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Kim Simmonds|Struck By Lightning

Struck By Lightning

Kim Simmonds

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16-Bit/44.1 kHz Stereo

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Kim Simmonds' outlet for his electric blues-rock remains the on-again off-again Savoy Brown. Therefore he uses his solo albums, of which this is the third, to elaborate on the acoustic Delta blues generally ignored by his full-time outfit. Unlike Eric Clapton, who has consistently returned to this unplugged music throughout his career, Simmonds seems driven to explore his acoustic blues roots only since 1997. Simmonds uses this outlet to play predominantly self-penned material, with a few obscure covers thrown in. Accompanied by subtle piano, bass, and drums, the guitarist/vocalist commands center stage with his dusky yet emotional, talk-sung vocals, somewhat like J.J. Cale. Simmonds' guitar work is consistently classy, substituting the flash and boogie impulses of his extensive work as leader of Savoy Brown with a more thoughtful, measured playing that perfectly fits these terrific folk-blues tunes. While the lyrics and subject matter aren't particularly revelatory, songs such as "My Home Is a Highway," "Like an Angel" (the requisite love song to his wife), and the title track (also repeated in its rawer demo version) sound like authentic Delta blues tracks from decades ago, even though they are newly written originals. Along with covers of Peetie Wheatstraw, Arthur Crudup, and most interestingly NRBQ's Terry Adams, the album is another successful, surprisingly low-key, and consistently earnest effort that should please those blues fans who feel Simmonds' tougher approach with Savoy Brown compromised his music with excess volume.

© Hal Horowitz /TiVo

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Struck By Lightning

Kim Simmonds

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1
Struck by Lightning
00:03:34

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

2
Last Train Has Gone
00:05:44

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

3
The Truth Comes Out
00:03:18

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

4
Ain't No Free
00:04:33

Terry Adams, Composer - Kim Simmonds, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

5
Road Tramp Blues
00:03:33

Kim Simmonds, MainArtist - Pettie Wheatstraw, Composer

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

6
So Glad You're Mine
00:04:15

Arthur Crudup, Composer - Kim Simmonds, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

7
My Home Is a Highway
00:05:02

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

8
Like an Angel
00:03:19

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

9
Don't Know Who to Talk to Anymore
00:03:06

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

10
Living In New York
00:03:06

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

11
Talking 'Bout New Orleans
00:02:47

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

12
Struck by Lightning (Reprise)
00:02:24

Kim Simmonds, Composer, MainArtist

© 2004 BMG Rights Management GmbH ℗ 2008 Panache Records under exclusive license to BMG Rights Management GmbH

Chronique

Kim Simmonds' outlet for his electric blues-rock remains the on-again off-again Savoy Brown. Therefore he uses his solo albums, of which this is the third, to elaborate on the acoustic Delta blues generally ignored by his full-time outfit. Unlike Eric Clapton, who has consistently returned to this unplugged music throughout his career, Simmonds seems driven to explore his acoustic blues roots only since 1997. Simmonds uses this outlet to play predominantly self-penned material, with a few obscure covers thrown in. Accompanied by subtle piano, bass, and drums, the guitarist/vocalist commands center stage with his dusky yet emotional, talk-sung vocals, somewhat like J.J. Cale. Simmonds' guitar work is consistently classy, substituting the flash and boogie impulses of his extensive work as leader of Savoy Brown with a more thoughtful, measured playing that perfectly fits these terrific folk-blues tunes. While the lyrics and subject matter aren't particularly revelatory, songs such as "My Home Is a Highway," "Like an Angel" (the requisite love song to his wife), and the title track (also repeated in its rawer demo version) sound like authentic Delta blues tracks from decades ago, even though they are newly written originals. Along with covers of Peetie Wheatstraw, Arthur Crudup, and most interestingly NRBQ's Terry Adams, the album is another successful, surprisingly low-key, and consistently earnest effort that should please those blues fans who feel Simmonds' tougher approach with Savoy Brown compromised his music with excess volume.

© Hal Horowitz /TiVo

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