Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Shirley Bassey's second album for EMI/Columbia is something of a letdown after her debut, The Fabulous Shirley Bassey. Producer Norman Newell again employs the services of Geoff Love & His Orchestra, who provide rather thick-textured accompaniment that sometimes seems out of sync with the singer's full abilities, which never get used on this LP. Bassey's singing is assured and rich-toned, whether she's doing straight pop or bluesy torch ballads like "For Every Man There's a Woman," and she does plumb some unexpected depths of emotion in a slow, impassioned "I'm in the Mood for Love," on which the orchestra is a little too busy for the good of the singer or the song. Love's accompaniments throughout are rather problematic -- the bandleader evidently favored the use of bongos on some of this repertory, but, as with all instruments with the least bit of exoticism, a little bongos go a long way. Generally, Bassey seems less comfortable with both the songs and the arrangements on this album than she did on her debut, although she does have a few beautiful moments here. This was reissued at the end of the 1990s as part of EMI's anniversary series in 24-bit sound.
© Bruce Eder /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Cole Porter, Composer, Lyricist - Shirley Bassey, MainArtist - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Lionel Rand, Composer - Shirley Bassey, MainArtist - Grant, Lyricist - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Shirley Bassey, MainArtist - Copyright Control, MusicPublisher - COCHRAN, Composer - Stern, Lyricist
1961 MHR 1961 Pyramid 3 Ltd
Fields, Lyricist - Shirley Bassey, MainArtist - McHugh, Composer - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Fields, Lyricist - Shirley Bassey, MainArtist - McHugh, Composer - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Cole Porter, Composer, Lyricist - Shirley Bassey, MainArtist - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Shirley Bassey, MainArtist - Copyright Control, MusicPublisher - F. Loesser, Composer, Lyricist
1961 MHR 1961 Pyramid 3 Ltd
Shirley Bassey, MainArtist - Harry Warren, Composer - Copyright Control, MusicPublisher - M. Gordon, Lyricist
1961 MHR 1961 Pyramid 3 Ltd
Shirley Bassey, MainArtist - Arlen, Composer - Robin, Lyricist - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Shirley Bassey, MainArtist - Lane, Lyricist - Lerner, Composer - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Shirley Bassey, MainArtist - Koehler, Composer - McHugh, Lyricist - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Cole Porter, Composer, Lyricist - Shirley Bassey, MainArtist - Copyright Control, MusicPublisher
1961 MHR 1961 Pyramid 3 Ltd
Chronique
Shirley Bassey's second album for EMI/Columbia is something of a letdown after her debut, The Fabulous Shirley Bassey. Producer Norman Newell again employs the services of Geoff Love & His Orchestra, who provide rather thick-textured accompaniment that sometimes seems out of sync with the singer's full abilities, which never get used on this LP. Bassey's singing is assured and rich-toned, whether she's doing straight pop or bluesy torch ballads like "For Every Man There's a Woman," and she does plumb some unexpected depths of emotion in a slow, impassioned "I'm in the Mood for Love," on which the orchestra is a little too busy for the good of the singer or the song. Love's accompaniments throughout are rather problematic -- the bandleader evidently favored the use of bongos on some of this repertory, but, as with all instruments with the least bit of exoticism, a little bongos go a long way. Generally, Bassey seems less comfortable with both the songs and the arrangements on this album than she did on her debut, although she does have a few beautiful moments here. This was reissued at the end of the 1990s as part of EMI's anniversary series in 24-bit sound.
© Bruce Eder /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:42:15
- Artistes principaux : Shirley Bassey
- Compositeur : Various Composers
- Label : Must Have Records
- Genre : Électronique Lounge
1961 MHR 1961 MHR
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.