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Jimmy Smith|Prayer Meetin'

Prayer Meetin'

Jimmy Smith

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Langue disponible : anglais

Playing piano-style single-note lines on his Hammond B-3 organ, Jimmy Smith revolutionized the use of the instrument in a jazz combo setting in the mid-'50s and early '60s, and arguably his best albums for Blue Note during this period were the ones he did with tenor sax player Stanley Turrentine. Recorded on February 8, 1963, at Van Gelder Studio in New Jersey, and featuring Quentin Warren on guitar and Donald Bailey on drums in addition to Smith and Turrentine, Prayer Meetin' is a delight from start to finish. Forming a perfect closure to Smith's trio of albums with Turrentine (Midnight Special and Back at the Chicken Shack were both released in 1960), Prayer Meetin' was the last of four albums Smith recorded in a week to finish off his Blue Note contract before leaving for Verve. The blues roots are obvious here, and the Smith-penned title track might even be called jazz-gospel, but the single most striking cut is a version of Ivory Joe Hunter's "I Almost Lost My Mind," with both Smith and Turrentine building wonderful solos, suggesting new pathways for organ and sax as complementary instruments.
© Steve Leggett /TiVo

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Prayer Meetin'

Jimmy Smith

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1
Prayer Meetin'
00:05:44

Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Stanley Turrentine, Tenor Saxophone, AssociatedPerformer - Jimmy Smith, Composer, Organ, MainArtist, AssociatedPerformer - Donald Bailey, Drums, AssociatedPerformer - Quentin Warren, Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 1963 Blue Note Records

2
I Almost Lost My Mind (Remastered)
00:09:25

Ivory Joe Hunter, ComposerLyricist - Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Stanley Turrentine, Tenor Saxophone, AssociatedPerformer - Jimmy Smith, Organ, MainArtist, AssociatedPerformer - Donald Bailey, Drums, AssociatedPerformer - Quentin Warren, Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 1963 Blue Note Records

3
Stone Cold Dead In The Market
00:03:43

Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Stanley Turrentine, Tenor Saxophone, AssociatedPerformer - Jimmy Smith, Organ, MainArtist, AssociatedPerformer - Donald Bailey, Drums, AssociatedPerformer - Wilmoth Houdini, Composer - Quentin Warren, Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 1963 Blue Note Records

4
When The Saints Go Marching In (Remastered)
00:06:12

Traditional, ComposerLyricist - Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Stanley Turrentine, Tenor Saxophone, AssociatedPerformer - Jimmy Smith, Organ, MainArtist, AssociatedPerformer - Donald Bailey, Drums, AssociatedPerformer - Quentin Warren, Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 1964 Blue Note Records

5
Red Top (Remastered 2004/Rudy Van Gelder Edition)
00:07:36

Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Stanley Turrentine, Tenor Saxophone, AssociatedPerformer - Jimmy Smith, Organ, MainArtist, AssociatedPerformer - Donald Bailey, Drums, AssociatedPerformer - Gene Ammons, Composer - Quentin Warren, Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 2004 Blue Note Records

6
Picnickin' (Remastered)
00:06:30

Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Stanley Turrentine, Tenor Saxophone, AssociatedPerformer - Jimmy Smith, Composer, Organ, MainArtist, AssociatedPerformer - Donald Bailey, Drums, AssociatedPerformer - Quentin Warren, Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 1964 Blue Note Records

7
Lonesome Road (AKA Lonesome Road Blues) (Remastered)
00:08:52

Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Gene Austin, ComposerLyricist - Jimmy Smith, MainArtist - Nathaniel Shilkret, ComposerLyricist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 1964 Blue Note Records

8
Smith Walk (Remastered)
00:07:15

Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Jimmy Smith, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 2004 Capitol Records, Inc. ℗ 1964 Blue Note Records

Chronique

Playing piano-style single-note lines on his Hammond B-3 organ, Jimmy Smith revolutionized the use of the instrument in a jazz combo setting in the mid-'50s and early '60s, and arguably his best albums for Blue Note during this period were the ones he did with tenor sax player Stanley Turrentine. Recorded on February 8, 1963, at Van Gelder Studio in New Jersey, and featuring Quentin Warren on guitar and Donald Bailey on drums in addition to Smith and Turrentine, Prayer Meetin' is a delight from start to finish. Forming a perfect closure to Smith's trio of albums with Turrentine (Midnight Special and Back at the Chicken Shack were both released in 1960), Prayer Meetin' was the last of four albums Smith recorded in a week to finish off his Blue Note contract before leaving for Verve. The blues roots are obvious here, and the Smith-penned title track might even be called jazz-gospel, but the single most striking cut is a version of Ivory Joe Hunter's "I Almost Lost My Mind," with both Smith and Turrentine building wonderful solos, suggesting new pathways for organ and sax as complementary instruments.
© Steve Leggett /TiVo

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