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Royal Trux|Sweet Sixteen

Sweet Sixteen

Royal Trux

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Royal Trux always subverted classic rock by neglecting to learn how to play their instruments and taking the junkie myths of Keith Richards and Johnny Thunders as fact. When they moved to a major label with 1995's Thank You, they cleaned up their sound and wrote actual songs, so it makes sense that its followup, Sweet Sixteen, is where they learn how to stretch out on their instruments. Opening up with a riff lifted from the Allman Brothers, Sweet Sixteen is a sloppy mess, filled with grime, sleaze and filth -- just like the broken toilet that graces the album's cover. While Royal Trux is now able to play these blues riffs, they don't have the desire to make them palatable. At heart, they still want to tap into what originally scared people about rock & roll, and to a certain extent they do -- they are a viciously anti-social band, snarling vocals and throwing riffs out carelessly. However, they are falling into a netherworld with music that is too slick for indie and too weird for the mainstream, which means Sweet Sixteen is unlikely to appeal outside of their cult.

© Stephen Thomas Erlewine /TiVo

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Sweet Sixteen

Royal Trux

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1
Don't Try Too Hard
00:04:09

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

2
Morphic Resident
00:04:56

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

3
The Pickup
00:05:18

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

4
Cold Joint
00:04:58

Bruce, Composer, ComposerLyricist - Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

5
Golden Rules
00:04:13

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

6
You'll Be Staying In Room 323
00:04:15

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

7
Can't Have It Both Ways
00:04:39

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

8
10 Days 12 Nights
00:04:21

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

9
Microwave Made
00:04:54

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

10
Sweet Sixteen
00:04:37

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

11
I'm Looking Through You
00:04:15

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

12
Roswell Seeds And Stems
00:04:04

Jennifer Herrema, Producer, ComposerLyricist - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

13
Pol Pot Pie
00:04:15

Greg Archilla, Mixer, StudioPersonnel - Jennifer Herrema, Composer, Producer, ComposerLyricist - Paul Oldham, Engineer, StudioPersonnel - Royal Trux, Recording Arranger, MainArtist, AssociatedPerformer - Neil Hagerty, Composer, Producer, ComposerLyricist

℗ 1997 Capitol Records LLC

Chronique

Royal Trux always subverted classic rock by neglecting to learn how to play their instruments and taking the junkie myths of Keith Richards and Johnny Thunders as fact. When they moved to a major label with 1995's Thank You, they cleaned up their sound and wrote actual songs, so it makes sense that its followup, Sweet Sixteen, is where they learn how to stretch out on their instruments. Opening up with a riff lifted from the Allman Brothers, Sweet Sixteen is a sloppy mess, filled with grime, sleaze and filth -- just like the broken toilet that graces the album's cover. While Royal Trux is now able to play these blues riffs, they don't have the desire to make them palatable. At heart, they still want to tap into what originally scared people about rock & roll, and to a certain extent they do -- they are a viciously anti-social band, snarling vocals and throwing riffs out carelessly. However, they are falling into a netherworld with music that is too slick for indie and too weird for the mainstream, which means Sweet Sixteen is unlikely to appeal outside of their cult.

© Stephen Thomas Erlewine /TiVo

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