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Cliff Richard|Small Corners

Small Corners

Cliff Richard

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Langue disponible : anglais

Placing his rock & roll revival on hold for a few days, Cliff Richard and his regular band decamped to Abbey Road studios in January 1977 to cut a new inspirational album, Small Corners. With Richard himself producing, the entire album was bashed out in just three days, January 17-19, and the finished thing would retain that spontaneous air to emerge the most enjoyable and, in many ways least pious, of all Richard's religious offerings. Highlights are the two lightest-hearted numbers, "Good on the Sally Army" and "Why Should the Devil Have All the Good Music," but a lovely version of "When I Survey the Wondrous Cross" is also sterling stuff -- in fact, the weakest number on the album is that selected as its one and only single, "Yes He Lives." Much of the credit for the album's strength must go to the musicians, who hit every number with the same force they normally employed on the rock records, but Richard himself seems determined that the fans should enjoy themselves, too, and the result is an album that fits snugly in alongside the remainder of his late-'70s output.

© Dave Thompson /TiVo

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Small Corners

Cliff Richard

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1
Why Should the Devil Have All the Good Music (2007 Remaster)
00:04:10

Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Larry Norman, Writer - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

2
I Love (2007 Remaster)
00:03:19

Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - Malcolm Wild, Writer - Alwyn Wall, Writer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

3
Why Me (2007 Remaster)
00:02:43

Kris Kristofferson, Writer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

4
I've Got News for You (2007 Remaster)
00:04:19

Randy Stonehill, Writer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

5
Hey Whatcha' Say (2007 Remaster)
00:03:59

Matthew Ward, Writer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - Anne Herring, Writer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer - Ellen Ward, Writer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

6
I Wish We'd All Been Ready (2007 Remaster)
00:04:40

Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Larry Norman, Writer - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

7
Joseph (2007 Remaster)
00:03:25

Terry Britten, Writer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

8
Good on the Sally Army (2007 Remaster)
00:03:06

Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer - Allan Shiers, Writer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

9
Goin' Home (2007 Remaster)
00:02:54

Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - Anne Herring, Writer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

10
Up in Canada (2007 Remaster)
00:02:46

Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Larry Norman, Writer - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

11
Yes He Lives (2007 Remaster)
00:03:32

Terry Britten, Writer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Tony Clark, Engineer - Hayden Bendall, Engineer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

12
When I Survey the Wondrous Cross (2007 Remaster)
00:02:12

Norrie Paramor, Writer - Traditional, Writer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Isaac Watts, Writer - Tony Clark, Engineer - Hayden Bendall, Engineer - Edward Miller, Writer - John Barrett, Engineer - Mike Jarrett, Engineer - Allan Rouse, Engineer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

13
More to Life (2007 Remaster)
00:03:18

Simon May, Writer - Ben Robbins, Engineer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Gerry Kitchingham, Engineer - John Clark, Guitar - Paul Moessl, Producer, Keyboards, Programmer - Steve Stroud, Bass - Peter May, Drums, Percussion - Andrew Greasley, Engineer, Strings - Mike Read, Writer - Paul Dunne, Guitar

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

14
There's No Power in Pity (2007 Remaster)
00:03:31

Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Featured Vocalist, Writer, MainArtist - Paul Moessel, Producer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

15
Peace in Our Time (Gospel Mix: 2007 Remaster)
00:05:52

Peter Sinfield, Writer - Andy Hill, Writer - Ben Robbins, Engineer - Keith Bessey, Engineer, Digital Remasterer - Cliff Richard, Producer, Vocals, MainArtist - Gerry Kitchingham, Engineer - Paul Moessl, Producer

© 2007 Parlophone Records Ltd, a Warner Music Group Company ℗ 2007 Parlophone Records Ltd, a Warner Music Group Company

Chronique

Placing his rock & roll revival on hold for a few days, Cliff Richard and his regular band decamped to Abbey Road studios in January 1977 to cut a new inspirational album, Small Corners. With Richard himself producing, the entire album was bashed out in just three days, January 17-19, and the finished thing would retain that spontaneous air to emerge the most enjoyable and, in many ways least pious, of all Richard's religious offerings. Highlights are the two lightest-hearted numbers, "Good on the Sally Army" and "Why Should the Devil Have All the Good Music," but a lovely version of "When I Survey the Wondrous Cross" is also sterling stuff -- in fact, the weakest number on the album is that selected as its one and only single, "Yes He Lives." Much of the credit for the album's strength must go to the musicians, who hit every number with the same force they normally employed on the rock records, but Richard himself seems determined that the fans should enjoy themselves, too, and the result is an album that fits snugly in alongside the remainder of his late-'70s output.

© Dave Thompson /TiVo

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