Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
A close look at this album reveals just how ambitious Atlantic Records could be in the early 1960s, in generating LPs. Technically speaking, Ben E. King's debut long-player is a concept album -- or, at least, a thematic album. Put together in the wake of his first solo hit, "Spanish Harlem," a Latin flavor and beat run all the way through this 12-song platter, which, at times, is really more of a pop record than a soul record. The dense, busy string section that characterized most of King's work of this era is present, and a lot of his singing may recall more the work of Sammy Davis, Jr. than that of any R&B artist one might think of from this period. And apart from the Jerry Leiber/Phil Spector co-authored title hit, most of what is here dates from a decade or more (sometimes several) earlier -- "Frenesi," "Besame Mucho," and "Perfidia" were standards during the big-band era, and most of the rest is of similar or even older vintage. All of which doesn't mean that it is bad -- King's version of "Besame Mucho" is a very successful reinterpretation in a Latin soul vein, and "Perfidia" never sounded better than it does in his hands, even if it and a lot of the rest is a long way from what most of us define as "soul." And for better or worse, the production is first-rate within the context of King's established sound, with a phenomenal string section and a percussion section to die for.
© Bruce Eder /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Sunny Skylar, Writer - Ricardo López Méndez, Writer - Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Gabriel Ruíz, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1960 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Norman Gimbel, Writer - Pablo Beltrán Ruiz, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Osvaldo Farrés, Writer - Al Stewart, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Alberto Domínguez, Writer - Milton Leeds, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Dorothy Dodd, Writer - Aguirre del Pino Agustin Lara, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Otilio Portal, Writer - Geroge Thorn, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Osvaldo Farrés, Writer - Joe Davis, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
S.K. Russell, Writer - Romeo Penque, Flute - Leonard Whitcup, Writer - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Charles Carpenter, Writer - Borras Alberto Dominguez, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - Doc Pomus, Writer - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Morty Shuman, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Sunny Skylar, Writer - Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - Consuelo Velázquez, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, Writer, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1961 Atlantic Records
Romeo Penque, Flute - Ben E. King, Vocals, MainArtist - Gary Chester, Drums - Jerry Leiber, Producer, Writer - Mike Stoller, Producer - Danny Kessler, Percussion - Alan Hanlon, Guitar - George Barnes, Guitar - George Duvivier, Double Bass - Moe Weschler, Piano - PHIL SPECTOR, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1960 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Chronique
A close look at this album reveals just how ambitious Atlantic Records could be in the early 1960s, in generating LPs. Technically speaking, Ben E. King's debut long-player is a concept album -- or, at least, a thematic album. Put together in the wake of his first solo hit, "Spanish Harlem," a Latin flavor and beat run all the way through this 12-song platter, which, at times, is really more of a pop record than a soul record. The dense, busy string section that characterized most of King's work of this era is present, and a lot of his singing may recall more the work of Sammy Davis, Jr. than that of any R&B artist one might think of from this period. And apart from the Jerry Leiber/Phil Spector co-authored title hit, most of what is here dates from a decade or more (sometimes several) earlier -- "Frenesi," "Besame Mucho," and "Perfidia" were standards during the big-band era, and most of the rest is of similar or even older vintage. All of which doesn't mean that it is bad -- King's version of "Besame Mucho" is a very successful reinterpretation in a Latin soul vein, and "Perfidia" never sounded better than it does in his hands, even if it and a lot of the rest is a long way from what most of us define as "soul." And for better or worse, the production is first-rate within the context of King's established sound, with a phenomenal string section and a percussion section to die for.
© Bruce Eder /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:31:18
- Artistes principaux : Ben E. King
- Label : Rhino Atlantic
- Genre : Soul/Funk/R&B Soul
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.