Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
The music of composer Julian Anderson uses a great variety of technical and formal procedures, but it is unified by its frequent use of surfaces that suggest extramusical ideas, and of textures from folk traditions. Both tendencies are on display in this attractive group of Anderson works performed by the Nash Ensemble, led in the larger pieces by the indefatigable conductor Martyn Brabbins. The album takes its name from a movement of Poetry Nearing Silence, a work based on a piece of visual art inspired by "an obscure late Victorian novel" (Anderson); the artist, Tom Phillips, illustrated random phrases from the book, and Anderson, in turn, represented these illustrations. Sample within this work for an idea of Anderson's music. The second movement, "Know Vienna," is aptly described by Anderson as "somewhere between a disjoined waltz and a blues," while "In Bohemia, Screwing" (a title not further explained) alludes both to Eastern European folk music and to Janáček. The procedure may seem random, but the work is quite evocative. The same is true of the other major work on the program, the directly programmatic Van Gogh Blue. Prayer and Another Prayer, for solo viola and solo violin respectively (the second work is an elaboration of the first), suggest Jewish cantillation, while The Colour of Pomegranates was inspired by an Armenian film. The opening Ring Dance evokes the Norwegian Hardanger fiddle, and The Bearded Lady refers to a scene in the libretto of Stravinsky's The Rake's Progress. The unusual textures of the music require a crack level of virtuosity. It receives this from the Nash Ensemble, and the end result is a set of contemporary pieces that are rigorous, yet accessible, to anybody.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Julian Anderson, Composer - Michael Gurevich, MainArtist, AssociatedPerformer - Benjamin Nabarro, MainArtist, AssociatedPerformer
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Richard Hosford, MainArtist, AssociatedPerformer - Ian Brown, MainArtist, AssociatedPerformer
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Ian Brown, MainArtist, AssociatedPerformer - Philipa Davies, MainArtist, AssociatedPerformer
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Lawrence Power, MainArtist, AssociatedPerformer
2019 NMC Recordings 2019 (P) NMC Recordings
Poetry Nearing Silence (Julian Anderson)
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Benjamin Nabarro, MainArtist, AssociatedPerformer
2019 NMC Recordings 2019 (P) NMC Recordings
Van Gogh Blue (Julian Anderson)
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Julian Anderson, Composer - Martyn Brabbins, Conductor, MainArtist - The Nash Ensemble, Ensemble, MainArtist
2019 NMC Recordings 2019 (P) NMC Recordings
Chronique
The music of composer Julian Anderson uses a great variety of technical and formal procedures, but it is unified by its frequent use of surfaces that suggest extramusical ideas, and of textures from folk traditions. Both tendencies are on display in this attractive group of Anderson works performed by the Nash Ensemble, led in the larger pieces by the indefatigable conductor Martyn Brabbins. The album takes its name from a movement of Poetry Nearing Silence, a work based on a piece of visual art inspired by "an obscure late Victorian novel" (Anderson); the artist, Tom Phillips, illustrated random phrases from the book, and Anderson, in turn, represented these illustrations. Sample within this work for an idea of Anderson's music. The second movement, "Know Vienna," is aptly described by Anderson as "somewhere between a disjoined waltz and a blues," while "In Bohemia, Screwing" (a title not further explained) alludes both to Eastern European folk music and to Janáček. The procedure may seem random, but the work is quite evocative. The same is true of the other major work on the program, the directly programmatic Van Gogh Blue. Prayer and Another Prayer, for solo viola and solo violin respectively (the second work is an elaboration of the first), suggest Jewish cantillation, while The Colour of Pomegranates was inspired by an Armenian film. The opening Ring Dance evokes the Norwegian Hardanger fiddle, and The Bearded Lady refers to a scene in the libretto of Stravinsky's The Rake's Progress. The unusual textures of the music require a crack level of virtuosity. It receives this from the Nash Ensemble, and the end result is a set of contemporary pieces that are rigorous, yet accessible, to anybody.
© TiVo
À propos
- 1 disque(s) - 18 piste(s)
- Durée totale : 01:17:51
- 1 Livret Numérique
- Artistes principaux : The Nash Ensemble Martyn Brabbins
- Compositeur : Julian Anderson
- Label : NMC Recordings
- Genre : Classique
2019 NMC Recordings 2019 (P) NMC Recordings
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.
Playlists