, but one of the reasons Holloway left so much in the vaults is that she had a rather contentious relationship with Motown, who never treated her as one of their A-list recording artists; indeed, once she discovered the song she was working on during a 1968 recording session was now slated for Gladys Knight, she left the studio and never returned. The Artistry of Brenda Holloway reveals what a shame this situation was. Holloway was closest to Mary Wells in the Motown roster -- a bright, sweet singer who sounded best whenever she was given a luxurious pop setting. She was given terrific material -- the best-known was "You've Made Me So Very Happy," later popularized by Blood, Sweat & Tears, but her biggest hits were "Every Little Bit Hurts" and "When I'm Gone," both of which were as good as Motown got (the latter is one of Smokey Robinson's finest songs) -- and the unreleased material here, while not quite up to the level of the singles on the Artistry LP, are nevertheless a joy to hear; Holloway's discography is so limited, it's a blessing to have it increased. The same can be said of this reissue of The Artistry of Brenda Holloway as a whole: the additions are simply more of a good thing and it's a pleasure to have this album in circulation again.

© Stephen Thomas Erlewine /TiVo

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The Artistry Of Brenda Holloway

Brenda Holloway

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1
Together 'Til The End Of Time (Single Version)
00:03:03

Marc Gordon, Producer - Frank Wilson, ComposerLyricist - Hal Davis, Producer - Brenda Holloway, MainArtist

℗ 1966 UMG Recordings, Inc.

2
Every Little Bit Hurts
00:02:54

ED COBB, ComposerLyricist - Marc Gordon, Producer - Hal Davis, Producer - Brenda Holloway, MainArtist

℗ 1964 UMG Recordings, Inc.

3
Where Were You (Single Version)
00:02:26

Frank Wilson, Producer - Hal Davis, Producer - Brenda Holloway, MainArtist - Kay Lewis, ComposerLyricist - Helen L. Lewis-Mastor, ComposerLyricist

℗ 1966 Motown Records, a Division of UMG Recordings, Inc.

4
I've Got To Find It (Single Version)
00:02:26

Frank Wilson, Producer, ComposerLyricist - Brenda Holloway, MainArtist

℗ 1967 UMG Recordings, Inc.

5
Unchained Melody
00:03:36

Alex North, ComposerLyricist - HY ZARET, ComposerLyricist - Brenda Holloway, Vocals, MainArtist, AssociatedPerformer - William "Mickey" Stevenson, Producer

℗ 1964 UMG Recordings, Inc.

6
Hurt A Little Everyday (Single Version)
00:02:51

Henry Cosby, Producer, ComposerLyricist - Sylvia Rose Moy, ComposerLyricist - Brenda Holloway, MainArtist - William Mickey Stevenson, Producer, ComposerLyricist

℗ 1966 UMG Recordings, Inc.

7
I'll Be Available
00:02:40

William Robinson, Jr., ComposerLyricist - SMOKEY ROBINSON, Producer, ComposerLyricist - Brenda Holloway, MainArtist

℗ 1965 UMG Recordings, Inc.

8
You've Made Me So Very Happy (Single Version)
00:02:53

Berry Gordy Jr., Producer, ComposerLyricist - Frank Wilson, ComposerLyricist - Brenda Holloway, Producer, MainArtist, ComposerLyricist - Patrice Yvonne Holloway, ComposerLyricist

℗ 1967 UMG Recordings, Inc.

9
I've Been Good To You
00:03:06

SMOKEY ROBINSON, ComposerLyricist - Marc Gordon, Producer - Hal Davis, Producer - Brenda Holloway, MainArtist

℗ 1964 UMG Recordings, Inc.

10
Too Proud To Cry
00:03:09

Marc Gordon, Producer - Frank Wilson, ComposerLyricist - Hal Davis, Producer - Brenda Holloway, Vocals, MainArtist, AssociatedPerformer - Alvin Bowen, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

11
I'll Always Love You (Single Version)
00:02:49

ED COBB, ComposerLyricist - Marc Gordon, Producer - Hal Davis, Producer - Brenda Holloway, MainArtist

℗ 1964 UMG Recordings, Inc.

12
Operator (Single Version)
00:03:17

William Robinson, Jr., ComposerLyricist - SMOKEY ROBINSON, Producer, ComposerLyricist - Brenda Holloway, MainArtist

℗ 1965 UMG Recordings, Inc.

13
When I'm Gone
00:02:09

William Robinson, Jr., ComposerLyricist - SMOKEY ROBINSON, ComposerLyricist - Brenda Holloway, MainArtist

℗ 1965 UMG Recordings, Inc.

14
You Can Cry On My Shoulder (Single Version)
00:02:50

Berry Gordy Jr., Producer, ComposerLyricist - Brenda Holloway, MainArtist

℗ 1965 UMG Recordings, Inc.

15
Just Look What You've Done (Single Version)
00:02:55

Frank Wilson, Producer, ComposerLyricist - Brenda Holloway, MainArtist - R. Dean Taylor, ComposerLyricist

℗ 1967 UMG Recordings, Inc.

16
Starting The Hurt All Over Again (Single Version)
00:02:27

Johnny Bristol, Producer - NICKOLAS ASHFORD, ComposerLyricist - Valerie Simpson, ComposerLyricist - HARVEY FUQUA, Producer - Brenda Holloway, MainArtist

℗ 1967 UMG Recordings, Inc.

17
Mr. Lifeguard (Come And Rescue Me)
00:02:30

Marc Gordon, Producer - Frank Wilson, ComposerLyricist - Hal Davis, Producer - Brenda Holloway, MainArtist

℗ 2013 UMG Recordings, Inc.

18
My Smile Is Just A Frown Turned Upside Down
00:02:41

William Robinson, Jr., ComposerLyricist - Janie Bradford, ComposerLyricist - William Stevenson, ComposerLyricist - Marc Gordon, Producer - Hal Davis, Producer - Brenda Holloway, MainArtist

℗ 2013 UMG Recordings, Inc.

19
After All That You've Done
00:02:25

William Robinson, Jr., ComposerLyricist - SMOKEY ROBINSON, Producer - Brenda Holloway, MainArtist

℗ 2013 UMG Recordings, Inc.

20
The Love Line
00:02:19

Brenda Holloway, MainArtist - Robert Walker, Producer, ComposerLyricist - Robert Staunton, Producer, ComposerLyricist

℗ 2013 UMG Recordings, Inc.

21
Can't We Be Strangers Again
00:02:36

Hal Davis, Producer - Brenda Holloway, MainArtist - Kay Lewis, ComposerLyricist - Helen Lewis, ComposerLyricist

℗ 2013 UMG Recordings, Inc.

22
Just Another Lonely Night
00:03:26

William Stevenson, ComposerLyricist - Ivory Joe Hunter, ComposerLyricist - Ivy Jo Hunter, Producer - Brenda Holloway, MainArtist - Jeffrey Bowen, Producer - Mickey Stevenson, Producer

℗ 2013 UMG Recordings, Inc.

23
Where There's A Will There's A Way
00:03:00

Hal Davis, Producer - Brenda Holloway, MainArtist - Kay Lewis, ComposerLyricist - Helen Lewis, ComposerLyricist

℗ 2013 UMG Recordings, Inc.

24
It's Love I Need
00:02:49

Ivy Jo Hunter, Producer, ComposerLyricist - Brenda Holloway, MainArtist - Stephen Bowden, ComposerLyricist

℗ 2013 UMG Recordings, Inc.

Chronique

Assembled for the British market in 1968, just a matter of months after Brenda Holloway left Motown, The Artistry of Brenda Holloway contained all of the A-sides she released on Motown/Tamla, five of her B-sides for the label, plus two cuts from Every Little Bit Hurts, the LP released in the U.S. in 1964. Effectively, it was a greatest-hits set and Ace's 2013 expansion adds eight unreleased tracks recorded between 1965 and 1967. There are several unreleased sessions left in the vaults, some having already appeared on various anthologies, including the double-disc 2005 set, but one of the reasons Holloway left so much in the vaults is that she had a rather contentious relationship with Motown, who never treated her as one of their A-list recording artists; indeed, once she discovered the song she was working on during a 1968 recording session was now slated for Gladys Knight, she left the studio and never returned. The Artistry of Brenda Holloway reveals what a shame this situation was. Holloway was closest to Mary Wells in the Motown roster -- a bright, sweet singer who sounded best whenever she was given a luxurious pop setting. She was given terrific material -- the best-known was "You've Made Me So Very Happy," later popularized by Blood, Sweat & Tears, but her biggest hits were "Every Little Bit Hurts" and "When I'm Gone," both of which were as good as Motown got (the latter is one of Smokey Robinson's finest songs) -- and the unreleased material here, while not quite up to the level of the singles on the Artistry LP, are nevertheless a joy to hear; Holloway's discography is so limited, it's a blessing to have it increased. The same can be said of this reissue of The Artistry of Brenda Holloway as a whole: the additions are simply more of a good thing and it's a pleasure to have this album in circulation again.

© Stephen Thomas Erlewine /TiVo

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