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Mandy Moore|So Real

So Real

Mandy Moore

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Fifteen-year-old Mandy Moore's debut album sounded like it was inspired almost entirely by listening to recent hit albums by 'N Sync, the Backstreet Boys, and Britney Spears. Tracks like "So Real" and "Let Me Be the One" clearly echoed "Backstreet's Back," and Moore's occasional growls were straight out of "...Baby One More Time." But the singer seemed to have aimed at a slightly younger demographic: Her initial single, "Candy," pointedly described love in terms of sugar treats, as if she weren't sure whether she wanted to be at lovers' lane or a snack bar. Naturally, all of the songs adhered to the second-person form of address, in which the singer was continually exhorting "you" and "boy" to do something of a romantic nature ("Walk Me Home," "Lock Me in Your Heart," "Quit Breaking My Heart," "Let Me Be the One"). But things always remained chaste, whether she was declaring, "My innocence won't be denied" in "So Real" or suggesting the "uncharted territory we'll discover" before quickly adding, "You'll always be my dream lover," in "Lock Me in Your Heart." Meanwhile, of course, the downbeats, as high in the mix as those of any disco track, slavishly propelled the songs to mid-tempo rhythms. Moore can carry a tune, but with no particular distinction, and since the songs were generic expressions of the type, the real questions seemed to be, could she dance, would her videos be good, and how would she be marketed? As So Real was being released, "Candy" was moving up the charts purely on sales points, since radio had become resistant to adding more teen queens, while MTV had yet to bite. All of that had more to do with whether Mandy Moore would succeed than did the music, which was mediocre, but typical.

© William Ruhlmann /TiVo

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So Real

Mandy Moore

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1
So Real (Album Version)
00:03:49

Cassandra Irizarry, A&R Coordinator - Chris Athens, Mastering Engineer - Darryl Jones, 2nd Engineer - David McPherson, A&R Director - David McPherson, Executive Producer - JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Mark Kiczula, 2nd Engineer - Marvin Peart, A&R Director - Shaun Fisher, Composer - Shaun Fisher, Engineer - Shaun Fisher, Lyricist - Shaun Fisher, Performer - Shaun Fisher, Producer - The Wasabees, Engineer - The Wasabees, Performer - Tom Coyne, Mastering Engineer - Tony Battaglia, Composer - Tony Battaglia, Engineer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Performer - Tony Battaglia, Producer

(P) 1999 Sony BMG Music Entertainment

2
Candy (Album Version)
00:03:54

Billy Lawrence, Background Vocal - Dakari, Vocal - Dave Katz, Composer - Dave Katz, Lyricist - Dave Katz, Programmer - Denise Rich, Composer - Denise Rich, Lyricist - Denny Kleiman, Composer - Denny Kleiman, Lyricist - JOE SMITH, Mixing Engineer - Jive, Background Vocal - Jive, Producer - Mandy Moore, Performer - Rob Bailey, Guitar - Shaun Fisher, Producer - Tony Baattagin, Guitar - Tony Battaglia, Composer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Producer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

3
What You Want (Album Version)
00:03:41

Alan Armitage, 2nd Engineer - Darryl Jones, 2nd Engineer - JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Shaun Fisher, Composer - Shaun Fisher, Lyricist - Shaun Fisher, Producer - Skip Masland, Composer - Skip Masland, Lyricist - The Wasabees, Engineer - The Wasabees, Performer - Tony Battaglia, Composer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Producer

(P) 1999 Sony Music Entertainment Inc.

4
Walk Me Home (Album Version)
00:04:21

Cassandra Irizarry, A&R Coordinator - Chris Athens, Mastering Engineer - Darryl Jones, 2nd Engineer - David McPherson, A&R Director - David McPherson, Executive Producer - JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Mark Kiczula, 2nd Engineer - Marvin Peart, A&R Director - Shaun Fisher, Composer - Shaun Fisher, Engineer - Shaun Fisher, Lyricist - Shaun Fisher, Performer - Shaun Fisher, Producer - The Wasabees, Engineer - The Wasabees, Performer - Tom Coyne, Mastering Engineer - Tony Battaglia, Composer - Tony Battaglia, Engineer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Performer - Tony Battaglia, Producer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

5
Lock Me In Your Heart (Album Version)
00:03:31

Alan Armitage, 2nd Engineer - Billy Lawrence, Background Vocal - Cassandra Irizarry, A&R Coordinator - Chris Athens, Mastering Engineer - Dakari, Rap Performed By - Dakari -, Rap Performed By - Darryl Jones, 2nd Engineer - David McPherson, A&R Director - David McPherson, Executive Producer - JOE SMITH, Mixing Engineer - Mandy Moore, Background Vocal - Mandy Moore, Performer - Mandy Moore, Vocal - Marvin Peart, A&R Director - Shaun Fisher, Composer - Shaun Fisher, Lyricist - Shaun Fisher, Performer - Shaun Fisher, Producer - The Wasabees, Performer - The Wasabees, Engineer - Tom Coyne, Mastering Engineer - Tony Battaglia, Composer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Performer - Tony Battaglia, Producer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

6
Telephone (Interlude)
00:00:15

Mandy Moore, Performer - Spoken Word, Composer - Spoken Word, Lyricist

(P) 1999 Sony Music Entertainment Inc.

7
Quit Breaking My Heart (Album Version)
00:03:51

JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Shaun Fisher, Composer - Shaun Fisher, Engineer - Shaun Fisher, Lyricist - Shaun Fisher, Performer - Shaun Fisher, Producer - Tony Battaglia, Composer - Tony Battaglia, Engineer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Performer - Tony Battaglia, Producer

(P) 1999 Sony Music Entertainment Inc.

8
Let Me Be The One
00:03:47

Darryl Jones, 2nd Engineer - Ian Foster, Composer - Ian Foster, Lyricist - JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Mark Kiczula, 2nd Engineer - Shaun Fisher, Engineer - Shaun Fisher, Performer - Shaun Fisher, Producer - Tony Battaglia, Engineer - Tony Battaglia, Mixing Engineer - Tony Battaglia, Performer - Tony Battaglia, Producer

(P) 1999 Sony Music Entertainment Inc.

9
Not Too Young
00:03:49

Darryl Jones, 2nd Engineer - JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Mark Kiczula, 2nd Engineer - Obie Morant, Composer - Obie Morant, Lyricist - Shaun Fisher, Engineer - Shaun Fisher, Performer - Shaun Fisher, Producer - Tony Battaglia, Composer - Tony Battaglia, Engineer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Performer - Tony Battaglia, Producer

(P) 1999 Sony Music Entertainment Inc.

10
Love Shot (Album Version)
00:04:22

Abraham Appleman, Violin - Al Hemberger, Engineer - Ann Leathers, Violin - Carl Sturken, Arranger - Carl Sturken, Composer - Carl Sturken, Lyricist - Carl Sturken, Performer - Carl Sturken, Producer - Doug Cuomo, Arranger - Elizabeth Lim-Dutton, Violin - Evan Rogers, Composer - Evan Rogers, Lyricist - Evan Rogers, Producer - Mandy Moore, Performer - Nancy Wu, Viola - Ronald Arron, Viola - Shaun Fisher, Producer - Tony Battaglia, Producer

(P) 1999 Sony Music Entertainment Inc.

11
I Like It (Album Version)
00:04:25

Audrey Martells, Background Vocal - Cassandra Irizarry, A&R Coordinator - Chris Athens, Mastering Engineer - Cindy Mizelle, Background Vocal - David McPherson, A&R Director - David McPherson, Executive Producer - Denise Rich, Composer - Denise Rich, Lyricist - Howie Dorough, Composer - Howie Dorough, Lyricist - JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Marvin Peart, A&R Director - Mike Lorello, Composer - Mike Lorello, Lyricist - Tom Coyne, Mastering Engineer - Tony Battaglia, Mixing Engineer - Tony Moran, Composer - Tony Moran, Lyricist - Tony Moran, Producer

(P) 1999 Sony Music Entertainment Inc.

12
Love You For Always (Album Version)
00:03:19

Darryl Jones, 2nd Engineer - JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Mandy Moore, Vocal - Mark Kiczula, 2nd Engineer - Shaun Fisher, Composer - Shaun Fisher, Engineer - Shaun Fisher, Lyricist - Shaun Fisher, Performer - Shaun Fisher, Producer - Tony Battaglia, Composer - Tony Battaglia, Engineer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Performer - Tony Battaglia, Producer

(P) 1999 SONY BMG MUSIC ENTERTAINMENT

13
Quit Breaking My Heart (Reprise)
00:00:59

JOE SMITH, Mixing Engineer - Mandy Moore, Performer - Shaun Fisher, Composer - Shaun Fisher, Lyricist - Shaun Fisher, Producer - Tony Battaglia, Composer - Tony Battaglia, Lyricist - Tony Battaglia, Mixing Engineer - Tony Battaglia, Producer

(P) 1999 Sony Music Entertainment Inc.

Chronique

Fifteen-year-old Mandy Moore's debut album sounded like it was inspired almost entirely by listening to recent hit albums by 'N Sync, the Backstreet Boys, and Britney Spears. Tracks like "So Real" and "Let Me Be the One" clearly echoed "Backstreet's Back," and Moore's occasional growls were straight out of "...Baby One More Time." But the singer seemed to have aimed at a slightly younger demographic: Her initial single, "Candy," pointedly described love in terms of sugar treats, as if she weren't sure whether she wanted to be at lovers' lane or a snack bar. Naturally, all of the songs adhered to the second-person form of address, in which the singer was continually exhorting "you" and "boy" to do something of a romantic nature ("Walk Me Home," "Lock Me in Your Heart," "Quit Breaking My Heart," "Let Me Be the One"). But things always remained chaste, whether she was declaring, "My innocence won't be denied" in "So Real" or suggesting the "uncharted territory we'll discover" before quickly adding, "You'll always be my dream lover," in "Lock Me in Your Heart." Meanwhile, of course, the downbeats, as high in the mix as those of any disco track, slavishly propelled the songs to mid-tempo rhythms. Moore can carry a tune, but with no particular distinction, and since the songs were generic expressions of the type, the real questions seemed to be, could she dance, would her videos be good, and how would she be marketed? As So Real was being released, "Candy" was moving up the charts purely on sales points, since radio had become resistant to adding more teen queens, while MTV had yet to bite. All of that had more to do with whether Mandy Moore would succeed than did the music, which was mediocre, but typical.

© William Ruhlmann /TiVo

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