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PaTRAM Institute Male Choir|Rachmaninoff: All-Night Vigil

Rachmaninoff: All-Night Vigil

Patram Institute Male Choir, Ekaterina Antonenko, Igor Morozov, Evgeny Kachurovski, Alexis V. Lukianov

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Langue disponible : anglais

The All-Night Vigil, Op. 37, of Rachmaninov, is a perenially popular work, merging the language of Russian Orthodox church music with the composer's lush late Romanticism. There are plenty of recordings available, and those considering this one should know that it offers not the usual work but an arrangement for an all-male group, here performed by the PaTRAM Institute Male Choir, the male choir of the Patriarch Tikhon Russian-American Music Institute. The particular group here contains singers from Russia, Serbia, North America, and Australia, and there are some stars of the Russian universe on the album, notably conductor Ekaterina Antonenko. The album is thus a one-of-a-kind occurrence. The arrangement lowers the music to fit the male voices, submerging it into the general murk of traditional Orthodox choral music, and the low basses are given several chances to shine (if that's the right word). This may sound like quite an elaboration on what Rachmaninov had in mind, but there are a couple of justifications for what has been done here. First is that Rachmaninov wrote the work for an all-male choir, albeit one with boy singers, not all adults. Second, Alexander Gretchaninov, in Rachmaninov's own time, arranged one of the hymns, Glory to God in the Highest, in a manner similar to the arrangements here by Dmitri Lazarev and Benedict Sheehan. This is, then, an experiment, but it is one well worth hearing, with not only the impressive growling bass by Alexis V. Lukianov but also so-called octavist basses who double the bottom lines at key junctures with impressively resonant effect. (Sample "Rejoice, O Virgin Theotokos.") Another draw is the acoustic of the Russian Orthodox Convent Monastery Church of the Ascension, Mount Olives, in Jerusalem, a space that will be new to many audiophiles but that is perfect for this project. The album made classical best-seller lists in the spring of 2024.

© James Manheim /TiVo

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Rachmaninoff: All-Night Vigil

PaTRAM Institute Male Choir

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All-Night Vigil, Op. 37 (Serge Rachmaninoff)

1
I. Arise! Master, give the blessing - Amen. Come, let us worship God, our King (Arr. for Male Choir by Benedict Sheehan)
Alexis V. Lukianov
00:03:26

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist - Alexis V. Lukianov, MainArtist, BassVocals

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

2
II. Bless the Lord, O my soul (Arr. for male choir by Benedict Sheehan)
Evgeny Kachurovski
00:05:31

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Ekaterina Antonenko, Conductor, MainArtist - Evgeny Kachurovski, MainArtist, BaritoneVocals

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

3
III. Blessed is the man (Arr. for Male Choir by Dmitrii Lazarev)
PaTRAM Institute Male Choir
00:06:08

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

4
IV. Gladsome Light (Arr. for Male Choir by Dmitrii Lazarev)
Alexis V. Lukianov
00:04:07

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Ekaterina Antonenko, Conductor, MainArtist - Alexis V. Lukianov, MainArtist, BassVocals

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

5
V. Lord, now lettest Thou Thy servant depart in peace (Arr. for Male Choir by Dmitrii Lazarev)
Igor Morozov
00:04:33

Sergei Rachmaninoff, Composer - Igor Morozov, MainArtist, TenorSolo - PaTRAM Institute Male Choir, Choir, MainArtist - Ekaterina Antonenko, Conductor, MainArtist - Dmitrii Lazarev, Arranger

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

6
VI. Rejoice, O Virgin Theotokos (Arr. for Male Choir by Benedict Sheehan)
PaTRAM Institute Male Choir
00:03:45

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

7
VII. Glory to God in the highest (Arr. for Male Choir by Alexander Gretchaninoff)
PaTRAM Institute Male Choir
00:03:14

Sergei Rachmaninoff, Composer - Alexander Gretchaninoff, Arranger - PaTRAM Institute Male Choir, Choir, MainArtist - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

8
VIII. Praise the name of the Lord (Arr. for Male Choir by Dmitrii Lazarev)
PaTRAM Institute Male Choir
00:02:58

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

9
IX. Blessed art Thou, O Lord (Arr. for Male Choir by Dmitrii Lazarev)
Igor Morozov
00:06:55

Sergei Rachmaninoff, Composer - Igor Morozov, MainArtist, TenorSolo - PaTRAM Institute Male Choir, Choir, MainArtist - Ekaterina Antonenko, Conductor, MainArtist - Dmitrii Lazarev, Arranger

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

10
X. Having beheld the resurrection of Christ (Arr. for Male Choir by Benedict Sheehan)
PaTRAM Institute Male Choir
00:03:16

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

11
XI. My soul magnifies the Lord (Arr. for Male Choir by Benedict Sheehan)
Alexis V. Lukianov
00:09:52

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist - Alexis V. Lukianov, MainArtist, BassVocals

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

12
XII. Glory to God in the highest (Arr. for Male Choir by Benedict Sheehan)
PaTRAM Institute Male Choir
00:07:35

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

13
XIII. Today salvation has come to the world (Arr. for Male Choir by Benedict Sheehan)
PaTRAM Institute Male Choir
00:02:32

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

14
XIV. Thou didst arise from the tomb (Arr. for Male Choir by Benedict Sheehan)
PaTRAM Institute Male Choir
00:04:24

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

15
XV. To Thee, the victorious Leader of triumphant hosts (Arr. for Male Choir by Benedict Sheehan)
PaTRAM Institute Male Choir
00:01:50

Sergei Rachmaninoff, Composer - PaTRAM Institute Male Choir, Choir, MainArtist - Benedict Sheehan, Arranger - Ekaterina Antonenko, Conductor, MainArtist

2024 Chandos Records Ltd. 2024 Chandos Records Ltd.

Chronique

The All-Night Vigil, Op. 37, of Rachmaninov, is a perenially popular work, merging the language of Russian Orthodox church music with the composer's lush late Romanticism. There are plenty of recordings available, and those considering this one should know that it offers not the usual work but an arrangement for an all-male group, here performed by the PaTRAM Institute Male Choir, the male choir of the Patriarch Tikhon Russian-American Music Institute. The particular group here contains singers from Russia, Serbia, North America, and Australia, and there are some stars of the Russian universe on the album, notably conductor Ekaterina Antonenko. The album is thus a one-of-a-kind occurrence. The arrangement lowers the music to fit the male voices, submerging it into the general murk of traditional Orthodox choral music, and the low basses are given several chances to shine (if that's the right word). This may sound like quite an elaboration on what Rachmaninov had in mind, but there are a couple of justifications for what has been done here. First is that Rachmaninov wrote the work for an all-male choir, albeit one with boy singers, not all adults. Second, Alexander Gretchaninov, in Rachmaninov's own time, arranged one of the hymns, Glory to God in the Highest, in a manner similar to the arrangements here by Dmitri Lazarev and Benedict Sheehan. This is, then, an experiment, but it is one well worth hearing, with not only the impressive growling bass by Alexis V. Lukianov but also so-called octavist basses who double the bottom lines at key junctures with impressively resonant effect. (Sample "Rejoice, O Virgin Theotokos.") Another draw is the acoustic of the Russian Orthodox Convent Monastery Church of the Ascension, Mount Olives, in Jerusalem, a space that will be new to many audiophiles but that is perfect for this project. The album made classical best-seller lists in the spring of 2024.

© James Manheim /TiVo

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